Ideological repression in the Soviet Union targeted various worldviews and the corresponding categories of people.

Ideological repression in arts

Until the late 1920s, various forms of artistic expression were tolerated. However, an increase in the scope of Soviet political repression, marked by the first show trial, the Shakhty Trial, brought into the focus of Bolsheviks the question whether "bourgeois intelligentsia", including workers of culture and arts, can be loyal and trustworthy. As an early step was an instruction to the Russian Association of Proletarian Writers "to scourge and chastise [literature]" in the name of the Party", i.e., effectively encouraging censorship of literature on ideological grounds. Among the first targets were Yevgeny Zamiatin and Boris Pilnyak.[1]

Soon the concept of socialist realism was established, as the officially approved form of art, an instrument of propaganda, and the main touchstone of ideological censorship.

Repression of religion

Ideological repression in science

Certain scientific fields in the Soviet Union were suppressed after being labeled as ideologically suspect.[2][3] In some cases the consequences of ideological influences were dramatic. The suppression of research began during the Stalin era and continued, in softened forms, after his regime.[4]

See also

References

  1. ↑ Rudova, Larissa (1997). Understanding Boris Pasternak. Columbia: University of South Carolina Press. p. 64. ISBN 1-57003-143-6.
  2. ↑ Loren R. Graham (2004) Science in Russia and the Soviet Union. A Short History. Series: Cambridge Studies in the History of Science. Cambridge University Press. ISBN 978-0-521-28789-0
  3. ↑ Mark Walker (2002) Science and Ideology. A Comparative History. Series: Routledge Studies in the History of Science, Technology and Medicine. Routledge. ISBN 978-0-415-27122-6
  4. ↑ Loren R. Graham, Science and philosophy in the Soviet Union. New York, 1972, Archived 2011-06-04 at the Wayback Machine
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