Kuruthipunal
Poster of the Tamil version
Directed byP. C. Sreeram
Screenplay byKamal Haasan
Based onDrohkaal
by Govind Nihalani
Produced by
Starring
CinematographyP. C. Sreeram
Edited byN. P. Sathish
Music byMahesh
Production
company
Release dates
  • 23 October 1995 (1995-10-23) (Tamil)
  • 7 July 1996 (1996-07-07) (Telugu)
Running time
141–156 minutes[lower-alpha 1]
CountryIndia
Languages
  • Tamil
  • Telugu

Kuruthipunal (transl.River of Blood) is a 1995 Indian Tamil-language action thriller film directed and filmed by P. C. Sreeram, and co-produced and written by Kamal Haasan. The film, which stars Haasan, Arjun, Nassar, Gautami and Geetha, is a remake of the Hindi film Drohkaal (1994), and revolves around two police officers seeking to curb a terrorist group.

Alongside the Tamil version, a Telugu-language version titled Drohi (transl.Traitor) was filmed at the same time. Kuruthipunal was co-produced by Haasan's brother Chandrahasan. Mahesh composed the score and the film was edited by N. P. Sathish. Kuruthipunal was the first Indian film to use Dolby Stereo surround SR technology.

Kuruthipunal was released on 23 October 1995, Diwali day, and Drohi on 7 July 1996. The former was a critical and commercial success, and won the Cinema Express Award for Best Film – Tamil while Kamal Haasan won the Filmfare Award for Best Actor – Tamil. It was India's official entry for the 68th Academy Awards under the category Best Foreign Language Film but was not nominated. The film attained cult status in Tamil cinema, and has been recognised by many to have set standards for other action films of the period.

Plot

Police officers Adhi Narayanan and Abbas devise a plan to take down a terrorist group, where they send undercover officers Anand and Shiva on "Operation Dhanush". The objective is to infiltrate a terrorist group headed by the Naxalite Badri and relay information back to Abbas. After a year of the operation, Anand is caught and commits suicide before he can be interrogated. With the information relayed by Anand, Abbas and Adhi know that the terrorists are picking up someone important and are going to Tiruchirappalli. Abbas tightens security at the railway station while Adhi calls his wife from a public telephone booth. Adhi sees some suspicious activity and tries to investigate, but a sound from his radio alerts the terrorist and a shootout follows.

Adhi wounds a terrorist and stops another from fleeing by shooting at the car's tyre. The wounded terrorist enters the railway station but is shot dead by Abbas and the car driver is taken into custody. Adhi asks the driver for information on Badri. The driver maintains his innocence, but Adhi is convinced that the driver holds a mid-level position in the terrorist organisation. The terrorists plan to assassinate a central government minister who is visiting the city. An RPG shooter is brought in to kill the minister, whose route the terrorists seem to know. The terrorists kills the minister, and Adhi catches the shooter, who identifies the driver as Badri. Adhi tells Badri that the shooter has identified him and is willing to give more information about the terrorist organisation. Badri uses his influence and kills the imprisoned shooter.

Adhi beats Badri and decides to kill him, but instead interrogates him. Badri reveals that the terrorists have planted a spy in the police department Srinivasan, who is Abbas and Adhi's mentor. Adhi tells the CBI that Srinivasan is a spy, but Srinivasan commits suicide before he can be arrested. Badri's assistant Narasimhan sends terrorists to kill Adhi's pet and shoots at Adhi's son to show he can easily kill Adhi's family, who Narasimhan threatens to kill if Badri is not allowed to escape. Adhi cooperates, lets Badri escape and becomes the terrorists' new spy. Abbas becomes suspicious and follows Adhi when he goes to meet Badri, who catches, tortures and kills Abbas. Grief-stricken, Abbas's wife Zeenath and their teenage daughter go to live with Adhi, his wife Sumitra and their son.

