The influence of Edgar Allan Poe on the art of music has been considerable and long-standing, with the works, life and image of the horror fiction writer and poet inspiring composers and musicians from diverse genres for more than a century.

Leon Botstein, conductor of the American Symphony Orchestra—which presented a program of "Tales From Edgar Allan Poe" in 1999—noted that in the realm of classical music, as in literature, Poe's influence was felt more deeply in Europe than in America.[1]

References

  1. "Schmitt". AmericanSymphony.org. Europhony.org.
  2. "Österreich fragt beim Song Contest: Who the hell is Edgar?". oe3.ORF.at (in German). 8 November 2019. Retrieved 2023-03-06.
  3. "The Ecstasies Above listing on Music Sales Classical (publisher)". Music Sales Classical. Retrieved 3 October 2016.
  4. "At morn -- at noon -- at twilight dim (Poe, set by (John Carrington, Grace Chadbourne, Walter Ruel Cowles, Paul Eisler, Harvey Bartlett Gaul, Joseph Charles Holbrooke, Bertram Shapleigh)) (The LiederNet Archive: Texts and Translations to Lieder, mélodies, canzoni, and other classical vocal music)". www.lieder.net. Retrieved 2021-06-30.
  5. Oestreich, James R. (October 20, 1999). "At the Ball, a Deadly Thief in the Night (MUSIC REVIEW)". New York Times.
  6. Botstein, Leon. "Tales of Edgar Allen Poe". AmericanSymphony.org. Archived from the original on 2017-01-31. Retrieved 2017-01-31.
  7. (in French) "Gemme : Nolwenn Leroy rayonne sur un album mystique et puissant". Charts in France. 1 September 2017. Retrieved 26 October 2017.
  8. "A Dream of Poe - Encyclopaedia Metallum: The Metal Archives". www.metal-archives.com. Retrieved 2023-10-30.
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