Galeria Casas Riegner[1] is a commercial art gallery in Bogotá, Colombia. The gallery is dedicated to represent and promote contemporary Colombian artists [2] internationally. Founded and directed by Catalina Casas,[3] the gallery is regularly participating in international Art Fairs such as Art Basel,[4] Art Basel Miami Beach, Frieze Art Fair[5] and Frieze Art Fair New York.
Galeria Casas Riegner was established in Miami in 2001. In 2004, the gallery relocated from Miami to Bogotá in order to focus its work on the promotion and dissemination of contemporary art within Colombia and abroad. In March 2005 the new gallery opened its doors in Bogotá.
Installation view of Galeria Casas Riegner
Featured artists
- Johanna Calle[6]
- Leyla Cárdenas
- María Fernanda Cardoso
- Antonio Caro
- Fernando Botero
- Tony Cruz
- Mateo López[7]
- Rosario López
- Bernardo Ortiz
- María Fernanda Plata
- Liliana Porter
- Alex Rodríguez
- Miguel Ángel Rojas
- Luis Roldán
- Liliana Sánchez[8]
- Rosemberg Sandoval
- Gabriel Sierra
- Wilger Sotelo
- José Antonio Suárez Londoño
- Angélica Teuta
- Icaro Zorbar
References
- ↑ Rojas, Laurie (6 December 2013). "Something New From South America". The Art Newspaper. The Art Newspaper. Retrieved 8 March 2014.
- ↑ Nelson, Rainbow (8 November 2010). "Hans Ulrich Obrist on the Colombian Art Scene". wallpaper*. wallpaper*. Retrieved 8 March 2014.
- ↑ Banks, Eric (March 2012). "Bogotá Art Scene on the Rise". w magazine. Retrieved 8 March 2014.
- ↑ Casas Riegner (2013). "Casas Riegner Art Basel". Art Basel. Art Basel. Archived from the original on 9 March 2014. Retrieved 8 March 2014.
- ↑ Creahan, D (15 Oct 2013). "AO Preview London Frieze Art Fair". Art Observed. Art Observed. Retrieved 8 March 2014.
- ↑ Rodríguez, Marta (2012). "Johanna Calle Solo Show". artnexus. artnexus. Retrieved 8 March 2014.
- ↑ Rolex Mentors & Protégés (2013). "William Kentridge and Mateo Lopez". Rolex. Rolex. Retrieved 8 March 2014.
- ↑ la veneno (2013). "laveneno/liliana_sanchez". la veneno. la venene. Retrieved 8 March 2014.
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