John Lely (born Norwich, England, in 1976)[1] is British experimental composer, improvising musician and curator based in London, UK.

His music has been commissioned and performed by musicians including Apartment House, Quatour Bozzini, violinist Mira Benjamin, harpist Rhodri Davies, and pianist John Tilbury, and broadcast on BBC Four, BBC Radio 3 and Resonance FM.[2]

He is co-curator (alongside composer Tim Parkinson) of the concert series Music We’d Like to Hear, which has run since 2005[3][4] and co-author (with fellow composer James Saunders) of the book Word Events: Perspectives on Verbal Notation, a study of text scores, which was published by Continuum/Bloomsbury in 2012.[5]

Education

Lely studied at Goldsmiths, University of London with Roger Redgate, Dave Smith and John Tilbury, and privately with Michael Parsons. In 2007 he was a resident student at Ostrava Days and from 2008 to 2010 he was a researcher at Bath Spa University. From 2003 to 2008 Lely taught composition and creative strategies at Goldsmiths, and experimental sound at Chelsea College of Arts.[2] He currently teaches at Trinity Laban Conservatoire of Music and Dance.[6]

Style

Lely's music is influenced by an older generation of British experimental composers, such as John White and Michael Parsons, both of whom he is friends with. Lely's music uses both acoustic and electronic objects and instruments, and is concerned with simplicity and use of systems and processes.[7] He has also regularly performed in improvising groups in London, notably alongside drummer Eddie Prévost,[8][9] violinist Angharad Davies, Sebastian Lexer and others.

Notable works by Lely include The Harmonics of Real Strings (2006), in which a very slow glissando is performed on one string of a bowed instrument, using light finger pressure to activate natural harmonics. The piece was recorded by cellist Anton Lukoszevieze for the record label Another Timbre, in four separate realisations (one for each of the cello's strings).[1][8][10]

All About The Piano (2006) is an open-form piece, in which the pianist plays fragments from the score in an order of their choosing. Simultaneously, the music is recorded and played back, so the music becomes increasingly dense.[11]

Other works and improvisations by Lely have been released on the record labels Matchless Recordings and Another Timbre, while his electronic album, Launch of the Red Bird (2005) was self-released on Bandcamp.[12]

Selected works

  • Line (2016) for any pitched instrument. Composed for John Tilbury, and recorded for the CD Seaside (Another Timbre 2016).
  • Part Music for Violin (2015) for violin and mono audio. Commissioned by Mira Benjamin with support from the Britten-Pears Foundation.
  • First Page for Five (2014) for any five sustaining pitched instruments. Composed for the Goldsmiths CD on Another Timbre.
  • Assembly (2014) for piano and string quartet. Commissioned by PRS for Music and performed at Spitalfields Music.
  • During (2013) for three cellos. Commissioned by Tre Voci and nu:nord, with support from the Britten-Pears Foundation.
  • The Harmonics of Real Strings (2006) for solo bowed string instrument.
  • All About the Piano (2006) for pianist with one or more roaming assistants. Commissioned by the Huddersfield Contemporary Music Festival for Philip Thomas and James Saunders.
  • Launch of the Red Bird (2005) electronic album.
  • Cycling in [county/region of performance] (2004) for harp. Commissioned by and dedicated to Rhodri Davies.
  • E (2003) for piano, cello, harp, electric guitar and xylophone. Commissioned by MaerzMusik, Berliner Festspiele for Apartment House.

References

  1. 1 2 Whitehouse, Richard (11 February 2015). "Lely – The Harmonics of Real Strings". www.gramophone.co.uk. Retrieved 2 May 2019.
  2. 1 2 "Word Event: a verbal notation symposium | Bath Spa University: Performance". Word Event. 10 May 2011. Retrieved 2 May 2019.
  3. ↑ "music we'd like to hear - curators". www.musicwedliketohear.com. Retrieved 2 May 2019.
  4. ↑ "Music We'd Like to Hear with Anton Lukoszevieze and Tim Parkinson". bachtrack.com. Retrieved 2 May 2019.
  5. ↑ Dbarbiero (11 June 2012). "AMN Reviews: John Lely and James Saunders – Word Events". Avant Music News. Retrieved 2 May 2019.
  6. ↑ "Trinity Laban Conservatoire of Music & Dance Prospectus 2019/20" (PDF). www.trinitylaban.ac.uk. Retrieved 2 May 2019.
  7. ↑ "wandelweiser - texte - Tim Parkinson". www.wandelweiser.de. Retrieved 2 May 2019.
  8. 1 2 Hammond, Matthew (2015). "John Lely: The Harmonics of Real Strings . Anton Lukoszevieze (vc). Another Timbre at80". Tempo. 69 (273): 48–49. doi:10.1017/S0040298215000212. ISSN 0040-2982. S2CID 147940985.
  9. ↑ "John Lely: The Harmonics of Real Strings". All About Jazz. Retrieved 2 May 2019.
  10. ↑ Clark, Philip (11 March 2015). "playlist: experimental music – Africa Express, Colin Webster, Rutger Zuydervelt, Laurie Spiegel". The Guardian. ISSN 0261-3077. Retrieved 2 May 2019.
  11. ↑ The Ashgate research companion to experimental music. Saunders, James, 1972 December 12-. Farnham, England: Ashgate. 2009. p. 96. ISBN 9780754662822. OCLC 311310354.{{cite book}}: CS1 maint: others (link)
  12. ↑ "John Lely". johnlely.co.uk. Retrieved 2 May 2019.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.