Gardenlab (2000)

In 2000 he established Gardenlab, a loose umbrella for his ecology related art and design projects. This initially included community gardens for Art Center College of Design and later California Institute of the Arts (CalArts) where he was an instructor.^[1]

Sundown Salon (2001–2006)

In 2000 Haeg moved into a geodesic dome in the hills of Los Angeles, California, where in 2001 he established Sundown Salon,^[3] a regular series of events, performances and happenings that attracted a diverse crowd, and galvanized a community of east side Los Angeles artists, designers, musicians, and performers.^[4] Those who presented work included artists Anna Sew Hoy, Yoshua Okon, Dean Sameshima, Alice Konitz, Pae White, Eve Fowler, Liz Larner, Christopher Peters, Pipilotti Rist, Katie Grinnan, and Jeff Burton; writers Slava Mogutin, Chris Abani, Trinie Dalton and Eileen Myles; and collectives My Barbarian, Los Super Elegantes, Assume Vivid Astro Focus, Lesbians to the Rescue (LTTR), Robbinschilds, and Janfamily. In 2006 the Sundown Salon events came to an end, to be replaced by Sundown Schoolhouse. First based in the geodesic dome as a seasonal self-organized educational environment spanning disciplines, it is now itinerant with programming connected to Haeg's various initiatives.^[1]

Edible Estates (2005–2014)

In 2005 he began planting a series of gardens called Edible Estates, a revival of the Victory garden movement.^[5] Starting in the geographic center of the United States, Salina, Kansas, he selected a local family of willing gardeners to have their lawn removed and replaced with a kitchen garden, of his design. The first garden was commissioned by the Salina Art Center, with later editions in Lakewood, California (2006),^[6] Maplewood, New Jersey (2007), London, England, (commissioned by Tate Modern in 2007), Austin, Texas, (commissioned by Arthouse in 2008), Baltimore, Maryland, (commissioned by Contemporary Museum Baltimore in 2008), and a public demonstration garden at Descanso Gardens in La Cañada Flintridge, California.^[7] The fifteenth and final Edible Estate was commissioned by the Walker Art Center and created in the front lawn of Woodbury, Minnesota residents Catherine and John Schoenherr.^[8] The book, "Edible Estates: Attack on the Front Lawn", was published by Metropolis Books in spring 2008. It is a call for the replacement of the front lawn with edible landscapes, featuring examples of his previous Edible Estate gardens accompanied by essays from Diana Balmori, Michael Pollan and Rosalind Creasy.^[9]

Families who have volunteered their lawns for an Edible Estate have seen numerous benefits from personal to environmental. Michael Foti,^[10] from Los Angeles, California, journaled that volunteers came to help plant the garden. His garden has been visited by neighbors, surrounding community members, and even folks who read about the project in the newspaper. Foti wrote "some of these people just give a wave and a thumbs up from their car window as they drive by. Others will stop and tell stories about their own gardens, or offer advice and encouragement". Environmental benefits of Edible Estates include clean, homegrown food, zero packaging, and each contributes to the well-being of the local ecology. Sourcing produce from the front yard also cuts out the need for delivery from farm, to packaging center, to distribution center, to store, to home which reduces toxic emissions from vehicles.

Sundown Schoolhouse (2006–2014)

Sundown Schoolhouse is a series of classes hosted in Haeg's home in Los Angeles. The program started in 2006, just as his related event series Sundown Salons concluded. The school was "founded on the premise that artists, designers, performers and writers should be powerful and active agents in society, engaging in a rich and complex dialog that extends to the outside world. The Schoolhouse seeks to present an alternate model for educational and artistic practice, one in which public interaction, physical connectedness, and responsiveness to place are valued above all else."^[11] In 2009, a book was published about the activities at then Salon and Schoolhouse.^[12]

The Sundown Schoolhouse group presented classes such as Dancing 9–5, Library for the Future, and 'Practicing Moving.' Other activities considered part of the program have included casual meals and yoga sessions. The Schoolhouse responds to the general interests within its community, and often relates to Haeg's other exhibits and projects. Under the name of Sundown Schoolhouse, Haeg has worked with institutions such as Whitney Museum of American Art, Institute of Contemporary Art, Philadelphia, San Francisco Museum of Modern Art.

Visiting hosts and lecturers are invited to organize courses, seminars, and events. Participants and collaborators included Emily Roysdon, Andrea Zittel, Damon Rich, founder of the Center for Urban Pedagogy and Eileen Myles.

Animal Estates (2008)

Animal Estates proposes the strategic reintroduction of native animals into cities.^[13] Each edition of the project is commissioned and presented by a local museum which includes various combinations of related performances, displays, installations, exhibitions, documentary videos, and printed materials such as a local field guide. The project debuted at the 2008 Whitney Biennial featuring a designed beaver pond in the sunken courtyard, an eagle's nest perched above the museum entry.^[14] Later 2008 editions are in Cambridge, Massachusetts (Center for Advanced Visual Studies at MIT), San Francisco, California (San Francisco Museum of Modern Art), Portland, Oregon (Douglas F. Cooley Memorial Art Gallery, Reed College), and Utrecht, Netherlands (Casco Office for Art, Design and Theory).

Fritz Haeg's Animal Estates were inspired by his Edible Estates and an interest in animals that he has had all along. He has created a total of nine of these estates. Haeg looked at every city individually, he spent much time researching and working with local experts to produce homes for these animals that worked well within that specific city, which is similar to the Edible Estates. He hoped that these exhibitions would inspire people to create habitats for animals on their own properties because the viewers would see how simple and easy these structures would be to make.