Hayley Lever
Hayley Lever
Born(1876-09-28)28 September 1876
Bowden, South Australia
Died6 December 1958(1958-12-06) (aged 82)
Mount Vernon, New York, United States
EducationAdelaide's Prince Alfred College, Ashton's Academy of Arts
Known forPainting
MovementImpressionism,
Post-Impressionism,
Modernism and
Realism
AwardsNational Academy of Design's Carnegie Prize (1914),
Gold medal at the National Arts Club (1915),
Amsterdam Olympic Medal for Painting (1928)

Richard Hayley Lever (28 September 1876 – 6 December 1958) was an Australian-American painter, etcher, lecturer and art teacher. His work was part of the art competitions at the 1928 Summer Olympics and the 1932 Summer Olympics.[1]

Life and work

Lever was born in Bowden, South Australia on 28 September 1875, the son of Albion W. Lever.[2] He excelled in painting classes at Prince Alfred College under James Ashton and on leaving school continued to study under Ashton at his Norwood art school. He was a charter member of the Adelaide Easel Club in 1892.[3]

Street Scene, ca 1910
Harbor scene sold at auction for $159,625 in 2005
Summer Sailboats, 1940
Nantucket Yachting Season, Oil on board

Lever's maternal grandfather Richard Hayley, owner of Bowden Tannery, died in 1882,[4] and the subsequent inheritance was sufficient for Lever to finance a trip to England in 1899[5] to further his career in painting. He moved to St. Ives, a fishing port and artistic colony on the Cornish coast. The town's reputation as a centre for marine painting was largely due to Julius Olsson, who became a prominent British seascape painter.[6] In St. Ives, Lever shared a studio with Frederick Judd Waugh, and studied painting techniques under the Impressionists Olsson and Algernon Talmage. Lever also painted in the French port villages of Douarnenez and Concarneau, Brittany, directly across the English Channel from St. Ives.

In late 1904 Lever made a trip back to Adelaide, where his mother was dying of tuberculosis.[7] During his twelve-month stay he staged several exhibitions, painted seascapes and taught. In 1906, upon returning to Europe, he married Aida Smith Gale in St. Ives' Parish Church. In 1908, Lever did a series of paintings called Van Gogh's Hospital, Holland expressing the profound influence he felt from that artist.

In 1911, Ernest Lawson, an Impressionist painter, persuaded Lever to move to United States, saying he would have greater success there. Lever arrived in New York City in 1912 and painted views of the Hudson River, Times Square and Central Park. Upon discovering the American east coast, he painted in Gloucester, Massachusetts for several summers and at Marblehead, Massachusetts. Both artists developed spontaneous, bold painting styles, and Lever was accepted into Lawson's circle of friends: Robert Henri, William Glackens, John Sloan and George Bellows. He exhibited with this group regularly, but eventually left New York to settle in Massachusetts.

From 1919 to 1931, Lever taught art classes at the Art Students League of New York where he maintained a Gloucester studio and often traveled to paint on Nantucket and Martha's Vineyard. He offered this message to his students: "Art is the re-creation of mood in line, form and color. If I were confined to my own back yard for the rest of my life, I'd still have more pictures in my mind than I would have time to paint. Art is nothing but having a good time." Lever went to Pittsburgh in 1922 as an art juror for the Carnegie International exhibition.[8]

In 1924, Lever was commissioned to paint a portrait of the presidential yacht, USS Mayflower, which was subsequently presented to President Calvin Coolidge in the Cabinet Room of the White House.

By 1930, Lever had moved to Caldwell, New Jersey, staying there until 1938, when he moved to Mount Vernon, New York. While living in New York, Lever painted marines and landscapes in New Jersey, New England, New York and the Canadian Maritimes. Throughout his life, he traveled and painted extensively, including Nova Scotia and Grand Manan Island in Canada, The Bahamas and Florida, while often returning to Europe. In 1933, Hayley was named Director of the Green Mountains summer art school at Smugglers Notch in Stowe, Vermont.[9] Lever also taught painting classes at the Forum School of Art in Bronxville, New York from 1934 to 1935.

In later life, Lever was inflicted with arthritis in his right hand, which prevented him from further travel and forced him to concentrate on still-life subjects instead. As his arthritis advanced, he taught himself to paint with his left hand. However, following the death of his wife Aida in 1949,[10] Lever was confined to his home, where he continued to paint from 1953 until his death.

