Eva Kathleen Merritt (1901 – November 1985) was a British conductor who led her own orchestra from the 1920s into the 1970s. She was best known as a pioneering woman conductor, and for her local music-making in Petersfield, Hampshire.

Merritt was born in Petersfield and attended Bedales School and then the Royal College of Music (violin, piano and conducting). She joined the (then ad hoc) Petersfield Festival Orchestra in 1920 as a first desk violinist. She became conductor of the Sheet Choral Society from 1923, and of the Sheet Orchestra from 1924.[1] From 1927 she founded and became conductor of the Petersfield Orchestra, a post she held until 1973.[2] Merritt also served on the Petersfield Music Festival committee for 43 years.[3] She lived at Bridge House in the centre of Petersfield.[4]

The Petersfield Music Festival had its peak years in the 1930s: it was a four-day event, incorporating choral competitions and running multiple concerts featuring many regional musicians and singers. Along with Merritt, the local philanthropist Harry Roberts helped raise funds to build a new Town Hall, which opened in 1935 as the primary Festival venue.[5] It is now known as the Festival Hall.[6]

In 1939 she founded the Kathleen Merritt Orchestra. During the Second World War, while both the orchestra and the Petersfield Festival were paused, Merritt continued to encourage the development of local music making and choirs, working as music advisor for the National Union of Townswomen's Guilds. After the war her orchestra, renamed as the Southern String Orchestra in 1952,[4] premiered many new works by British composers, including music by women composers.

Merritt was known beyond her local music circles. She was a friend and correspondent of Ralph Vaughan Williams[7] and a frequent broadcaster on the BBC Third Programme from the late 1940s and into the 1950s.[8] She was violinist with the New English String Quartet from 1930 until 1935.[4] Her orchestra, and sometimes sections of the orchestra, performed concerts in London and elsewhere, such as the well-received Purcell concert put on by the string section at Queen Mary Hall on 1 November 1938.[9] She also founded the Southern Orchestra Concert Society, which organized concerts across the South of England.[10] On 28 April 1960 Merritt organized and conducted a Wigmore Hall concert of 'Contemporary British Women Composers', featuring the music of Ina Boyle, Ruth Gipps, Dorothy Howell, Antoinette Kirkwood, Elizabeth Maconchy and Grace Williams.[11]

Merritt was one of the pioneers who helped open up the world of conducting to women musicians in Britain. Others included the older generations of Florence Ashton Marshall, Gwynne Kimpton and Ethel Leginska,[12] and her near contemporaries Avril Coleridge-Taylor, Iris Lemare and Kathleen Riddick.[13] She retired in 1972, receiving an MBE for services to music. Her successor at the Petersfield Orchestra was Judith Bailey. Subsequent conductors were Nick Barnard (from 2001) and Robin Browning.[3]

Selected premiere performances

References

  1. ↑ Kathleen Merritt, 60 Second history. Petersfield Shine Radio, 8 March 2021
  2. ↑ Marjorie Lunt and Mary Ray. Petersfield Music Makers, Petersfield Area Historical Society (1986)
  3. 1 2 Petersfield Orchestra: History
  4. 1 2 3 'Who's who in Music and Musicians' International Directory (1962), p. 142
  5. ↑ David W. Jeffery. Dr Harry Roberts: A Petersfield Philanthropist (2009)
  6. ↑ Foster Wilson Architects. Petersfield Festival Hall: Stage 2 Design Report Summary (2019)
  7. ↑ 'Letter from Ralph Vaughan Williams to Kathleen Merritt', in The Letters of Ralph Vaughan Williams, VWL3638, June 1939
  8. ↑ 'Kathleen Merritt', BBC Programme Index
  9. ↑ 'London Concerts', in The Musical Times, Vol. 79, No. 1149, November 1938), p. 858
  10. ↑ 'Miscellaneous', in The Musical Times, Vol. 94, No. 1327, September 1953), p. 425
  11. 1 2 'London Concerts: Six Women Composers', in The Musical Times, Vol. 101, No. 1408, June 1960, pp. 373-374
  12. ↑ Bromley Symphony Orchestra
  13. ↑ Hartley, Cathy. A Historical Dictionary of British Women (2013), p 372
  14. ↑ Rhiannon Mathias. Lutyens, Maconchy, Williams and Twentieth-Century British Music (2016), p. 80
  15. ↑ Radio Times, Issue 1413, 10th December 1950, p. 31 (broadcast on 13 December)
  16. ↑ Alastair Mitchell. A Chronicle of First Broadcast Performances of Musical Works (2019)
  17. ↑ ''Radio Times, Issue 1444, 15th July 1951, p. 37
  18. ↑ Erica Siegel. The Life and Music of Elizabeth Maconchy (2023), p. 139
  19. ↑ The Times, 31 May 1951, p. 8
  20. ↑ English String Miniatures, Vol. 3, Naxos 8.555069 (2001)
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