Notes and features

1. All swaras used are suddha
2. Gandhar and Nishad are not used.

Example composition

R m P D ; P D m ; m P D D m ; D m P D S' ; D D S' S' D D m; m P D ; m R, D S; Here m is Shuddha Madhyam, M is Tivra Madhyam but this is not used in Durga at all.

Malhar

Durga has the same notes as Malhar, another popular raag and one of old pedigree. The aural experience of both are significantly different. Technically, they are made apart by the use of rishabh (Re). Durga is also readily distinguished by its salient use of the phrase Sa Re Dha Sa

1) Common phrase Re Pa, distinguished by the use of Re
Both Durga and Malhar have the Re Pa pairing (sangati), however, the Re Pa cohort in Malhar involves a repetition of Re twice or thrice. More importantly the Re has a kaṇ of shuddha madhyam. (ma)

• Malhar: Ma Re Re Re[ma] Pa
• Durga: Ma Pa Dha Sa’ Re Dha Pa Dha Ma Re Pa.

Here, in Malhar, the transition between Re to Pa, the Re has a kaṇ of ma, and is not independently pronounced. The ma is shown stuck to Re in square brackets. Stylistically, the duplication of ‘Re’ is also noted.

2) Different phrases
Also present in the pakad of the raag, Sa Re, Dha Sa is the quintessential phrase of Durga, which is not present in Malhar. (dha denotes dhaivat (dha) of the lower octave i.e. mandra saptak) ^[5]

Jaldhar Kedar

Jaldhar Kedar is a variant of, the major raag Kedar , and a part of the raagang of its namesake.

Bollywood songs

1. Geet gaya pattharo ne - Geet Gaya Patharon Ne (1964)
2. Chanda re mori patiya le ja - Banjaarin
3. Vrindavan ka Krishna Kanhaiya - Miss Mary
4. Hum intezaar karenge – Bahu Begam
5. Be Nazaara - Mom
6. Hoga Tumse Pyara Kaun - Zamane Ko Dikhana Hai

Language:Tamil

Note that the following songs are composed in Shuddha Saveri, the equivalent of raga Durga in Carnatic music.