The following is a list of films belonging to the neo-noir genre. Following a common convention of associating the 1940s and 1950s with film noir, the list takes 1960 to date the beginning of the genre.
List of films: 1960–1969
List of films: 1970–1979
Film | Director | Year | Country | Ref(s). |
---|---|---|---|---|
10 Rillington Place | Richard Fleischer | 1971 | United Kingdom | [8] |
99 and 44/100% Dead | John Frankenheimer | 1974 | United States | [41] |
Across 110th Street | Barry Shear | 1972 | United States | [1] |
All the President's Men | Alan J. Pakula | 1976 | United States | [1] |
The American Friend | Wim Wenders | 1977 | West Germany | [13] |
...And Justice for All. | Norman Jewison | 1979 | United States | [8] |
The Anderson Tapes | Sidney Lumet | 1971 | United States | [1] |
Assault on Precinct 13 | John Carpenter | 1976 | United States | [8] |
Badge 373 | Howard W. Koch | 1973 | United States | [8] |
Badlands | Terrence Malick | 1973 | United States | [27] |
The Big Fix | Jeremy Kagan | 1978 | United States | [52] |
The Big Sleep | Michael Winner | 1978 | United Kingdom, United States | [8] |
The Bird with the Crystal Plumage | Dario Argento | 1970 | Italy | [13] |
The Black Bird | David Giler | 1975 | United States | [52] |
Black Eye | Jack Arnold | 1974 | United States | [8] |
Black Gunn | Robert Hartford-Davis | 1972 | United States | [8] |
Black Sunday | John Frankenheimer | 1977 | United States | [52] |
Blue Collar | Paul Schrader | 1978 | United States | [53] |
Le Boucher | Claude Chabrol | 1970 | France | [18] |
Bring Me the Head of Alfredo Garcia | Sam Peckinpah | 1974 | United States, Mexico | [54] |
The Brink's Job | William Friedkin | 1978 | United States | [55] |
Buster and Billie | Daniel Petrie | 1974 | United States | [8] |
Capricorn One | Peter Hyams | 1977 | United States | [55] |
Le Cercle Rouge | Jean-Pierre Melville | 1970 | France/Italy | [56] |
The Champ | Franco Zeffirelli | 1979 | United States | [55] |
Chandler | Paul Magwood | 1971 | United States | [8] |
Charley Varrick | Don Siegel | 1973 | United States | [27] |
The China Syndrome | James Bridges | 1979 | United States | [8] |
Chinatown | Roman Polanski | 1974 | United States | [8] |
The Choirboys | Robert Aldrich | 1977 | United States | [55] |
Coffy | Jack Hill | 1973 | United States | [55] |
The Conversation | Francis Ford Coppola | 1974 | United States | [8] |
Cool Breeze | Barry Pollack | 1972 | United States | [55] |
Cotton Comes to Harlem | Ossie Davis | 1970 | United States | [23][57][58] |
Cuba | Richard Lester | 1979 | United States | [8] |
Deadly Strangers | Sidney Hayers | 1975 | United Kingdom | [24] |
Death Wish | Michael Winner | 1974 | United States | [8] |
Detroit 9000 | Arthur Marks | 1973 | United States | [23] |
Dirty Harry | Don Siegel | 1971 | United States | [8] |
Dog Day Afternoon | Sidney Lumet | 1975 | United States | [8] |
The Domino Principle | Stanley Kramer | 1977 | United States | [59] |
The Driver | Walter Hill | 1978 | United States | [8] |
The Drowning Pool | Stuart Rosenberg | 1975 | United States | [8] |
Endless Night | Sidney Gilliat | 1972 | United Kingdom | [24] |
The Enforcer | James Fargo | 1976 | United States | [8] |
The Executioner | Sam Wanamaker | 1970 | United Kingdom | [8] |
Executive Action | David Miller | 1973 | United States | [59] |
Eyes of Laura Mars | Irvin Kershner | 1978 | United States | [59] |
Farewell, My Lovely | Dick Richards | 1975 | United States | [8] |
Fat City | John Huston | 1972 | United States | [59] |
Fingers | James Toback | 1978 | United States | [59] |
The First Great Train Robbery | Michael Crichton | 1978 | United Kingdom | [8] |
F.I.S.T | Norman Jewison | 1978 | United States | [8] |
Foxy Brown | Jack Hill | 1974 | United States | [60] |
