Le Bourgeois Gentilhomme | |
---|---|
Choreographer | George Balanchine |
Music | Richard Strauss |
Libretto | after Molière |
Based on | Molière's Le Bourgeois gentilhomme |
Premiere | 1932 Opéra de Monte-Carlo |
Original ballet company | Ballet Russe de Monte Carlo |
Characters | Mr. Jourdain Lucille Cléonte |
Design | Alexandre Benois |
Setting | 17th-century France |
Created for | David Lichine and Tamara Toumanova |
Genre | neoclassical ballet |
Le Bourgeois Gentilhomme refers to two different ballets by George Balanchine set to Richard Strauss's Concert Suite (1917),[1] with a libretto after Molière's 17th-century comédie-ballet of the same name.
The first Balanchine Le Bourgeois Gentilhomme ballet was produced in 1932 by the Ballets Russes de Monte-Carlo. In 1979, Balanchine (with the assistance of Jerome Robbins) created all-new choreography[2] for Le Bourgeois Gentilhomme, which premiered on 8 April 1979, with the New York City Opera at the New York State Theater, Lincoln Center, in New York City. This production was notable for being the first ballet Balanchine ever choreographed for Rudolf Nureyev[2] (who at the time was 41 years old).
Performance history
Ballets Russes de Monte-Carlo
Balanchine's first Le Bourgeois Gentilhomme ballet was performed in 1932 by Wassily de Basil & René Blum's Ballets Russes de Monte-Carlo, featuring David Lichine and Tamara Toumanova, with sets by Alexandre Benois.[2]
In 1944, the ballet was performed by the second iteration of the Ballet Russe de Monte Carlo, with Nicholas Magallanes (taking over for an injured Frederic Franklin), Maria Tallchief, and Nathalie Krassovska.[2]
New York City Opera
Le Bourgeois Gentilhomme | |
---|---|
Choreographer | George Balanchine with Jerome Robbins |
Music | Richard Strauss |
Libretto | after Molière |
Based on | Molière's Le Bourgeois gentilhomme |
Premiere | April 8, 1979 New York State Theater, Lincoln Center |
Original ballet company | New York City Opera |
Characters | Mr. Jourdain Lucille Cléonte |
Design | Rouben Ter-Arutunian |
Setting | 17th-century France |
Created for | Rudolf Nureyev Jean-Pierre Bonnefoux Patricia McBride |
Genre | neoclassical ballet |
The 1979 version of Le Bourgeois Gentilhomme included choreographic input from Jerome Robbins, who stepped in during a period of Balanchine's illness,[2] as well as from Peter Martins, who choreographed one scene near the end of the ballet.[1] By staging the ballet with the New York City Opera instead of Balanchine's customary New York City Ballet, the production was able to use Nureyev, who was not a member of NYCB.[1] Costumes and sets were designed by Rouben Ter-Arutunian.[2]
The premiere took place on 8 April 1979 at the New York State Theater, Lincoln Center, as part of a double bill with Henry Purcell's short opera Dido and Aeneas.[1]
1979 opening night cast:
- Jean-Pierre Bonnefoux — Mr. Jourdain
- Rudolf Nureyev — Cléonte
- Patricia McBride — Lucille
- Darla Hoover
- Michael Puleo
- students of the School of American Ballet
On 22 May 1980, the New York City Ballet produced the ballet at the New York State Theater, featuring Frank Ohman, Suzanne Farrell, Peter Martins, Heather Watts, and Victor Castelli.[3]
References
- 1 2 3 4 Kisselgoff, Anna. "Balanchine-Robbins Work for Nureyev From Moliere," New York Times (Apr. 9, 1979).
- 1 2 3 4 5 6 Hodgson, Moira. "A Balanchine Ballet for Nureyev," New York Times (April 9, 1979).
- ↑ "Le Bourgeois Gentilhomme," New York City Ballet website. Accessed Jan. 24, 2015.
External links
- Le Bourgeois Gentilhomme on the website of the Balanchine Trust