High Windows
First edition
AuthorPhilip Larkin
CountryUnited Kingdom
LanguageEnglish
GenrePoetry
Published1974 (Faber and Faber)
ISBN0-571-20275-6
OCLC46613746
Preceded byThe Whitsun Weddings 

High Windows is a collection of poems by English poet Philip Larkin, and was published in 1974 by Faber and Faber Limited. The paperback version was first published in Britain in 1979. The collection is the last publication of new poetry by Larkin before his death in 1985, and it contains some of his most famous poems, including the title piece, "High Windows", "Dublinesque", and "This Be The Verse".[1] The collection contains themes presented in his earlier collections, though the tone of the poems caused critics to suggest the book is darker and more "socially engaged" than his earlier volumes.[1][2][3][4] It is currently on the AQA AS/A2 level English Literature syllabus.

Poems

The volume contains 24 poems:

SequencePoem titleCompletion date
1To the SeaOct 1969 (best known date)
2Sympathy in White Major31 Aug 1967
3The Trees02 Jun 1967
4Livings: I, II, III10 Dec 1971
5Forget What Did06 Aug 1971
6High Windows12 Feb 1967
7Friday Night in the Royal Station Hotel20 May 1966
8The Old Fools12 Jan 1973
9Going, Going25 Jan 1972
10The Card-Players6 May 1970
11The Building09 Feb 1972
12Posterity17 Jun 1968
13Dublinesque06 Jun 1970
14Homage to a Government10 Jan 1969
15This Be The VerseApr 1971 (best known date)
16How Distant24 Nov 1965
17Sad Steps24 Apr 1968
18Solar04 Nov 1964
19Annus Mirabilis16 Jul 1967
20Vers de Société19 May 1971
21Show Saturday03 Dec 1973
22Money19 Feb 1973
23Cut Grass03 Jun 1971
24The Explosion05 Jan 1970

Critical reception

Clive James, in As of this writing, describes High Windows as Larkin's bleakest volume of poetry, though he does admit that there are aspects of the poetry that contain the humour found in Larkin's earlier books of poetry. James suggests that Larkin has never liked the idea of a poet "Developing" and that Larkin himself remains the same throughout his career as a poet. High Windows, in James's opinion, shows that Larkin simply strives, with the addition of each poem, to state more clearly the same principles shown by his early works and concludes that "The total impression of High Windows is of despair made beautiful."[4]

References

  1. 1 2 Cooper, Stephen.Philip Larkin: Subversive Writer. Sussex Academic Press (2004)p.170
  2. Swarbrick, Andrew. Out of Reach: The Poetry of Philip Larkin London Macmillan (1995)pp.122-123
  3. Regan, Stephen. Philip Larkin. Palgrave Macmillan (1997) p.124
  4. 1 2 James, Clive. As of This Writing.W. W. Norton & Company(2003)p.57
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.