Framed | Phil Karlson | 1975 | United States | [60] |
The French Connection | William Friedkin | 1971 | United States | [8] |
French Connection II | John Frankenheimer | 1975 | United States | [8] |
Frenzy | Alfred Hitchcock | 1972 | United Kingdom | [24] |
Friday Foster | Arthur Marks | 1975 | United States | [60] |
The Friends of Eddie Coyle | Peter Yates | 1973 | United States | [8] |
The Fury | Brian De Palma | 1978 | United States | [60] |
The Gauntlet | Clint Eastwood | 1977 | United States | [60] |
Get Carter | Mike Hodges | 1971 | United Kingdom | [13][14] |
The Getaway | Sam Peckinpah | 1972 | United States | [27] |
Going Home | Herbert B. Leonard | 1971 | United States | [60] |
The Grissom Gang | Robert Aldrich | 1971 | United States | [60] |
The Groundstar Conspiracy | Lamont Johnson | 1972 | United States | [60] |
Gumshoe | Stephen Frears | 1971 | United Kingdom | [61] |
Hard Times | Walter Hill | 1975 | United States | [8] |
Hardcore | Paul Schrader | 1979 | United States | [8] |
Hell Up in Harlem | Larry Cohen | 1973 | United States | [27] |
Hickey & Boggs | Robert Culp | 1972 | United States | [8] |
Hit Man | George Armitage | 1972 | United States | [31] |
The "Human" Factor | Edward Dmytryk | 1975 | United States | [31] |
The Human Factor | Otto Preminger | 1979 | United Kingdom | [8] |
Hustle | Robert Aldrich | 1975 | United States | [8] |
I... comme Icare | Henri Verneuil | 1979 | France | [8] |
I Walk the Line | John Frankenheimer | 1970 | United States | [31] |
Jaguar | Lino Brocka | 1979 | Philippines | [8] |
The Killer Inside Me | Burt Kennedy | 1976 | United States | [8] |
The Killing of a Chinese Bookie | John Cassavetes | 1976 | United States | [8] |
Klute | Alan J. Pakula | 1971 | United States | [8] |
The Kremlin Letter | John Huston | 1970 | United States | [8] |
Last Embrace | Jonathan Demme | 1979 | United States | [8] |
The Last of Sheila | Herbert Ross | 1973 | United States | [8] |
The Late Show | Robert Benton | 1977 | United States | [62] |
Le silencieux | Claude Pinoteau | 1973 | France | [8] |
The Liberation of L.B. Jones | William Wyler | 1970 | United States | [8] |
The Long Goodbye | Robert Altman | 1973 | United States | [8] |
The Looking Glass War | Frank Pierson | 1970 | United Kingdom | [24] |
The MacKintosh Man | John Huston | 1973 | United Kingdom | [8] |
Magnum Force | Ted Post | 1973 | United States | [36] |
Manila in the Claws of Light | Lino Brocka | 1975 | Philippines | [8] |
Mean Streets | Martin Scorsese | 1973 | United States | [36] |
Midnight Express | Alan Parker | 1978 | United States | [36] |
The Midnight Man | Roland Kibbee and Burt Lancaster | 1974 | United States | [63] |
Mikey and Nicky | Elaine May | 1976 | United States | [64] |
Money Movers | Bruce Beresford | 1978 | Australia | [65] |
The New Centurions | Richard Fleischer | 1972 | United States | [8] |
The Nickel Ride | Robert Mulligan | 1974 | United States | [8] |
Night Moves | Arthur Penn | 1975 | United States | [8][57][58] |
Obsession | Brian De Palma | 1976 | United States | [41] |
The Offence | Sidney Lumet | 1972 | United Kingdom | [24] |
The One Man Jury | Charles Martin | 1978 | United States | [41] |
The Onion Field | Harold Becker | 1979 | United States | [8] |
The Organization | Don Medford | 1971 | United States | [41] |
The Outfit | John Flynn | 1973 | United States | [8] |
The Parallax View | Alan J. Pakula | 1974 | United States | [41] |
The Passenger | Michelangelo Antonioni | 1975 | Italy, France, Spain | [8] |
Performance | Nicolas Roeg | 1970 | United Kingdom | [13][14] |
Play Misty for Me | Clint Eastwood | 1971 | United States | [27] |
Prime Cut | Michael Ritchie | 1972 | United States | [30] |
Pulp | Mike Hodges | 1972 | United Kingdom | [24] |
Rage | George C. Scott | 1972 | United States | [8] |
