Debuts

Bostridge began singing professionally only at age 27.^[3] He made his Wigmore Hall debut in 1993, followed by an acclaimed Winterreise at the Purcell Room and his Aldeburgh Festival debut in 1994. In 1995, he gave his first solo recital in the Wigmore Hall (winning the Royal Philharmonic Society's Debut Award). He gave recitals in Lyon, Cologne, London and at the Aldeburgh, Cheltenham and Edinburgh Festivals in 1996 and at the Alte Oper, Frankfurt in 1997.

On the concert platform, he has appeared with the London Symphony Orchestra under Sir Colin Davis and Mstislav Rostropovich, the Scottish Chamber Orchestra under Sir Charles Mackerras, and the City of Birmingham Symphony and Berlin Philharmonic under Sir Simon Rattle.

His first solo-featured recording was for Hyperion Records, a Britten song recital, The Red Cockatoo with Graham Johnson. His subsequent recording of Die schöne Müllerin in Hyperion's Franz Schubert Edition won the Gramophone's Solo Vocal Award for 1996. He won the prize again in 1998 for a recording of Robert Schumann Lieder with his regular collaborator, the pianist Julius Drake and again in 2003 for Schumann's Myrthen and duets with Dorothea Röschmann and Graham Johnson, as part of the Hyperion Schumann edition.

An EMI Classics exclusive artist since 1996, he is a 15-time Grammy Award nominee and 3-time winner. His CDs have won all of the major record prizes including Grammy, Edison, Japanese Recording Academy, Brit, South Bank Show Award, Diapason d'Or de l'Année, Choc de l'Année, Echo Klassik and Deutsche Schallplattenpreis. His recording of Schubert's "Die Forelle" with Julius Drake forms part of the soundtrack of the 2011 film Sherlock Holmes: A Game of Shadows. His album of Shakespeare Song for Warner Classics won the 2017 Grammy award and the Echo Klassik award for solo vocal.

Bostridge made his operatic debut in 1994, aged 29, as Lysander in A Midsummer Night's Dream with Opera Australia at the Edinburgh Festival, directed by Baz Luhrmann. In 1996, he made his debut with the English National Opera, singing his first Tamino (The Magic Flute). In 1997, he sang Quint in Deborah Warner's new production of The Turn of the Screw under Sir Colin Davis for the Royal Opera. He has recorded Flute (Britten's A Midsummer Night's Dream) with Sir Colin Davis for Philips Classics; Belmonte (Die Entführung aus dem Serail) with William Christie for Erato; Tom Rakewell (The Rake's Progress) under John Eliot Gardiner for Deutsche Grammophon (Grammy Award); and Captain Vere (Billy Budd) (Grammy Award) with Daniel Harding. In 2007 he appeared at the ENO in the role of Aschenbach in Britten's Death in Venice, in a production by Deborah Warner.

1997–1999

In 1997, he made a film of Schubert's Winterreise for Channel 4 directed by David Alden;^[8] he has been the subject of a South Bank Show profile documentary on ITV^[9] and presented the BBC 4 film The Diary of One Who Disappeared about Czech composer Leoš Janáček.^[10] He has written for The New York Review of Books, The New York Times,The Guardian, The Times, Financial Times,The Times Literary Supplement, Opernwelt, Gramophone, BBC Music Magazine, Opera Now and The Independent.

Later engagements included recitals in Paris, Stockholm, Lisbon, Brussels, Amsterdam and the Vienna Konzerthaus. In North America he appeared in recitals in New York City at the Frick Collection in 1998 and Alice Tully Hall in 1999 and made his Carnegie Hall debut under Sir Neville Marriner. Also in 1998, he sang Vasek in a new production of The Bartered Bride under Bernard Haitink for the Royal Opera and made his debut at the Munich Festival as Nerone (L'incoronazione di Poppea) and in recital (Winterreise at the Cuvilliés Theatre). In 1999, he made his debut with the Vienna Philharmonic under Sir Roger Norrington. He works regularly with the pianists Julius Drake, Graham Johnson, Mitsuko Uchida, composer Thomas Adès^[11] and Covent Garden music director Antonio Pappano. Other partners at the piano have included Leif Ove Andsnes, Håvard Gimse, Saskia Giorgini, Igor Levit, and Lars Vogt.

Since 2000

In the summer of 2000 Bostridge gave the fifth annual Edinburgh University Festival Lecture entitled "Music and Magic".