Badri again threatens Adhi to allow two terrorists named Surendar and Mala to live and monitor Adhi. Overcome with guilt and grief over Abbas's death and his betrayal of his duty, Adhi realises that he is becoming like Srinivasan and decides to end the arrangement. Adhi sets up a meeting with Badri. Shiva, who is still in contact with Adhi, tells him that Narasimhan is meeting his wife and if Narasimhan dies, Shiva will become Badri's assistant. Adhi kills Narasimhan and tries to attack Badri in a safe house but is overpowered. Surendar tries to assault Abbas' daughter and kills Mala when she intervenes. Sumitra intervenes and seduces Surendar, where he steals his gun and kills him. Adhi is tortured for information about Dhanush.

With Adhi, Badri and Badri's second-in-command Shiva are left in the room, Badri tells Adhi that the group has found the radio used by the spy and that Dhanush – the spy's codename – can no longer contact the police. This surprises Adhi as he looks at Shiva, who is the spy for confirmation. Badri notices this and realises that Shiva is Dhanush. When Badri tries to kill Shiva, Adhi breaks free, wrestles with Badri and kills him. Deciding the mission to destroy the terrorist organisation is more important than his life, Adhi orders Shiva to shoot him so that Shiva can continue spying. Shiva shoots Adhi as the other terrorists enter the room. Shiva tells the terrorists that Badri was killed by Adhi and he killed Adhi. Shiva says Badri's death leaves him as second-in-command, to take over the group. Adhi and Abbas are felicitated posthumously.

Cast

Production

Development

In 1994, Govind Nihalani invited P. C. Sreeram and Kamal Haasan to a Bombay screening of his Hindi film Drohkaal. Both men liked the film; Haasan wanted to remake it in Tamil and Sreeram agreed. Haasan and Sreeram had discussions with Sab John about filming; it was decided Haasan would write the remake's screenplay. After completing the script, Haasan suggested three titles, two of which were Kuruthipunal (transl.River of Blood) and Drohi (transl.Traitor). The former title was met with objections because it was believed "the audience may not have a stomach for a morbid title". Sreeram, however, preferred Kuruthipunal, as it is also the title of a novel by Indira Parthasarathy, and he felt it had a connection to Akira Kurosawa's Throne of Blood (1957).[7] It was decided to film simultaneously in Telugu with Drohi as the title.[8][9] The film was produced by Haasan and his brother Chandrahasan under the banner Raaj Kamal Films International, photographed by Sreeram and edited by N. P. Sathish,[1] while Haasan's then-wife Sarika was the sound recordist.[10] Nirav Shah worked as an assistant cinematographer.[11] The film has no songs and the score was composed by Mahesh.[7]

Casting and filming

Besides producing the film and writing the screenplay, Haasan also portrayed the lead character Adhi Narayanan.[7] He approached Arjun to portray Abbas; Arjun agreed to do the film even without hearing the narration until filming began.[10][12] Nassar, who portrayed the Naxalite leader Badri, said he had the freedom to interpret the character in his own way and that he "didn't really 'act' in the film. The context of every scene was so well established, that I did nothing more than maintain a stoic expression in most scenes. The fact that my character was torturing someone and yet my face was so calm contributed to the impact."[13] Vikram dubbed the voice of Sab John, who portrayed the Naxalite Narasimham,[4][14] and Rohini dubbed the voice of Gautami, who portrayed Adhi's wife Sumitra.[4][15] Kuruthipunal is the fourth collaboration between Haasan and Gautami, and the last one until the release of Papanasam (2015).[16]

Kuruthipunal was the first Indian film to use Dolby Stereo surround SR technology.[4] While composing the score for Badri, Mahesh decided to make the film sound ominous, and he "wanted the omen of death to reflect" on the character's face. According to Sreeram; "I am not a cinematographer but someone who is part of the expedition group ... There were lots that were planned ahead of the shoot, which made it easier for us."[7] To collect details about RPG rocket launching, Haasan met many army personnel. The police uniforms and haircuts seen in the film were made in accordance with National Police Academy specifications.[10][17] While filming the scene in which Adhi interrogates Badri, Sreeram took liberties with the way real interrogations take place; he did not want the scene to look mundane, but was "opting for that visual style for the first time ... it also came from a point of commercial interest".[7] Despite the tight schedule and budget for the film, filming was completed within 30 days. According to Sreeram; "The shooting was akin to a war footing. You cannot shoot three or four scenes a day, if not for a great star cast."[7]

