Erik August Frandsen (born April 20, 1957) is a Danish contemporary artist. In the early 1980s Erik A. Frandsen was part of the artistic movement de unge vilde[1] (the young wild ones red.) and in 1981, he co-founded the artist collective Værkstedet Værst[2] with prominent working with artists such as Lars Nørgård and Christian Lemmerz. He currently works from studios in Copenhagen, Nordfalster and Como, Italy.

Early life

Erik A. Frandsen was born and grew up in a middle-class home in a small village outside of Randers, Denmark with his parents and as the second of four siblings. As a teenager Erik A. Frandsen saw the Danish artist Poul Gernes (1925-1996) wrapping himself head to toe in toilet paper on the evening news. The contrast, discrepancy of this act to his own suburban everyday life appealed to Erik A. Frandsen immensely. He wanted to become an artist himself.[3]

In the years 1976-79, Erik A. Frandsen travelled to hone his craft. He spent time in Greece studying ceramics, in Carrara, Italy working with sculptures and in Paris, France exploring graphics. In 1981 he moved to Copenhagen to pursue a career in arts.[4]

Work / Career

Erik A. Frandsen is an autodidact artist and has no formal academic training. His career took off in the early 1980s and he played a major role in the breakthrough happening on the Danish art scene at the time.

Frandsen finds inspiration for his artworks in the intimate situations in everyday life, in the history of art and from the artists he has encountered and worked alongside through time. His inspiration is diverse, and he gazes towards the art-deco and rococo art as well as pop- and neo-pop artists such as Andy Warhol, Jeff Koons and Gary Hume.[5] To this day Erik A. Frandsen still continues an ongoing exploration of lines and perspectives that is central to his artistic expression.

Style

The mediums and materials explored by Erik A. Frandsen are extensive and varied. From rubber, photographs, boxes and fluorescent tube lights to mere traditional oil on canvas. Later materials and techniques include, but are not limited to, monumental venetian glass-mosaics as well as large reflective stainless-steel surfaces that have been treated with polishing tools to “paint” sensuous flowers. It is a bold choice, creating an obvious and intense clash between material and motive by letting heavy metal and the honing of a drilling machine replace canvas and brush.

Erik A. Frandsen’s oeuvre is characterized by experimentation but also by a recycling of motives and an application of these to various mediums. When applied to the different mediums the same motive resume radically different expressions, allowing for new perspectives and meaning to surface. Among the recurrent motives are the artist's family, classic still lifes and flower compositions.[6]

Though these motives are widely represented and generally easily recognizable in the arts throughout history, Erik A. Frandsen manages to rethink and grant them new life. His flower motives are not flower motives the traditional sense, but weeds such as thistles and dandelions placed in urine bottles and kitsch vases as is seen in his pieces for the decoration of the royal home in Frederik VIIIs Palace in 2010.

Selected public works / commissions

Selected solo exhibitions

  • 2019 Erik A. Frandsen I museets samling Horsens Kunstmuseum
  • 2017 Flower Angels Hans Alf Gallery
  • 2015 Pilgrimage for an Armchair Explorer Horsens Kunstmuseum and Hans Alf Gallery
  • 2012 Between Memory and Theft Red Brick Contemporary Art Museum
  • 2009 Frozen Moment Desert Faurschou Foundation Beijing
  • 2008 The Double Space. Retrospective exhibition of works from 1982-2008 ARoS
  • 2007 The Real. Unnaturalism Ny Carlsberg Glyptotek
  • 2004 Glansbilleder Nationalmuseet and Faurschou Foundation CPH
  • 2002 In the Shadow of Light Kunstmuseet Brandts
  • 2002 Gidsel Galerie Asbæk
  • 1993 Frandsen til Kirkeby ARoS

Selected group exhibitions

Erik A. Frandsen exhibited his work for the first time in 1981.

Selected awards / recognitions

In 2010 Erik A. Frandsen was chosen to decorate the royal Frederik VIII’s Palæ together with acclaimed artists like Tal R, Olafur Eliasson and Jesper Christiansen.

Collections

Arken Museum of Modern Art. ARoS. Esbjerg Kunstmuseum. Fuglbjerg Kunstmuseum. HEART. Horsens Kunstmuseum. Kanstrupgårdsamlingen. Kunsten Museum of Modern Art Aalborg. Kupferstich Kabinett. Louisiana Museum of Modern Art Humlebæk. Museum van Hedendaagse Kunst. Nationalmuseet (DK). Nasjonal Museet for Kunst, Arkitektur och Design (NO). Randers Kunstmuseum. Shenzhen Art Museum. Scherings Museum of Realist Art. Storstrøm Kunstmuseum. Trapholt. Trondheim Kunstmuseum. Trondheims Kunstforenings samling. Vestsjællands Kunstmuseum. Vejle Kunstmuseum.  

Art Market

Erik A. Frandsen in represented by Galleri Brandstrup in Oslo, Copenhagen based Hans Alf Gallery and Galleri Profilen in Aarhus. His work has been exhibited at international art fairs, such as Art Brussels, Market Art Fair in Stockholm, Enter Art Fair in Copenhagen, Art Cologne and Pulse Contemporary.

References

  1. ↑ "De Unge Vilde | Gyldendal - Den Store Danske". denstoredanske.dk (in Danish). Retrieved 2020-03-23.
  2. ↑ "Værkstedet Værst | Gyldendal - Den Store Danske". denstoredanske.dk (in Danish). Retrieved 2020-03-23.
  3. ↑ "KunstOnline.dk - Portræt Erik A. Frandsen". kunstonline.dk. Retrieved 2020-03-23.
  4. ↑ "Biography". Erik A. Frandsen. Retrieved 2020-03-23.
  5. ↑ Blomster på alteret: Erik A. Frandsens altertavle i Sankt Jakobs kirke (in Danish). Sankt Jakobs Kirke. 2013.
  6. ↑ "Biography". Erik A. Frandsen. Retrieved 2020-03-23.
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