Everett Barksdale
Born(1910-04-28)April 28, 1910
Detroit, Michigan, U.S.
DiedJanuary 29 1986 (aged 75)
Inglewood, California
GenresJazz
Occupation(s)Musician
Instrument(s)Guitar
Years active1930sā€“1970s

Everett Barksdale (April 28, 1910 ā€“ January 29, 1986)[1] was an American jazz guitarist and session musician.

Biography

He played bass and banjo before settling on guitar. In the 1930s, Barksdale moved to Chicago, where he was in Erskine Tate's band.[1] He recorded for the first time with violinist Eddie South in 1931, and he remained with South until 1939.[1] He moved to New York City and became a member of the Benny Carter big band.[1] Around the same time, he recorded with Sidney Bechet. During the 1940s, he worked for CBS as a session musician.[2]

As a sideman, Barksdale played guitar in many genres. He worked with vocalists Dean Barlow, Maxine Sullivan, the Blenders, and the Clovers.[3] He played on the hit "Love Is Strange" by Mickey & Sylvia,[3] and was music director for the Ink Spots.[2]

Beginning in 1949, he worked with pianist Art Tatum until Tatum died in 1956.[1] During the 1950s and 1960s, he was a member of the house band at ABC.[2]

He played on recordings by Lena Horne, Sammy Davis Jr., Dinah Washington, and Sarah Vaughan.[3] Among his other jazz associations were Milt Hinton, Buddy Tate, Clark Terry, and Louis Armstrong.[3] He also played guitar in the studio for pop and soul musicians such as The Drifters (including on "Under the Boardwalk" and "Saturday Night at the Movies") and Ben E. King.[4]

Barksdale retired from active performance in the 1970s and moved to California.[3] He died in Inglewood, California, in 1986.[3]

Discography

As sideman

References

  1. 1 2 3 4 5 Colin Larkin, ed. (1992). The Guinness Encyclopedia of Popular Music (First ed.). Guinness Publishing. p. 175. ISBN 0-85112-939-0.
  2. 1 2 3 Yanow, Scott (2013). The Great Jazz Guitarists. San Francisco: Backbeat. p. 15. ISBN 978-1-61713-023-6.
  3. 1 2 3 4 5 6 "Everett Barksdale | Biography & History". AllMusic. Retrieved August 14, 2021.
  4. ā†‘ Joel Selvin, Here Comes the Night: The Dark Soul of Bert Berns and the Dirty Business of Rhythm and Blues. Counterpoint, 2014, pp. 388-391.
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