Hayley Lever died on 6 December 1958 at his home in Mount Vernon, New York. News of his death surprised some: Lever had all but disappeared from public view over two decades earlier, despite once having been enormously popular and critically acclaimed. Even so, he had continued to paint in the intervening years to such a degree that colleagues and dealers alike were confounded by the cache of unsold, and largely unseen, paintings in his Mount Vernon barn.[11] Since his death, he has been recognized as one of the leaders of American Impressionism in the 20th century.[12]

Displayed works/exhibitions

Displayed works

Exhibitions

2010"Gilded Age to Modern Era Paintings: An Exhibition of European and American Fine Art", Galerie Werner, Pittsburgh, Pennsylvania
2010"American Still-Life Paintings (1829–2009)", Spanierman Gallery, New York
2005"Art In Bloom – Works from the Permanent Collection", Norton Museum of Art, West Palm Beach, Florida
2003"Hayley Lever (1876–1958)", Spanierman Gallery, New York
1922–1946The Whitney Museum of American Art, New York
1945Westchester Arts & Crafts
1945Art Institute of Chicago; Machbeth, Rehn, Ferargil, Daniels, French, & Company; Clayton Galleries
1914–1941Corcoran Gallery Biennials, New York
1940Pennsylvania Academy of Fine Arts Annual Exhibition
1940National Arts Club, New York
1938National Academy of Design, New York
1936National Academy of Design, New York
1936Newark Art Club, Newark, New Jersey
1934Salons of America, New York
1913–1932Pennsylvania Academy of Fine Arts Annual Exhibition
1927Frank K. M. Rehn Gallery, New York City (two-person show with Jan Matulka)
1926Sesqui-Centennial Exposition, Philadelphia
1922National Arts Club, New York
1920Society of Independent Artists, New York
1920Buffalo Fine Arts Academy
1918Philadelphia Watercolor Club, Pennsylvania
1914–1916National Arts Club, New York
1915Panama-Pacific International Exposition, San Francisco, California
1914Memorial Art Gallery in Rochester
1914Syracuse Museum of Fine Arts
1914National Academy of Design, New York
1905New Salon, Paris
1904Adelaide, South Australia
1904The Royal Academy, London

Memberships

References

  • Shadowland Magazine, November 1922. "Hayley Lever, Individualist (The artist who believes that man may draw inspiration from all sources, but that the only deadly sin is imitation)" by Holger Cahill. p. 11, 77
  • Art & Antiques, 2003 March, Gallery Watch
  • American Art Review, 1996 March, Valley of Work: Scenes of Industry
  • Hayley Lever, Carol Lowrey, Spanierman Gallery, New York: 2003
  • Hayley Lever, 1876–1958 : works in various media : an exhibition at the Delaware Art Museum, 23 June – 13 August 1978.
  • Falk, Peter H., Who Was Who In American Art. Madison, Connecticut: Sound View Press, 1985. p. 368.

Notes

  1. ↑ "Hayley Lever". Olympedia. Retrieved 27 July 2020.
  2. ↑ "Family Notices". South Australian Register. Adelaide. 5 October 1875. p. 4. Retrieved 3 February 2015 – via National Library of Australia. Many reference works put his year of birth as 1876.
  3. ↑ "Concerning People". South Australian Register. Adelaide. 18 September 1899. p. 5. Retrieved 3 February 2015 – via National Library of Australia.
  4. ↑ "Family Notices". South Australian Register. Adelaide. 13 September 1882. p. 2 Supplement: Supplement to the South Australian Register. Retrieved 3 February 2015 – via National Library of Australia. His grandmother, Mrs. Hayley, died 27 April 1900.
  5. ↑ "Concerning People". South Australian Register. Adelaide. 18 September 1899. p. 5. Retrieved 3 February 2015 – via National Library of Australia.
  6. ↑ Art in St Ives, Town of Penzance. website Archived 4 October 2010 at the Wayback Machine
  7. ↑ "PERSONAL". The Advertiser. Adelaide. 10 December 1904. p. 9. Retrieved 3 February 2015 – via National Library of Australia.
  8. ↑ Born of Fire, Barbara L. Jones, 2006.
  9. ↑ The Lewiston Daily Sun – 26 June 1933, P4
  10. ↑ "Family Notices". The Advertiser. Adelaide. 25 June 1949. p. 18. Retrieved 3 February 2015 – via National Library of Australia.
  11. ↑ Midday in the Harbor, Southgate, JAMA.1998; 279: 1594
  12. ↑ St. Petersburg Times – 12 October 1961, P12A
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.