Harry Leith-Ross
Harry Leith-Ross, c.1937
Born(1886-01-27)January 27, 1886
Saint Pierre, Mauritius
DiedMarch 1, 1973(1973-03-01) (aged 87)
Pineville, Pennsylvania
NationalityBritish-American
EducationUniversity of Birmingham
Alma materAcadémie Delécluse
Known forLandscape painter
MovementPennsylvania Impressionists
SpouseEmily Slaymaker

Harry "Tony" Leith-Ross (27 January 1886 – 15 March 1973) was a British-American landscape painter and teacher. He taught at the art colonies in Woodstock, New York and Rockport, Maine, and later was part of the art colony in New Hope, Pennsylvania. A precise draftsman and a superb colorist, Leith-Ross is considered one of the Pennsylvania Impressionists.

Life and career

Harry Leith-Ross was born in Saint Pierre, Mauritius[1][2][3][4] – an island in the South Indian Ocean – the son of banker Frederick William Arbuthnot Leith-Ross and Sina van Houten. His mother was the daughter of Dutch politician Samuel van Houten, and his younger brother was Scottish economist Sir Frederick Leith-Ross.[5]

Leith-Ross was educated in England and Scotland,[3] and studied engineering at the University of Birmingham for a year.[4] He emigrated to the United States at age 17 in 1903, and worked for his uncle's coal company.[4] He subsequently took up advertising work in Denver, Colorado.[4] He travelled to Paris in 1909, and studied art at the Académie Delécluse and the Académie Julian.[4] He studied in New York City at the National Academy of Design School under Charles Yardley Turner, beginning in 1910.[4]

The Art Students League of New York operated a summer painting school in Woodstock, New York, which Leith-Ross first attended in 1913.[6] His instructors included Birge Harrison and John F. Carlson. It was there that he met fellow student John Fulton Folinsbee, who would become his life-long friend. Folinsbee had contracted polio as a child, and was confined to a wheelchair. The two men shared a cabin, and Leith-Ross would carry Folinsbee around the countryside on his back.[7] Each served as best man for the other's wedding.[7] Folinsbee married in 1914, and he and his wife settled in New Hope, Pennsylvania in 1916, where Leith-Ross was a frequent houseguest.[7] Both men painted en plein air, directly from nature. They were famous for spending afternoons sketching on the bridge at New Hope (and for tossing anything that displeased them into the Delaware River).[7]

Leith-Ross served as a second lieutenant in the United States Army during World War I.[4]

After the war, Leith-Ross taught at the University of Buffalo, and co-founded an art school in Rockport, Maine, where he taught during the summers. He met student Emily Slaymaker in Summer 1925, and they were married later that year. They lived in Woodstock, New York for a decade, then settled outside New Hope, Pennsylvania in 1935. They had one daughter, Elizabeth Leith-Ross Mow.[8]

He wrote a well-regarded book on landscape painting: Leith-Ross, Harry (1956). The Landscape Painter's Manual. New York: Watson-Guptill Publications. OCLC 1325646.

Leith-Ross died in 1973 in Pineville, Pennsylvania.[3][2]

Exhibitions, awards and honors

Leith-Ross and Folinsbee had a joint exhibition at the Toledo Museum of Art in November 1915.[9] Leith-Ross exhibited oil and watercolor paintings at the National Academy of Design in the 1910s,[3] and at the Art Institute of Chicago in the 1920s.[4] He exhibited at the Pennsylvania Academy of the Fine Arts most years from 1916 to 1952,[10] and won prizes from the Salmagundi Club and the American Watercolor Society.[3]

Leith-Ross was elected an Associate of the National Academy of Design in 1928, and Folinsbee painted his diploma portrait.[11] Leith-Ross appeared in at least three other paintings by Folinsbee.[12]

Legacy

Leith-Ross expressed his philosophy about painting in The Landscape Painter's Manual (1956), Watson Guptill Publications.

