Giorgio Schiavone
Madonna and Child with Angels (1459-1460)
Born
Juraj Ćulinović

1433/1436
Skradin, Croatia
Died1504 (age 68-71)
Šibenik, Croatia
NationalityCroatian
Other namesGiorgio di Tomaso Schiavone, Georgius Dalmaticus
Known forPainting

Giorgio Schiavone, or Juraj Ćulinović (1433/1436 – 6 December 1504), was a Croatian Renaissance painter, active in North Italy and Dalmatia. He is considered the most important Croatian painter of the 15th century.[1][2]

Name

Croatian artists who had careers in Italy at that time were given the name “Schiavone”, meaning “Slav”. While in Italy, he usually signed his name as Sclavonus,[2] or in some cases Georgius Dalmaticus. He is best known today as Giorgio Schiavone or Giorgio di Tomaso Schiavone.

Biography

Born in Skradin, young Juraj probably received his first painting lessons while still in Dalmatia, from Dujam Vušković when that artist was in Šibenik (1448–52) working on a polyptych for the cathedral commissioned by the nobleman Juraj Radoslavčić.[3]

He moved to Italy in 1456, and signed a contract to assist Francesco Squarcione in his Padua studio. After a few years he left Squarcione's workshop, without repaying his debt to the teacher and taking several of his drawings with him.[3] By 1462 he was back in Dalmatia, working in Zadar, then from 1463 he was in Šibenik teaching art,[3] with working visits to Venice and Padua.[4] In 1463 he married Jelena, the daughter of the sculptor and architect Juraj Dalmatinac. It is said that his paintings influenced his father-in-law’s sculpture.[1]

Squarcione was unsuccessful in his attempts to have the money and items returned to him, so in 1467 he brought a lawsuit, nominating Juraj Dalmatinac to represent him. However, by 1474, Squarcione had died, and his son was told that the money and drawings had been given to Marinko Vušković, who had subsequently died having been captured by the Ottomans.[3]

There is very little information concerned with his paintings in Dalmatia. Although contracted to produce works for Šibenik Cathedral, one of the polyptychs mentioned was actually completed by Nicola Braccio from Pisa. On the other hand, there are a great many documents in which he is mentioned with respect to buying land, trading in wine and oil, renting property, selling cheese, wool, wax and gold wire, as well as borrowing money.[3]

He died in Šibenik on 6 December 1504 and is buried in Šibenik Cathedral. Shortly afterwards his wife Jelena passed away in January 1505. He was survived by two illegitimate children: a son Luka and a daughter Stana.[5]

Works

San Francesco e Gerolamo

Giorgio Schiavone is an important representative of the Paduan school.[2] While working for Squarcione in Padua, he produced works such as Madonna and Child.[5] His paintings of the time show the influence of Donatello and Andrea Mantegna,[4] and he may in turn have inspired the young Carlo Crivelli.[1] He had a very successful career in Padua, where he produced his best-known work[4]

Five of his works were signed:[6]

Wikimedia Commons has media related to Giorgio Schiavone.

See also

References

  1. 1 2 3 Clifford, Timothy (2009). "Italy and Dalmatia: Architecture, Sculpture, Painting and the Decorative Arts, c. 1400-1800". Croatia: Aspects of Art, Architecture and Cultural Heritage. Frances Lincoln Ltd, London. p. 121. ISBN 978-0-7112-2921-1.
  2. 1 2 3 Keith Shaw; Theresa Shaw (2003). Schiavone, Giorgio (di Tommaso) [Ćulinović, Juraj]. doi:10.1093/gao/9781884446054.article.T076523. ISBN 978-1-884446-05-4. Retrieved 21 April 2021. {{cite book}}: |website= ignored (help)
  3. 1 2 3 4 5 Prijatelj, Kruno (1993). "Ćulinović, Juraj". Hrvatski Biografski Leksikon. Leksikografski Zavod Miroslav Krleža. Retrieved 20 April 2021.
  4. 1 2 3 "Giorgio Schiavone". National Gallery, UK. Retrieved 20 April 2021.
  5. 1 2 Giorgio Schiavone in the RKD
  6. ↑ "Ćulinović, Juraj". Hrvatska enciklopedija, mrežno izdanje. Leksikografski zavod Miroslav Krleža. Retrieved 20 April 2021.
  7. ↑ The Virgin and Child Enthroned with Two Saints, Staatliche Museen zu Berlin, Gemäldegalerie, Ident. Nr.: 1162
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