Furniture Tableaus

In 1982 Jim Isermann created Motel Modern, an exhibition in a room at the Inn of Tomorrow, a hotel across the street from Disneyland. Isermann re-furnished the room with his own re-created 50's and 60's furniture and décor, including a giant chartreuse TV console.^[15][16] Much of the discussion around Isermann's work from this period focuses on the cyclical nature of style, taste, fashion, camp and kitsch. In 1987 the Isermann stated, "My art is about fine art becoming popular culture and then coming back around to fine art."^[15][17][18]

Crafts & the Construction of Pattern

Since the 90s Isermann's work has frequently been discussed as addressing issues of style and decoration at the intersection between art and applied design.^[19] Christopher Knihght described "The domestic realm animates Isermann's art. He had spent the prior half-dozen years teaching himself a number of homespun craft techniques, gleaned from how-to handbooks. Stained glass panels, wall hangings of pieced fabric, woven textiles and hand-braided rugs are techniques that embrace a homey, lived-in, DIY aesthetic for objects, crossing art and design, functional and not."^[11]

In a revue of Isermann's 1994 retrospective of hand made objects including, a clock, a lamp, stained glass, shag rugs, and more Lisa Anne Auerbach writes, "Though these pieces border on craft, their high quality, size, and careful fabrication gives them an industrial air. Untitled, 1989, is an eight-foot-square wall-piece, half painting and half rug-hooking. The acrylic yarn matches the enamel paint, and the design flows almost seamlessly among the different surfaces..." Arbauch goes on to write of Isermann's Quilts from 1994, "A one hundred year old, lifetime quilter could not have made seams more perfect, and if stitches were brush strokes, Dutch still lifes wouldn't even come close to the precision of these works. "^[20]

Commercial Fabrication

By the new century Iserman began increasingly incorporating commercial fabrication into the production of his work. Beginning with vinyl decals of repeating patterns that were placed on the walls like wallpaper.^[21] These installations include an exhibition at the Portikus, Frankfurt, Germany in 2000, and the Hammer Museum, Los Angeles in 2002.^[22]

Paintings

Painting has been reoccurring mode of production for the artist since the beginning of his career. The paintings are hard edge geometric abstractions that artist produces himself with multiple layers of house paint applied by hand.^{[23][24][25][26]}

Queer Sensibilities

Isermann's work is frequently referred to as having a strong relationship queerness and camp.^[17] In 1998 Rhonda Lieberman wrote "It's as if the artist asked: 'How faggy could I make a minimalist object?'^[27] Notions of Camp are also frequently brought up in relation to Iserman's work.^[23]

Iserman has contributed two panels to the NAMES Project AIDS Memorial Quilt

Influences

Iserman's work is most commonly discussed in a lineage that engages in both abstraction, referencing Jean Arp, Anni Albers and Marimekko. The artist has also frequently mentioned how Sister Corita had a significant influence on him^[28] Andy Warhol had a significant impact on the artist and Iserman's vinyl wall coverings are often discussed in relation to Warhols wall paper.^[15]