In 2004, Bostridge was made CBE for his services to music. He is an Hon RAM, honorary fellow of Corpus Christi College, St John's College, and Wolfson College Oxford, and was awarded an honorary doctorate by the University of St Andrews in 2003.^[12] He was Humanitas Professor of Classical Music and Education at the University of Oxford, 2014–15 (part of the Humanitas Programme). In 2020/21 he was a visiting professor at Munich's Hochschule for Music and Theatre. From 2022 on he is giving courses on Schubert Lieder at the Music and Arts University of the City of Vienna.

He gave the inaugural Nicholas Breakspear lecture, "Classical Attitudes: Latin and music through the ages" at the University of Trondheim in 2015; and the annual BIRTHA lecture, "Humanity in Song: Schubert's Winter Journey" at the University of Bristol in the same year. He delivered the Lincoln Kirstein Lecture, "Song and Dance", at NYU in 2016. He gave the Berlin Family Lectures at the University of Chicago in April 2021.

Bostridge had his own year-long Perspectives series at Carnegie Hall in 2005/6, and a twelve-month residency at the Barbican in 2008, "Homeward Bound". He has had a Carte Blanche season at the Concertgebouw and further artistic residencies in Luxembourg, Hamburg, the Schubertiade Schwarzenberg and the Wigmore Hall.

On 11 November 2009 Bostridge sang Agnus Dei from Benjamin Britten's War Requiem, at the Armistice Day service in Westminster Abbey. This uses the words of war poet Wilfred Owen's "At a Calvary near the Ancre". The service marked the loss of the WWI generation, whose last members died earlier the same year. Bostridge performed Kurt Weill's anti-war Four Walt Whitman Songs in 2014. He also has a long history with directing and performing The Threepenny Opera.

In 2013, he performed as part of the Barbican Britten centenary festival in London, and released a new recording of the composer's War Requiem.^[3]

Bostridge was for a time the music columnist for Standpoint magazine, the monthly publication launched in 2008 "to celebrate Western civilisation" and served on the magazine's advisory board. He has been Prospect magazine's classical columnist since 2023. He is a Youth Music Ambassador, a patron of the Music Libraries Trust and of the Macmillan Cancer Support Guards Chapel Carol Concert. Since 2023 he has been a trustee of the newly founded London Centre for the Humanities.

A collection of his writings on music, A Singer's Notebook, was published by Faber and Faber in September 2011. It was described by philosopher Michael Tanner, in BBC Music Magazine: "A consistently lively, learned, urbane and passionate book, once opened not likely to be closed until you have read it all."

His bestselling book Schubert's Winter Journey: Anatomy of an Obsession was published by Faber and Faber in the UK and by Knopf in the US in January 2015. It has been published in German, Finnish, Dutch, Korean, Japanese, Italian, Swedish, Polish, Mandarin, simplified Chinese, Mandarin, French, Russian, and Spanish editions. It won the Duff Cooper Prize for non-fiction for 2015, the Prix Littéraire des Musiciens in 2018 and was named the best music book of the year in the Prix de la Critique 2017/18 (Association Professionelle de la Critique de Théâtre, Musique et Danse). It went on to win the Grand Prix France Musique des Muses in 2019.

In 2023 he sang the Evangelist role in a performance of J. S. Bach's St. Matthew Passion with the French ensemble Les Talens Lyriques and the Chœur de chambre de Namur conducted by Christophe Rousset, and also gave concerts of Shakespeare's songs.

His book Song and Self: A Singer’s Reflections on Music and Performance was published in 2023 by Chicago University Press in the US, Faber and Faber in the UK and C.H Beck in Germany (das Lied und das Ich); and will be published by Acantilado in Spain, Il Saggiatore in Italy and Artes in Japan.

Books

• Witchcraft and its transformations, c.1650–1750. Oxford: Clarendon Press. 1997.
• A Singer's Notebook. Faber and Faber. 2011. ISBN 978-0-571-2524-59.^[13]
• Schubert's Winter Journey: Anatomy of an Obsession. Faber and Faber. 2014. ISBN 978-0571282807.
• Song and Self: a singer’s reflections on music and performance. Chicago University Press/Faber and Faber 2023

Book reviews

Critical studies and reviews of Bostridge's work

• Monter, William (June 1999). "[Untitled review]". Book Reviews. Journal of Modern History. 71 (2): 445–447. doi:10.1086/235253. S2CID 222436282. Reviews Witchcraft and its transformations, c.1650–1750.