Linda George OAM (born 1951) is an Australian pop, jazz fusion and soul singer from the 1970s. In 1973, George performed the role of Acid Queen for the Australian stage performance of The Who's rock opera, Tommy. She won the TV Week King of Pop award for "Best New Female Artist". Her cover version of "Neither One of Us", peaked at No. 12 on the Australian Singles Chart and her 1974 single "Mama's Little Girl" reached the Top Ten. From 1972 to 1998, George also worked as a session singer and later became a music teacher. Her last CD recorded in the late 1990s would be available in 2012.

Early career

Linda George was born in 1951 in England. She emigrated with her family to Australia in 1964, where they settled in Adelaide, South Australia in the satellite town of Elizabeth.^[1] By 1968, George had already worked professionally in a duo and moved to Melbourne to find more musical experience.

She joined her first band, Nova Express, a jazz fusion group similar in repertoire to United States acts Chicago and Blood Sweat and Tears.^[2] With George as lead singer, the band included Peter Walsh on organ, Craig Forbes on drums, Ian Hellings on trumpet, Dave Clark on saxophone, the legendary jazz bass player Derek Capewell on bass guitar (after they lost their original bass player, Ray Greenhorn to the draft for Vietnam), Ken Schroder on alto and baritone saxophone, Geoff Schroder on tenor saxophone, and Ken White on guitar.^[1] A later member was Graham Morgan on drums.

Early in 1969, the band's first and only single, a cover version of "Take Another Little Piece of My Heart" (originally recorded by Erma Franklin, then Janis Joplin), was released on the EMI label imprint Columbia, the B side featured a Ken White original 'Around the block' which reached No. 28 in Melbourne.^[3] They won the Victorian state final of the 1970 Hoadley's Battle of the Sounds ahead of Zoot, though they finished behind The Flying Circus, Zoot and Autumn at the national finals in August.^[4] George left Nova Express later that year for a solo career, including performing with The Marlboro Big Band, The Barry Veith Big Band, Opus Big Band, and Brian May and the ABC Show Band on a tour of Vietnam, which included Derek Capewell on bass, Garry Hyde on drums and Melbourne musical stalwarts.^[1]

In 1971, George teamed again with Ken Schroder in his band called 'Plant'. This band featured Schroder on saxes and Steve Miller on trombone along with David Alardyce on piano and Colin Deluka on bass plus the Tasmanian drummer Eric Johnson. She worked with that band until 1973 when Ken Schroder left to travel abroad, and she joined Image Records as a solo artist.^[5]

Solo career

In 1973, Linda George signed with independent label, Image Records, and released her first solo single "Let's Fly Away" in May.^[1] In March 1973, she took the role of Acid Queen in the Australian stage production of The Who's rock opera Tommy.^[1] Her fellow cast included Daryl Braithwaite, Colleen Hewett, Billy Thorpe, Ross Wilson, Jim Keays, Doug Parkinson, Broderick Smith, Wendy Saddington, Bobby Bright and The Who's own Keith Moon (as Uncle Ernie for the Melbourne show only).^[1] It was later televised by the Seven Network and received a TV award for the year's most outstanding creative effort.^[2] For the Sydney show, Australian music commentator Ian "Molly" Meldrum replaced Moon.^[2] George won the TV Week King of Pop award for "Best New Female Artist" (1973).^[2]

The raised exposure helped promote her second single in July, her cover version of the Gladys Knight & the Pips US hit "Neither One of Us", arranged by the Australian music writer and pianist Peter Jones, which peaked at No. 12 on Go-Set's National Top 40 singles chart.^[6] George's follow up single, a remake of Ruby and the Romantics 1963 hit "Our Day Will Come" with a co-production between Peter Jones music arranger and Image records, reached the Top 40 in February 1974.^[6]

Her debut LP album, Linda, appeared in August on Image Records. Session musicians were used and US record producer Jack Richardson (Alice Cooper, The Guess Who, Poco and Bob Seger) was brought to Australia by label boss, John McDonald,^[2] The first single from Linda was her biggest hit and became her signature song, "Mama's Little Girl" (previously by Dusty Springfield), which went to No. 8 on the Australian Kent Music Report Singles Chart.^[7] The second single, "Give It Love", did not reach the top 40.^[7] Linda peaked at No. 32 on the Australian Kent Music Report Albums Chart and stayed in the top 100 for five months.^[7] George won awards for "Best Female Vocalist" and "Best Female Single".^[2]

