Eduardo Montes-Bradley
Born (1960-07-09) July 9, 1960
OccupationDocumentarian
Years active1979–present
Notable workJulian Bond, Rita Dove, Evita
RelativesEduardo Bradley, Enrique Ferrarese
Websitewww.montesbradley.com

Eduardo Montes-Bradley (born July 1960) is an Argentine-born American filmmaker known for his documentaries films Evita, Rita Dove: An American Poet, and Harto The Borges. His most recent films are Black Fiddlers and Daniel Chester French: American Sculptor[1] He’s currently working on The Italian Factor: The Piccirilli Story.[2]

Non-fiction

Montes-Bradley with Rivera and crew members
Lineup of Samba veterans in the favelas of Rio during the filming of Samba on your Feet
  • Leon Rozitchner's Window, 2008[53][54] Anecdotical documentary with philosopher León Rozitchner.*
  • The Unanimous Night, 2018.
  • Dialogue and Moisture, 2018.[55]
  • Child of the Forest, 2014. Holocaust survivor Yona Bromberg recalls her life as a child during the Holocaust in Rokitno[56]
  • American Manifesto, 2005.[57]
  • Che: Rise & Fall, 2006.
  • Samba On Your Feet, 2005. The one-hour documentary traces the influences that contributed to shaping the music that consecrated Carnival and Samba as powerful cultural manifestations in Rio rooted in the African diaspora.[58][59][60][61]
  • Ismael Viñas: Witness of a Century.[39] Documentary on Ismael Viñas, founder of Movimiento de Liberación Nacional (MALENA),[62][63][64][65] Directed by Montes-Bradley as Diana Hunter.
  • The Great Pretender, 2007. Official Selection of the International Film Festival of Buenos Aires (BAFICI). Released in Uruguay as "No a los papelones".[66][67][68][69] On the director's request the film did not participate "in competition" to avoid further turmoil.[70] Released by Editorial Perfil on April 2008.
  • Crónicas Mexicas, 2004. Martín Caparrós follows on the trail of Hernán Cortés in Mexico: from Veracruz to Tenochtitlan.

Fiction

Production still: Margaux Hemingway

Experimental

  • Frogments, (USA, 2000). Experimental work on images captured by Julio Cortázar in 8 mm and verses by Allen Ginsberg. The gestation of this short film was part of the dialogue between the director and Aurora Bernárdez during the investigation period that ended with Cortázar: notes form a documentary (2002) and Cortázar without a beard (Random House Mondadori, 2004). (3').
  • Freedom, (USA, 1986). Experimental work based on images captured by Montes-Bradley in 8 mm in and around Los Angeles, Chicago, and Miami in which the filmmaker highlights the marginal precariousness of those who survive in the streets of the most prosperous nation. In this short film, the United States emerges as a society with the same conflicts as developing countries. (3').

Music videos

Bibliography

Habeas corpus: Peter Paul Weinschenk, alias Pablo Tabernero. Buenos Aires, Argentina: 34th Mar del Plata International Film Festival, INCAA. 2019. pp. 144 : photographs, 23 cm.Ideography, Biographical approach to Peter Paul Weinschenk, life and works of Pablo Tabernero, cinematographer of Prisioneros de la tierra directed by Mario Soffici.

Los dedos del huracán. Short story. Children Literature. Included on "De Ola en Ola 3" School Textbook for Third Grade. Group Macmillan. Editorial Estrada S.A., Buenos Aires, Argentina. Illustrated by Eugenia Nobati. p. 62–67[82]

Montes-Bradley, Eduardo (2012). La resurreción de Ocantos. Los Angeles, CA. pp. 62 Hard Cover : illustrations, 23 cm. ISBN 978-1449907402.{{cite book}}: CS1 maint: location missing publisher (link) Bio-bibliographical essay on Carlos María Ocantos.[83][84]

Cortázar sin barba. Madrid: Random House Mondadori. 2005. pp. 394 Hard Cover : illustrations, 23 cm. ISBN 84-8306-603-3. Biography of Julio Cortázar.[85][86] 1st edition Editorial Sudamericana, Argentina 2004. 3rd edition, Pesódromo 21, 2014.[87][88][89]

Água No Terceiro Milenio. Brasilia Montevideo: Bianchi Editores Ediciones Pilar, Collección Señales de Vida. 2000. pp. 318, 21 cm. ISBN 9974-663-17-2. Bilingual Anthology of Short Stories. Selection of awarded works at the Literary Award "Agua no terceiro Milenio",[90] Brazil. Bilingual: Portuguese-Spanish. Pilar Editors, Brasília, 2000. Includes the short story "Das schwerste gewicht" previously published in "Ya se que todo es mentira" (1999), Editorial del Nuevo Extremo, Buenos Aires 1999.[91]

'Osvaldo Soriano': Un retrato. Buenos Aires: Grupo Editorial Norma. 2000. pp. 171 Rustic. ISBN 9879334353. Sperling & Kupfer Editori, Milan, Italy, 2001, 164pp. Translated by Gina Maneri. Collection: Continente Desaparecido, directed by Gianni Minà ISBN 88-200-3201-5.[92][93] Based on the homonymous documentary by the author.[94][95][96]

Ya se que todo es mentira. Buenos Aires: Editorial del Nuevo Extremo. 1999. p. 200. ISBN 950-9681-85-7. (trad. I know It's All Lies). Some of the short stories included have been previously published in literary magazines. Foreword by Osvaldo Bayer. 199 pp. 23 cm.[97] Foreword by Osvaldo Bayer.

