Halina Kwiatkowska
Headshot of Kwiatkowska
Kwiatkowska in 2011
Born
Halina Królikiewiczówna

(1921-04-25)25 April 1921
Bochnia, Poland
Died12 November 2020(2020-11-12) (aged 99)
Konstancin-Jeziorna, Poland
Resting placeRakowicki Cemetery
NationalityPolish
OccupationActor
Years active1941–2007
Known for

Halina Kwiatkowska (née Królikiewiczówna,[1] 25 April 1921 – 12 November 2020)[2] was a Polish actress, educator, and writer. She performed in The Cherry Orchard at the National Stary Theatre in Kraków, and starred in the films Ashes and Diamonds, The Doll, and And Along Come Tourists.

Personal life

Kwiatkowska was born in Bochnia, Poland.[1] She attended Wadowice High School, where she met Karol Wojtyla (later Pope John Paul II).[3] She last saw Wojtyla in 2002, after Wojtyla made a special effort to see her despite suffering from ill health.[3] Kwiatkowska denied rumours that she and Wojtyla had been a couple in their early years,[4] after the 2005 miniseries Karol: A Man Who Became Pope portrayed Kwiatkowska as a former lover of the Pope.[5] Kwiatkowska was married to Tadeusz Kwiatkowski;[2] they married shortly after the end of the Second World War.[5]

Kwiatkowska died in Konstancin-Jeziorna. She was interred in the Rakowicki Cemetery, Kraków.[6]

Career

Kwiatkowska started acting at the Juliusz Słowacki Theatre.[2] Her first performance was Król Duch (King Ghost) in 1941.[1] During the Nazi occupation of Poland, Kwiatkowska and Wojtyla acted together at the underground Rapsodyczny Theatre.[3] Kwiatkowska later worked at the Powszechny Theatre until 1947,[1][2] when she joined the Kraków Theatre.[1] In 1954, she acted in The Cherry Orchard at the National Stary Theatre in Kraków.[1] In total, she played 64 different roles in theatre productions in Kraków.[7] Kwiatkowska starred in nine films,[8] including Ashes and Diamonds in 1958,[9] The Doll in 1968,[8] and the 2007 German film And Along Come Tourists.[10]

For about 40 years Kwiatkowska taught at the State Higher School of Theatre in Kraków.[2] There, she and Ewa Otwinowska wrote two plays: Ogłoszenie matrymonialne (Marriage Announcement) and Sytuację bez wyjścia (A Situation Without a Way Out).[1][8] She wrote the book Porachunki z Pamięcia (Reckoning with Memory), which won a Kraków book of the month award.[7]

For many years, until 2011, she was Chair of the Main Collegiate Court of the Association of Polish Stage Artists (ZASP).[11]

Awards and decorations

Her major awards include:

References

  1. 1 2 3 4 5 6 7 8 "Zmarła aktorka Halina Kwiatkowska". Dziennik Gazeta Prawna (in Polish). 13 November 2020. Retrieved 4 December 2020.
  2. 1 2 3 4 5 "Halina Kwiatkowska" (in Polish). Association of Polish Stage Artists. 12 November 2020. Archived from the original on 26 November 2020. Retrieved 4 December 2020.
  3. 1 2 3 "Halina Kwiatkowska on her last meeting with the Pope". La Stampa. 15 December 2011. Retrieved 4 December 2020.
  4. ↑ "Poles search for a miracle to confirm John Paul II as a saint". The Times. 2 May 2011. Retrieved 4 December 2020.
  5. 1 2 "The trouble with "Karol"". Denver Catholic. 19 October 2005. Retrieved 4 December 2020.
  6. ↑ Halina Kwiatkowska at filmpolski.pl
  7. 1 2 "Zmarła aktorka Halina Kwiatkowska. Była koleżanką Jana Pawła II". o2.pl (in Polish). 14 November 2020. Retrieved 4 December 2020.
  8. 1 2 3 "Halina Kwiatkowska is dead. The actress was 99 years old. She played, among others in the films "Ashes and Diamonds" and "Lalka"". Polish News. 13 November 2020. Archived from the original on 29 January 2022. Retrieved 4 December 2020.
  9. ↑ "Ashes and Diamonds". Polish Film Academy. Retrieved 4 December 2020.
  10. ↑ "AND ALONG COME TOURISTS (AM ENDE KOMMEN TOURISTEN)". German Films.de. Retrieved 4 December 2020.
  11. ↑ Buletyn Informacyjny ZASP, no.25, 2012, p.22
  12. ↑ Lista osób odznaczonych "Medalem 10-lecia Polski Ludowej"
  13. 1 2 Halina Kwiatkowska, Dziennik Polski, no.28, 2006
  14. ↑ "Nagrody Fundacji Kultury Polskiej 2008". Wprost (in Polish). 26 June 2008. Retrieved 4 December 2020.
  15. ↑ Nagrody, Sceny Polskie, No.1, 2018, p.32
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