Meshuggah

Thordendal began his career when he formed "Metallien", a heavily Metallica-influenced band, in his hometown Umeå in 1985. The band later changed their name to Meshuggah and released their first LP Psykisk Testbild in 1989.^[3] Beginning as a thrash metal band, Meshuggah's music gradually evolved into a more progressive sound. This sound has become influential on other bands, such as Periphery, whose core member Misha Mansoor was instrumental in coining the term "Djent" in reference to the commonly-utilised technique of playing heavily muted, extended powerchords found within Meshuggah's music.^[4] Thordendal has been widely recognized^[5][6] in the metal community for his work with Meshuggah.

Some time in the 90s, before the release of Destroy Erase Improve, Thordendal was involved in a carpentering accident at work where he cut off the tip of his left middle finger;^[7] the fingertip was sewn back on, and after a fair degree of re-learning and practicing, he regained full proficiency on guitar within a year or so.^[8]

Fredrik Thordendal's Special Defects: Sol Niger Within

Under the name Fredrik Thordendal's Special Defects, Thordendal released a solo album in 1997 titled Sol Niger Within with Ultimate Audio Entertainment. The album was remixed and re-released by Ultimate Audio Entertainment and Relapse Records in 1999 under the title Sol Niger Within version 3.33. The re-release contains two bonus tracks but omits several parts of the original version. SNW's newly mastered version was also released for the first time on vinyl in 2016 by Husaria Records, an American label specializing in audiophile releases; the album's original material was pressed as both lacquer cut variant (500 units) and Direct Metal Mastering variant (500 units). Thordendal also featured on several tracks for drummer Morgan Ågren's Mats/Morgan Band.

With regards to a second Special Defects album Thordendal states "It's actually been messing with my head for years now. I haven't really found the time to get the project going. This is a project that I will work on for a longer time, with no rush whatsoever, to make it the best I possibly can. I'm looking forward to making it because I think it will sound so different from anything I've ever heard before".

Other projects and contributions

Thordendal live 2016

Thordendal has featured in numerous side-projects, such as XXX Atomic Toejam with Petter Marklund. The project had released a 7" two-track single "Celebration" under the name Sepülchre Inc., then took the moniker XXX Atomic Toejam and issued an MCD entitled "A Gathering of the Tribes for the First / Last Human Be-In" on Cold Meat Industry and also featured a track on the "Karmanik Collection" compilation. A full-length album was long announced, but never surfaced. Thordendal also played bass for Petter Marklund's solo project Memorandum and together with Marklund remixed tracks on the 1995 compilation album "Ars Moriendi".

In 2010, Thordendal recorded some drum tracks with Morgan Ågren [of Swedish prog-rock band Kaipa] and [Soilwork's] Dirk Verbeuren.

Several of Thordendal's demos have been released on the internet as MP3s or as videos on YouTube. One composition entitled "Demo 33" can be found at https://www.youtube.com/watch?v=aYkSb7wtj0E. "Demo 33" was used to demonstrate Fredrik's MIDI breath controller, which is used on several Meshuggah songs, one being Future Breed Machine. More information regarding the controller can be found at http://www8.tfe.umu.se/personliga/jh/index.html (along with the original "Demo 33" MP3 and other demos of the device). The site was created by Johan Haake, brother of Meshuggah drummer Tomas Haake, and the creator of the original MIDI breath controller. Another demo idea, called "Secrets of the Unknown" can be found at https://www.youtube.com/watch?v=sMUXa6Q7B6I.

Thordendal is also a producer of some note, having produced all of Meshuggah's recent material and also releases for various other bands, Switzerland's Fragment among them.

Thordendal features in the Darkane track "Psychic Pain" from the album Insanity, performing lead guitar. Thordendal also contributed to the song "Asphyxiate" which can be found on Scarve's album Irradiant. He played a guitar solo on the title track of the Devin Townsend Project album Deconstruction.

He also made a contribution towards the soundtrack to the video games Wolfenstein: The New Order, released 2014^[9] and Wolfenstein II: The New Colossus, released 2017.

