Isabelita Blanch
Born
Isabelita Blanch Ruiz

(1906-11-13)13 November 1906
Died14 May 1985(1985-05-14) (aged 78)
Mexico City, Mexico
Occupationactress
Years active1930s–1970s
Known forvaudeville

Isabelita Blanch (1906–1985) was a Spanish-born Mexican actress, who specialized in vaudeville and comedy during the Golden Age of Mexican cinema. She and her sister opened several theater companies and performed throughout Mexico and in the US. She also acted in movies and performed in one television series.

Biography

Isabelita Blanch Ruiz was born 13 November 1906 in Valencia, Spain.[1] She and her sister Ana, who went by the name of Anita Blanch, both had interest in the theater and arrived in Mexico in the 1920s.[2] Primarily a vaudeville entertainer, Blanch specialized in comedy and melodrama.[3]

She and her sister formed the Compañía de Teatro Anita Blanch (Anita Blanch Theater Company), hiring artists like Angel Garasa, Rafael Banquells, and Jose Cibrian, among others. In the 1940s, they produced plays like “No hables mal de os gitanos” by Enrique Bohorques; “La mujer legitima” by Xavier Villaurrutia; “Doña hormiga” by Alvarez Quintero; “El amor las vuelve locas” by Enrique Suarez, and many other productions.[4]

Isabelita also had her own touring company, Compañía de Isabelita Blanch, which in 1940 made the inaugural performance in the restored Teatro Principal de Puebla, oldest theater in Mexico, with the presentation of the work "Quién te quiere a ti".[5] In 1943, she toured in the United States, playing venues in Tucson, Arizona.[6][7]

Blanch also performed in several movies including “Luponini de Chicago” (1935) by Jose Bohr, “Casa de mujeres”[4] and "La historia de siete pecadoras"[1] (1942) by Gabriel Soria and “Con la música por dentro" (1946) by Gómez Landero,[4] and "Los secretos del sexo débil"[1] (1960).[8] She was also the star of a television program called "El profesor particular".[1]

She died in Mexico City on 14 May 1985.[1]

Selected filmography

References

  1. 1 2 3 4 5 "Cantantes Jimmy Fontan y Jovan Campbell nacieron un día como hoy" (in Spanish). Lima, Peru: Andina. 13 November 2014. Retrieved 13 May 2015.
  2. Peralta Gilabert, Rosa (July–December 2010). "Crónica Teatral de las Compañías Republicanas en México Durante la Guerra Civil Española: Díaz-Collado y Melià-Cibrián" (PDF). Acotaciones (in Spanish). Madrid, Spain: Real Escuela Superior de Arte Dramático. 25: 75–94. Retrieved 13 May 2015.
  3. Marquet, Antonio, ed. (1992). Temas y variaciones de literatura (PDF) (in Spanish) (1. ed.). México, D.F.: Universidad Autónoma Metropolitana, Unidad Azcapotzalco, División de Ciencias Sociales y Humanidades. p. 14. ISBN 970-620-025-8. Retrieved 13 May 2015.
  4. 1 2 3 García, Manuel (2014). Memorias de Posguerra (in Spanish). Valendia, Spain: Publicacions de la Universitat de València. p. 179. ISBN 978-84-370-9532-5. Retrieved 13 May 2015.
  5. Mellado May, Lesly (17 March 2008). "Puebla, entre las entidades con equipamiento "deficiente" por el número de teatros" (in Spanish). Puebla, Mexico: La Jornada de Oriente. Retrieved 13 May 2015.
  6. "Los Olvidados de Dios". Tucson, Arizona: Tucson Daily Citizen. 6 February 1943. p. 5. Retrieved 13 May 2015 via Newspapers.com. Open access icon
  7. "El Baisano Jalil". Tucson, Arizona: Tucson Daily Citizen. 30 November 1943. p. 5. Retrieved 13 May 2015 via Newspapers.com. Open access icon
  8. "Los secretos del sexo débil". Instituto Mexicano de Cinematografía (in Spanish). Mexico City, Mexico: Instituto Mexicano de Cinematografía. Retrieved 13 May 2015.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.