Cover of Exhibit "A" catalogue, designed by the late Tony Arefin showing "sealed evidence" wrapper.

Exhibit A was an art exhibition in the galleries of the Serpentine Gallery, London, from May 7—June 7, 1992.

Theme and content

The eight artists whose work was showcased were selected by curator Henry Bond for their ongoing interest in the exhibition's key theme: art exploring perceptions of evidential fact particularly in the context of the crime scene.[1] The art historian Ian Jeffrey wrote,

It is the opposite, Exhibit A, to a sensational exhibition, and crystallises a turning in the art world away from the egotistical mode towards impersonality. The egotistical, it admits, is a delusion ... its premises are anonymous, fluent, vertiginous, wary of values. Anything else would emerge as a cliché ... it is, in fact, a properly phenomenological exhibition, one which refuses to differentiate between subject and object, between perception and the moments and occasions of perception.[2]

One of the works on view was a slide-installation, shown in a darkened room, by artist Mat Collishaw, which presented the viewer with a rapid-fire sequence of stills of Jodie Foster dancing as she appeared in the "rape scene", in Jonathan Kaplan's 1988 movie The Accused.[3]

Exhibited artists

References

  1. ↑ Andrea Schlieker, "Preface." In Bond and Schlieker (ed.) Exhibit A (London, Serpentine Gallery, 1992), p. 8.
  2. ↑ Ian Jeffrey, "Exhibit A and the Everyday." In Henry Bond and Andrea Schlieker (ed.) Exhibit A (London: Serpentine Gallery, 1992).
  3. ↑ Kate Bush, “Exhibit A,” Art Monthly, June 1992, p.15-16.

Review literature

  • Sarah Kent, “Exhibit A,” Time Out, London, No. 1135.
  • Charles Hall, “Exhibit A,” Arts Review, June 1992.
  • Kate Bush, “Exhibit A,” Art Monthly, June 1992, p. 15-16.

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