She appeared both in the 1973 and at the 1975 Sunbury Pop Festival in January.^[2] Richardson also produced her second album, Step by Step, which was released in December. It featured a tougher rock sound compared to the previous album's soul and pop sound. After the first album Linda she parted ways with her management company. To promote it she formed the Linda George Band which performed throughout 1976 to positive reviews.^[2] The album's first single "Shoo Be Doo Be Doo Dah Day" charted reasonably well in former hometown Adelaide, but public reaction in the rest of Australia was lukewarm.^[2] The album peaked in the Top 40.^[7] A third single, the title track, was released in May 1976 but failed to make the charts.^[7] George then released a non-album single "Sitting in Limbo" in November 1978, a cover of the Jimmy Cliff song, it also did not chart.

George left Image to continue working as a session singer and raise her children.^[2] Throughout this time George continued to be in demand for live television performances throughout Australia, and occasional solo performance shows. Peter Faiman produced an iconic segment with George in the "Paul Hogan" show and she featured regularly on the 'Naked Vicar show', and Don Lane and Bert Newton shows.

Session singer and beyond

Linda George had already provided backing vocals on releases by her contemporaries, including Brian Cadd, Madder Lake, Daryl Braithwaite, Normie Rowe, Jo Jo Zep, John Farnham, Kerrie Biddell, and many others.^[2] Throughout this time George worked with various ensembles. From early 1979 to 1981 she worked with the Paul McKay Sound.

During 1979, George performed backing vocals on Mike Brady's album Invisible Man. Brady had just had a No. 1 hit with "Up There Cazaly" and set up his own label, Full Moon Records. George signed to his label and returned to the studio with new material.^[1] Her first single in four years was a duet with Melbourne singer Paul McKay, "Love Is Enough", released in April 1980, which reached No. 23 locally.^[8] Her next single was the up-tempo, "Telephone Lines", in 1981, but it was not a chart success.^[7] While resuming her session work, George also spent much of the 1980s singing with her own ensemble, the Linda George Band. The line-up often included David Allardice on piano, which was an early alliance revisited. Later in 1982, she joined with Jeremy Alsop, David Jones and Mark Chew in the band Voice, and worked locally. During that time she represented Australia at the Yamaha music festival in Tokyo.

By 1986, George was a featured member of WJAZ, the Melbourne-based band which featured three singers: herself, Penny Dyer and Lindsay Field, with Alex Pertout on percussion, Colin Hopkins on keyboards, Peter Blick on drums, Ron Pierce on guitar and Steve Hadley on bass. They performed regularly at the Limerick Arms to an enthusiastic fan base. WJAZ continued through to 1993 in various line ups. A later line-up of WJAZ was George, Dyer and Pertout, with Craig Newman and Colin Hopkins.

During the early 1990s, George toured to Russia with two of her seven brothers, in an ensemble that included Colin Hopkins from Melbourne and George Grifsas from Adelaide, working for the Freedom from Hunger campaign. Back in Melbourne, she created a venue, "Music on Q", for local original artists. She recorded an album, Circle Dance, with Hopkins and Pertout, which was released in 1996 as a limited edition CD.^[9] Whilst raising three daughters she continued to teach at various schools and colleges throughout Melbourne and also ran a private practice. Her focus was and is on encouraging the individuals voice to emerge, to promote healthy voice habits, and to cultivate the love of originality, improvising and composition in her students.

George became a full-time teacher, after gaining a B.A. and a Dip. Ed., and taught voice for the Victorian College of the Arts and other schools and institutions as a sessional teacher. In 2001, she published, with Steve Vertigan, The Greatest Ever Improve Your Singing Book for Contemporary Vocalists, which included two CDs with practice tracks.^[10] and is a basic book for singers of all levels.

George continued to sing occasionally with her own trio but went on to teach in schools full-time both private and public, and recently retired from full-time teaching in schools. She retired as the head of music at Pascoe Vale Girls College in 2012, and now teaches voice and music in state schools and private schools in Melbourne.^[11]

Bibliography

• George, Linda; Vertigan, Steve (2001). The Greatest Ever Improve Your Singing Book for Contemporary Vocalists. Fitzroy, Vic: Encore Music Distributors (Australia). Note: Includes a score and two sound discs, which contain practice tracks.^[10]

Discography

Awards and nominations

References

External links

• http://www.poparchives.com.au/feature.php?id=885
• http://rateyourmusic.com/artist/linda_george