Emily Noyes Vanderpoel
Born
Emily Caroline Noyes

(1842-06-21)June 21, 1842
New York City
DiedFebruary 20, 1939(1939-02-20) (aged 96)
NationalityAmerican
Known forPainting, writer, historian
Spouse
John Aaron Vanderpoel
​
​
(m. 1865)​

Emily Noyes Vanderpoel (June 21, 1842 – February 20, 1939) was an American artist, writer, and philanthropist.

Early life

Emily Caroline Noyes was born on June 21, 1842, in New York City to William Curtis Noyes and Julia Tallmadge Noyes.[1] She was the great-granddaughter of Col. Benjamin Tallmadge.[2] She was educated in private schools in New York, and later studied art under Robert Swain Gifford and William Sartain.[1]

On May 22, 1865, she married John Aaron Vanderpoel, with whom she had one son, John Arent Vanderpoel. They lived in New York City and Litchfield, Connecticut. After a year her husband died before she gave birth. She remained unmarried.[3]

Career

A color chart of a mummy case from 1902
A color chart of a mummy cloth from 1902

Emily Noyes Vanderpoel was known for her work as a painter, working in watercolors and oils.[4] She was a member of the New York Watercolor Club (of which she also served a term as Vice-President) and the Woman's Art Club of New York.[5] She exhibited her work at the Woman's Building at the 1893 World's Columbian Exposition in Chicago, Illinois.[6] There she was awarded a bronze medal.[5]

Beyond her artistic career, Noyes Vanderpoel was also a philanthropist and an active participant in the Litchfield community. She was the Honorary President of the Needle and Bobbin Club of Litchfield, and the Vice-President and Curator of the Litchfield Historical Society, during which time she published a two-volume history of the Litchfield Female Academy. She was also a member of the Daughters of the American Revolution.[7]

She was the author of the Color Problems, which was published in 1902. The book had 400 pages and 116 colour illustrations. Vanderpoel would create a ten by ten grid and then record the colours used in a cup and saucer, an Egyptian mummy. Vanderpoel recommended F.W,Moody's idea that nature's palettes were nearly always a good match. She suggested that a marquetry cabinet that was designed with the same colours as a dead sparrow would be "balanced".[3] It has been suggested that her theories anticipate later theories but Vanderpoel was not attributed. Her book was brought back into print in 2018.[3]

She died on February 20, 1939, and is buried in East Cemetery in Litchfield.[7]

Legacy

Vanderpoel donated her art pottery collection to the Litchfield Historical Society and her Japanese art collection to the Norwich Museum.[6]

Works

References

  1. 1 2 "Emily Noyes Vanderpoel". The Ledger: A Database of Students of the Litchfield Law School and the Litchfield Female Academy. Litchfield Historical Society. Retrieved March 21, 2016.
  2. ↑ Litchfield Historical Society (1920). The history of the town of Litchfield, Connecticut, 1720–1920. p. 111. Retrieved April 9, 2016.
  3. 1 2 3 Lasky, Julie (October 4, 2018). "New Life for a 1902 Manual About Color". The New York Times. Retrieved January 19, 2019.
  4. ↑ The artists year book. Art League Publishing Association. 1905. p. 205. Retrieved April 15, 2016.
  5. 1 2 "Directory of painters, sculptors, illustrators". American Art Annual. 6: 428. 1908. Retrieved April 15, 2016.
  6. 1 2 Nichols, K. L. "Women's Art at the World's Columbian Fair & Exposition, Chicago 1893". Retrieved January 18, 2019.
  7. 1 2 "Vanderpoel, Emily Noyes (1842–1939)". Litchfield Historical Society. Retrieved April 15, 2016.

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