His works are in the permanent collections of the James A. Michener Art Museum,[3] the Woodmere Art Museum, the Smithsonian American Art Museum,[2] and many private collections.[13]

Leith-Ross's papers are at the University of Pennsylvania.

The Michener Museum hosted a posthumous exhibition of his works, Poetry in Design: The Art of Harry Leith-Ross (October 2006 - March 2007).

Leith-Ross's Connecticut Valley in Fall was appraised on Antiques Roadshow in 2017.

Selected works

  • Sunlight on Snow (1927),[14] Thomas Colville Fine Art, Guilford, Connecticut
  • Lone Skater (c.1943),[15] Woodmere Art Museum, Philadelphia, Pennsylvania
  • Flag Station (1945),[16] Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania
  • The Sleigh (c.1945),[17] private collection
  • Soldier's Grave (1948),[18] private collection
  • Demolition (1954),[19] Smithsonian American Art Museum, Washington, D.C.
  • The Fair (1958),[20] Woodmere Art Museum, Philadelphia, Pennsylvania
  • Red Barn (undated),[21] James A. Michener Art Museum, Doylestown, Pennsylvania
  • Canal Dwellers (undated),[22] Woodmere Art Museum, Philadelphia, Pennsylvania

References

  1. ↑ U.S., World War II Draft Registration Cards, 1942
  2. 1 2 3 "Harry Leith-Ross". Smithsonian American Art Museum. Retrieved February 18, 2017.
  3. 1 2 3 4 5 6 "Harry Leith-Ross". James A. Michener Art Museum. Retrieved February 18, 2017.
  4. 1 2 3 4 5 6 7 8 Peterson, Peter H. (2002). Pennsylvania Impressionism. Doylestown, Pennsylvania: James A. Michener Art Museum. p. 156. ISBN 9780812237009. OCLC 237808236.
  5. ↑ Johnston, William (1894). A Genealogical Account of the Descendants of James Young, Merchant Burgess of Aberdeen and Rachel Cruickshank His Wife, 1697-1893, with Notes on Many of the Families with which They are Connected. University Press. p. 12. Retrieved 16 May 2019.
  6. ↑ Love, Richard H.; Peters, Carl William (2009). Carl W. Peters: American Scene Painter from Rochester to Rockport. Rochester, New York: University of Rochester Press. p. 353. ISBN 9781580460248. OCLC 39796121.
  7. 1 2 3 4 Kirsten M. Jensen, Folinsbee Considered. New York, NY: Hudson Hills Press, 2014.
  8. ↑ Obituary: Harry Leith-Ross, Landscape Painter, The New York Times, March 17, 1973.
  9. ↑ Florence N. Levy, ed., The American Art Annual, Volume 13 (Washington, D.C.: The American Federation of Art, 1916), p. 237.
  10. ↑ Peter Hastings Falk, ed., The Annual Exhibition Record of the Pennsylvania Academy of the Fine Arts, Volume 3, 1914-1968 (Madison, Connecticut: Sound View Press, 1989), pp. 289-290.
  11. ↑ David Bernard Dearinger, Paintings and Sculpture in the Collection of the National Academy of Design (NAD, Hudson Hills Press, 2004), p. 198.
  12. ↑ Leith-Ross, from John F. Folinsbee Catalogue Raisonee.
  13. ↑ "Harry Leith-Ross - Artworks". The Athenaeum. Retrieved February 18, 2017.
  14. ↑ Sunlight on Snow, from Thomas Colville Fine Art.
  15. ↑ Lone Skater, from Woodmere Art Museum.
  16. ↑ Flag Station, from PAFA.
  17. ↑ The Sleigh, from Heritage Auctions.
  18. ↑ Soldier's Grave, from Sotheby's Auctions.
  19. ↑ Demolition, from SAAM.
  20. ↑ The Fair, from Woodmere Art Museum.
  21. ↑ Red Barn, From Michener Museum.
  22. ↑ Canal Dwellers, from Woodmere Art Museum.
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