'Senxo', Selected Poems. Editorial Grupo Archivo de Comunicación, New York City, 1984. Foreword by Armando Tejada Gómez. Out of print.

Journalism

Montes-Bradley contributed to El País, Babelia,[98] Les cinemas de la Amerique Latine[99] by Association Rencontres Cinémas d'Amérique Latine de Toulouse France; La Jornada, México; the monthly review Latinoamérica e Tutto il Sud dell Mondo, Italy; and in Argentina to the literary magazine Esperando a Godot; the art-magazine Revista Lote, Venado Tuerto, Suplemento Radar published by Página/12, El Amante de cine, "Diario Perfil," "Revista Ñ" Clarin,[100] Critica de Argentina; and La Nación. Montes-Bradley was a frequent collaborator with the literary blog "Nación Apache."

Photography

Montes-Bradley has been recognized by the National Council on Public History with the "Outstanding Public History Project Award" as part of the exhibit "The Mere Distinction of Colour" produced by James Madison's Montpelier.[101] His photo-work appeared in The Atlantic,[102] The Washington Post,[103] La Nacion,[104]The Independent,[105] Deutsche Welle,[106] Diario Clarin[107] other newspapers[108] and magazines[109] as well as "Escenas de la memoria. La Casa Argentina en la voz de sus antiguos residentes",[110][111] and "Aventura Turnberry Jewish Center 20th Anniversary".[112] His work is partially preserved at the Claude Moore Health Sciences Library, the University of Virginia.[113]

Awards and honors

Appearances in other media

References

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Notes

  1. Roca, Pilar Las vidas paralelas de Montes-Bradley Grupo Archivo de Comunicación. New York, 2010. University of Virginia Libraries; University of Virginia Library; UVa Library
  2. Abos, Alvaro Xul Solar: Pintor del misterio. Sudamericana, 2004. p. 289
  3. Lindner, Franco Cooke: El heredero maldito de Perón: la biografía. Editorial Sudamericana, 2006
  4. Arnold, Jorge Revista de critica literaria latinoamericana.. Latinoamericana Editores.
  5. Nagy-Zekmi, Silvia Moros en la costa: Orientalismo en America Latina. Iberoamericana.p. 192.
  6. Sebreli, Juan JoseEl tiempo de una vida: Autobiografía. Editorial Sudamericana, 2005
  7. "Reviews on Latin American and Chinese Art by Eduardo Montes-Bradley" Art and Wealth
  8. Bustos, Graciela Audiovisuales de combate: Acerca del Videoactivismo Contemporáneo. Published by Centro Cult. de España, Bs.As., 2006. p. 83
  9. Kriger, Clara / Spadaccini, Silvana Páginas de cine. Archivo General de la Nación, República Argentina, 2003. p. 103
  10. Tiempo de hoy. Published by Ediciones Tiempo, S.A., Spain, 2005. p. 84
  11. Mazzeo, Miguel / Ramb, Ana María Osvaldo Bayer: Miradas sobre su obra. C.C.C., ED. del Inst. Movilizador de Fondos Coo., 2003. p. 96
  12. Neifert, Agustin, Del papel al celuloide: Escritores argentinos en el cine. La Crujía Ediciones, 2003. pp. 48, 49, 54.
  13. Di Benedetto, Antonio and Lebenglik, Fabian El Pentágono: Novela en forma de cuentos. Adriana Hidalgo Editores, 2005. p. 13
  14. Aguilar, Gonzalo Moisés Otros mundos: Ensayo sobre el nuevo cine argentino. Santiago Arcos Editor, 2006. pp. 228, 130, 231.
  15. Fernandez Naval, F.X. Respirar por el idioma: (los Gallegos y Julio Cortázar). Contributor Emilia Veiga Torre. Editorial Corregidor, 2007. pp. 14, 38, 192
  16. Versants. By Collegium Romanicum. Published by L'age d'homme, 2001. 262, 266.
  17. Nelson Bayardo and José Pedro Rilla Carlos Gardel: A la luz de la historia. Editorial Aguilar, 2000. p. 117
  18. María Gabriela Barbara, Cittadini. Vindicaciones del infinito.Fundación Internacional Jorge Luis Borges, 2003. p. 38
  19. Neifert, Agustín. Del papel al celuloide Edition: illustrated. La Crujía Ediciones, 2003
  20. Mesa Gancedo, Daniel Avatares del personaje artificial en la novela Argentina de los 90. America Latina Hy, 30, 2002, Ediciones Universidad de Salamanca. p. 168.
  21. Neyret, Juan Pablo. Para textos bastan y sobran. La conformación del espacio paratextual en Triste, solitario y final, de Osvaldo Soriano. Universidad Nacional de Mar del Plata.
  22. Sainz Borgo, Karina. "Julio Cortázar: franquista en Buenos Aires, marxista en Estados Unidos y burgués en Cuba"
  23. Montes-Bradley, Eduardo. "Notes On Myself"
  24. Les cinemas de la Amerique Latine
  25. Alexander Street Press
  26. Greenacord
  27. Thomas Osgood Bradley Foundation TOBF
  28. Mar del Plata Film Festival
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