Release

Kuruthipunal was released on 23 October 1995, Diwali day,[4][10] and Drohi was released on 7 July 1996.[18] For the premiere of Kuruthipunal in Madras, Haasan invited numerous Bollywood personalities, including Nihalani and Manmohan Shetty, who produced Drohkaal. Despite facing competition from Muthu, which was released on the same day, Kuruthipunal became a commercial success.[10] Kuruthipunal was included as part of a retrospective to Kamal Haasan under the category "Director in Focus" at the International Film Festival Rotterdam.[19]

Critical reception

Kuruthipunal received critical acclaim.[20] RPR of Kalki appreciated the makers for not making compromises for commercial success, the performances of Arjun and Haasan, and the film's realism.[21] On 11 November 1995, K. Vijiyan from New Straits Times praised the film's special effects for their realism but added; "The fear Kamal feels for his family was not properly brought to the screen by Sreeram. The intensity Arjun usually puts into his movies was also missing here"; and concluded Kuruthipunal is "like an American action movie made in Tamil".[22] On 19 November, Ananda Vikatan said the film was attempting to turn Tamil cinema, which was quickly moving in the direction of masala entertainers, by bringing in a different screenplay. The reviewer noted though it would not fulfill the needs of ordinary people, it is a wonderful film, and rated it 45 out of 100.[23] Bhawana Somaaya, the then editor of the G magazine, said Kuruthipunal "proved a chilling experience. Violent, but realistic in the context of what is happening today."[10] D. S. Ramanujam of The Hindu wrote that the film "carrying the sheen of a foreign movie with violence getting the same treatment has the phychological conflict."[24] Nihalani called the film better than Drohkaal.[25]

Accolades

Kuruthipunal won the Cinema Express Award for Best Film – Tamil and Kamal Haasan won the Filmfare Award for Best Actor – Tamil.[23] The film was India's official entry for the 68th Academy Awards in the category Best Foreign Language Film but was not nominated.[7][10]

Legacy

Kuruthipunal attained cult status in Tamil cinema,[26] and has been recognised by many to have set standards for other action films of the period.[23] Many filmmakers, including Gautham Vasudev Menon and AR Murugadoss, have cited Kuruthipunal as an influence on their works. Certain dialogues from the film such as "Veeramna enna theriyuma, payam illatha mathiri nadikkarathuthan" (Do you know what bravery is? It is to act as if you know no fear); "Delay, disable and disintegrate";[4] and "Shoot me ... shoot me, my man. It's a bloody order!"; attained popularity.[27] Actor Venkatesh Prabhu adopted the screen name Dhanush after being inspired by the covert operation in Kuruthipunal.[28]

See also

Notes

  1. While historian G. Dhananjayan's book The Best of Tamil Cinema gives the film's runtime as 141 minutes,[1] Encyclopaedia of Indian Cinema gives it as 156 minutes.[2]