Guitars

Meshuggahs guitars used live 2016

Thordendal's current main guitars are Ibanez Custom 8-String M8M which feature RG-shaped or Iceman-shaped alder bodies with 5-piece maple/Bubinga neck-thru necks (29.4" {746.76 mm}), rosewood fingerboards (no inlays), fixed bridge (actually an Ibanez FX-Edge fixed tremolo), one volume, one tone, and one Lundgren Model 8 pickup. The fixed bridge on one of his 8 strings has since been replaced with a Kahler tremolo system. Thordendal also owns a 7-string acoustic guitar, also made by Ibanez. For some time he also used Nevborn guitars. This company made Meshuggah their first 8 string guitars: however these guitars suffered from intonation problems, causing Thordendal to abandon the company and switch to exclusively using Ibanez guitars. On the current North American tour promoting Koloss, he has been using a custom Firebird, Iceman and Explorer type body 8 string, the Stoneman. The Stoneman features a 27" scale length, which Thordendal prefers, as mentioned by his tech in an interview with Premier Guitar. This guitar is in production by the name Ibanez FTM33.

Thordendal utilizes a unique device for his leads, referred to as the MIDI breath controller. He states "I was mainly interested in using it as a dynamics controller. I wanted to start a note at a lower volume and then bring it up, like a saxophonist does. But I've since found that is more or less impossible with a guitar. Since the controller didn't produce the sound I was after, I had to find other ways of using it. It turned out that the only thing that sounded cool was when I blew every single note with it, which generated this weird staccato sound. The first breath controller we made—the one I used on "Future Breed Machine" and "Sublevels" from Destroy Erase Improve—could only control the volume. So Johan Haake and I tried all kinds of things to get closer to what I originally wanted, like adding control over frequencies and distortion. I am really pleased with how the "Missing Time" solo turned out from Sol Niger Within Version 3.33 [the remix CD of the debut album from his side project Fredrik Thordendal's Special Defects]. But I never thought we got close enough, so I sort of gave up on it. A couple of years ago it was for sale to the public, but not any more".

Tuning:
For early Meshuggah releases, Thordendal tuned his 7 strings in B♭ tuning (a half step below standard tuning on a 7-string guitar). He followed suit when he started using 8 string guitars, tuning them down to F tuning (F, B♭, E♭, A♭, D♭,G♭, B♭, E♭). It was explained in an interview that they tuned their guitars this way because in the early days of Meshuggah, before Jens Kidman adopted his signature vocal style, it was easier for him to sing in the key of E♭ or B♭. Occasionally Thordendal deviates from his "standard" tuning: on the songs "Glints Collide", "Organic Shadows", "Perpetual Black Second", "The Hurt That Finds You First" and "Stengah" he tunes his 8 string guitar a half step lower to E, he also tunes it to E♭ on "Nebulous" and "Shed" and even to D on "Obsidian". On "Spasm" he tunes it even lower from that, tuning the lowest string down to B♭ (B♭, B♭, E♭, A♭, D♭, G♭, B♭, E♭), making the 8th string an octave below the 7th, while "Mind's Mirrors" utilizes the 8th string tuned down to E0.

Guitar strings:
DR Strings, Tite-Fit,^[10] LH-9 "Lite & Heavy" set: [.009 – .011 – .016 – .026 – .036 – .046], .052, .070^[11] (stock gauges on the Ibanez M8M signature guitar)^[12]

Guitar picks:
Jim Dunlop 1.3mm Primetone Standard w/ grip^[13] Jim dunlop 1.00mm Nylon Standard Picks

Amplifiers and effects

Custom-made amp by Mike Fortin, 2016

• Fractal Audio Systems Axe-FX II (for all cleans with effects and distorted guitar tones with effects)
• Fortin custom Meshuggah Amp – (Single Channel 50-Watt, no effects loop, custom designed power transformers) (Ground-up custom built – turret board construction with point to point wiring – First used on 30 October 2016 live show in Toronto)
• Two Notes Torpedo Live
• Fortin custom boost pedal – (black stompbox pedal with a "33" logo on it).

Amplifiers and effects used in the past

• Randall Satan (2016)
• Fractal Audio AxeFX ULTRA (2010–2016)
• Line 6 Vetta II Head Units (2005–2008)
• Line 6 POD Pro (2001–2005)
• Marshall Valvestate 8200 (1992–2001; for live use only)
• Mesa/Boogie .50 Caliber+ (1994)
• Mesa/Boogie Dual Rectifier (1995–2001; for studio use only)
• Marshall JCM800
• Marshall 1960A cab
• Rocktron Juice Extractor
• TC Electronic Chorus & Flanger
• Homemade "Les Amp" Head Unit
• Homemade 1x12" Cabinet
• Yamaha Breath Controller
• Volume Unit (Yamaha BC controlled the amount of volume that the unit would allow through)
• ADA Rackmount Delay