John E. Dowell Jr.
Born1941
Philadelphia, Pennsylvania, U.S.
NationalityAmerican
Known forPrintmaker
Websitehttp://johndowell.com/

John Edward Dowell Jr. (born March 25, 1941 in Philadelphia, Pennsylvania) is an American printmaker,[1] etcher, lithographer, painter, and professor of printmaking at the Tyler School of Art at Temple University.[2]

Life and education

Dowell was born in Philadelphia, and grew up in a housing project there. As a child, he explored art with his brother by copying the work in Lone Ranger comics.[1]

He studied at the Tyler School of Art at Temple University, where he was mentored by ceramist Rudolf Staffel.[1] And he mastered his printmaking skills at the Tamarind Institute in Los Angeles, CA, where he worked as a senior printer.[3] His work is influenced by abstract expressionists Willem de Kooning, Philip Guston, and Jackson Pollock[1] and jazz musicians such as Miles Davis, Archie Shepp, and Cecil Taylor.[4]

While visiting Bahia, Brazil in 1988, Dowell explored interest in traditional African religions. He later converted to the voodoo religion,[5] but later was defrocked from the Voodoo priesthood.[6]

Work

Dowell is well known for works keyed to music.[1] He often focuses on abstract visual representations of poetry and music, notably jazz.[2] In the late 1980s, he focused on art related to the voodoo religion. These works were inspired by voodoo forces and spirits.[5]

Dowell's first individual exhibition was at the Swope Art Museum in 1968.[1] Dowell's canvas, ceramic, and print works are showcased at over 70 museums worldwide, and he has had more than 50 solo exhibitions.[4] He has also participated in a number of group exhibitions,[1] including in "Philadelphia Teaches Printmaking" at Philadelphia's Print Club in 1978.[3] His works are featured in many collections,[1] including the Minneapolis Institute of Art,[7][8] the Philadelphia Museum of Art,[9] and the Smithsonian American Art Museum.[10] Dowell also recorded photographic images of the President's House archaeological site.[4]

Dowell's work was featured in the 2015 exhibition We Speak: Black Artists in Philadelphia, 1920s-1970s at the Woodmere Art Museum.[11]

Dowell has received many awards for his work, including the James Van Der Zee award from the Brandywine Workshop,[12] and grants from the National Endowment for the Arts.[2]

References

  1. 1 2 3 4 5 6 7 8 Thomas Riggs, ed. (1997). St. James Guide to Black Artists. St. James Press. ISBN 9781558622203.
  2. 1 2 3 "John E. Dowell - Make It Short". Art of the Print. Archived from the original on March 27, 2006. Retrieved January 28, 2017.
  3. 1 2 Forman, Nessa (1978). "Philadelphia is Still Print City — Dowell Painting: Read it as Music, Read it as Dance, Read it as Art". The Philadelphia Inquirer.
  4. 1 2 3 "Photographs of the President's House Archeological Site: A joint project of the Office of the Mayor, City of Philadelphia and Independence National Historical Park" (PDF). Philadelphia Archaeological Forum. July 2007. Archived (PDF) from the original on December 14, 2016. Retrieved January 28, 2017.
  5. 1 2 "John Edward Dowell, Jr". Philadelphia Museum of Art Bulletin. Vol. 90. Winter 1995. pp. 42–43. ISSN 0031-7314.
  6. ↑ National African Religion Congress/NARC World
  7. ↑ "Hat and Beard, John Dowell". MIA. Archived from the original on February 2, 2017. Retrieved January 28, 2017.
  8. ↑ "The Bridge, John Dowell". MIA. Archived from the original on February 5, 2017. Retrieved January 28, 2017.
  9. ↑ "Collections: Search Collections". Philadelphia Museum of Art. Archived from the original on January 28, 2017. Retrieved January 28, 2017.
  10. ↑ "Artworks Search Results / American Art". Smithsonian American Art Museum Renwick Gallery. Retrieved January 28, 2017.
  11. ↑ "We Speak: Black Artists in Philadelphia, 1920s-1970s". Woodmere Art Museum. Archived from the original on 24 September 2021. Retrieved 4 June 2022.
  12. ↑ "Brandywine Workshop". Brandywine Workshop. Archived from the original on November 12, 2020. Retrieved November 12, 2020.
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