References

  1. 1 2 Dhananjayan 2011, p. 180.
  2. Rajadhyaksha & Willemen 1998, p. 529.
  3. Dhananjayan 2011, p. 181.
  4. 1 2 3 4 5 6 7 8 Sundaram, Nandhu (23 October 2020). "25 Years On, Kamal Haasan's 'Kuruthipunal' Has Aged Better Than Many Of Its Contemporaries". HuffPost. India. Archived from the original on 26 October 2020. Retrieved 27 October 2020.
  5. 1 2 "Kuruthipunal – Cast and Crew". Moviefone. Archived from the original on 26 May 2021. Retrieved 26 May 2021.
  6. Raaja, Abishek (23 October 2015). "The Chiyaan connection in Kuruthipunal". Behindwoods. Archived from the original on 13 September 2019. Retrieved 4 March 2021.
  7. 1 2 3 4 5 6 7 S, Srivatsan (22 October 2020). "A remake that is original: PC Sreeram retrospect on 25 years of 'Kuruthipunal'". The Hindu. Archived from the original on 24 October 2020. Retrieved 24 October 2020.
  8. "கமல் நடிப்பில் உருவான துரோகி, டாப் டக்கர் படங்கள் என்ன ஆனது என தெரியுமா?" [Do you know what happened to the films 'Top Tucker' and 'Drohi' starring Kamal]. Ananda Vikatan (in Tamil). 20 September 2016. Archived from the original on 22 November 2016. Retrieved 20 September 2016.
  9. pcsreeramISC [@pcsreeram] (23 October 2019). "Two decades #Drohi in Telugu / #Kuruthipunal in Tamil, shot simultaneously. @ikamalhaasan , @akarjunofficial , K.Viswanath, @gautamitads & Nasser @nasser_kameela with his outstanding performance!" (Tweet). Archived from the original on 23 October 2019. Retrieved 27 October 2020 via Twitter.
  10. 1 2 3 4 5 6 7 Dinesh. "Notes on Kamal's Droghi(alias) Kurudhi Punal". Georgia Tech. Archived from the original on 4 May 1999. Retrieved 7 June 2021.
  11. Kamath, Sudhish (15 September 2011). "Zen and the art of light". The Hindu. Archived from the original on 2 June 2021. Retrieved 2 June 2021.
  12. "Sixty and still going strong". The Indian Express. 6 November 2014. Archived from the original on 28 August 2016. Retrieved 12 October 2015.
  13. Naig, Udhav (1 December 2014). "The rocky road to fame". The Hindu. Archived from the original on 13 March 2021. Retrieved 13 March 2021.
  14. "Chiyaan Vikram – The voice behind Kollywood's unforgettable characters!". Suryan FM. 15 October 2018. Archived from the original on 4 March 2021. Retrieved 4 March 2021.
  15. "25 Years of Kuruthipunal: 25 lesser-known facts about Kamal Haasan's trendsetting spy-thriller". Cinema Express. 23 October 2019. slide 14. Archived from the original on 13 March 2021. Retrieved 13 March 2021.
  16. "13 வருடங்களாக சேர்ந்து வாழ்ந்த கமல்ஹாசன்–கவுதமி பிரிந்தனர் வேதனைப்பட்டு எடுத்த முடிவு என்று கவுதமி பேட்டி". Dina Thanthi (in Tamil). 2 November 2016. Archived from the original on 23 November 2016. Retrieved 15 March 2021.
  17. Kummar, S. R. Ashok (20 October 1995). "Big screen bonanza". The Hindu. p. 41. Archived from the original on 22 December 1996. Retrieved 8 July 2023.
  18. "Drohi (1996)". FilmiClub. Archived from the original on 7 June 2021. Retrieved 7 June 2021.
  19. Rangarajan, Malathi (30 July 2004). "Award, accolade and much more ..." The Hindu. Archived from the original on 25 November 2010. Retrieved 13 March 2021.
  20. Warrier, Shobha (3 April 1997). "The silence that speaks". Rediff.com. Archived from the original on 26 July 2008. Retrieved 27 October 2020.
  21. ஆர். பி. ஆர். (5 November 1995). "குருதிப்புனல்". Kalki (in Tamil). p. 49. Archived from the original on 4 May 2023. Retrieved 4 May 2023.
  22. Vijiyan, K. (11 November 1995). "Like an American flick made in Tamil". New Straits Times. p. 44. Retrieved 14 March 2019.
  23. 1 2 3 Dhananjayan 2011, p. 182.
  24. Ramanujam, D. S. (27 October 1995). "Cinema: Makkal Aatchi/Rakasia Police/Kuruthi Punal/Neela Kuyil". The Hindu. p. 27. Archived from the original on 22 December 1996. Retrieved 8 July 2023.
  25. Panicker, Prem (7 November 2003). "The Curse of talent – Prem Panicker". Rediff.com. Archived from the original on 22 June 2011. Retrieved 22 January 2011.
  26. "Kamal Haasan remembers his 'amma' on Mother's Day". Deccan Herald. 9 May 2021. Archived from the original on 9 May 2021. Retrieved 9 June 2021.
  27. Srinivasan, Sudhir (28 September 2016). "How is a Tamil film to impress Oscar?". The Hindu. Archived from the original on 15 March 2021. Retrieved 15 March 2021.
  28. Ramachandran, Sanskriti (13 December 2021). "Told Sara Ali Khan not to call me Thalaiva, but she does not listen: Dhanush". Deccan Chronicle. Archived from the original on 22 December 2021. Retrieved 24 December 2021.

Bibliography

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