Remember My Name | Alan Rudolph | 1978 | United States | [66] |
Rider on the Rain | René Clément | 1970 | France | [21] |
Rolling Thunder | John Flynn | 1977 | United States | [8] |
The Seduction of Joe Tynan | Jerry Schatzberg | 1979 | United States | [8] |
Série noire | Alain Corneau | 1979 | France | [13] |
Serpico | Sidney Lumet | 1973 | United States | [8] |
Seven | Andy Sidaris | 1979 | United States | [8] |
Shaft | Gordon Parks | 1971 | United States | [8] |
Shamus | Buzz Kulik | 1973 | United States | [67] |
Sheba, Baby | William Girdler | 1975 | United States | [67] |
The Silent Partner | Daryl Duke | 1978 | Canada | [68] |
Sisters | Brian De Palma | 1973 | United States | [67] |
Sitting Target | Douglas Hickox | 1972 | United Kingdom | [44] |
Sorcerer | William Friedkin | 1977 | United States, Mexico | [8] |
Soylent Green | Richard Fleischer | 1973 | United States | [67] |
Special Delivery | Paul Wendkos | 1976 | United States | [8] |
The Stone Killer | Michael Winner | 1973 | United States | [8] |
Straight Time | Ulu Grosbard | 1978 | United States | [67] |
Super Fly | Gordon Parks Jr. | 1972 | United States | [67] |
Sweet Sweetback's Baadasssss Song | Melvin Van Peebles | 1971 | United States | [50] |
The Take | Robert Hartford-Davis | 1974 | United States | [8] |
The Taking of Pelham One Two Three | Joseph Sargent | 1974 | United States | [50] |
Taxi Driver | Martin Scorsese | 1976 | United States | [8] |
They Call Me Mister Tibbs! | Gordon Douglas | 1970 | United States | [33] |
Thieves Like Us | Robert Altman | 1974 | United States | [8] |
Twilight's Last Gleaming | Robert Aldrich | 1977 | United States | [50] |
Vanishing Point | Richard C. Sarafian | 1971 | United States | [69] |
Villain | Michael Tuchner | 1971 | United Kingdom | [44] |
Walking Tall | Phil Karlson | 1973 | United States | [69] |
White Line Fever | Jonathan Kaplan | 1975 | Canada, United States | [8] |
Winter Kills | William Richert | 1979 | United States | [69] |
The Yakuza | Sydney Pollack | 1974 | United States | [69] |
List of films: 1980–1989
Film | Director | Year | Country | Ref(s). |
---|---|---|---|---|
8 Million Ways to Die | Hal Ashby | 1986 | United States | [8] |
Absence of Malice | Sydney Pollack | 1981 | United States | [8] |
After Hours | Martin Scorsese | 1985 | United States | [70] |
Against All Odds | Taylor Hackford | 1984 | United States | [8] |
Agnes of God | Norman Jewison | 1985 | United States | [8] |
American Gigolo | Paul Schrader | 1980 | United States | [71] |
Angel Heart | Alan Parker | 1987 | United States | [12] |
At Close Range | James Foley | 1986 | United States | [27] |
Atlantic City | Louis Malle | 1980 | Canada/France | [72] |
Bad Boys | Rick Rosenthal | 1983 | United States | [8] |
Bad Timing | Nicolas Roeg | 1980 | United Kingdom | [8] |
Band of the Hand | Paul Michael Glaser | 1986 | United States | [27] |
The Bedroom Window | Curtis Hanson | 1987 | United States | [27] |
Best Seller | Larry Cohen | 1987 | United States | [27] |
Betrayed | Costa-Gavras | 1988 | United States | [52] |
A Better Tomorrow | John Woo | 1986 | Hong Kong | [73] |
The Big Easy | Jim McBride | 1987 | United States | [8] |
Black Rain | Ridley Scott | 1989 | United States | [8] |
Black Widow | Bob Rafelson | 1987 | United States | [8] |
Blade Runner | Ridley Scott | 1982 | United States | [27] |
Blue Thunder | John Badham | 1983 | United States | [8] |
Blue Velvet | David Lynch | 1986 | United States | [12] |
Blood Simple | Joel and Ethan Coen | 1984 | United States | [8][57][58] |
Blow Out | Brian De Palma | 1981 | United States | [11][57][58] |
Body Double | Brian De Palma | 1984 | United States | [8] |
Body Heat | Lawrence Kasdan | 1981 | United States | [8] |
The Border | Tony Richardson | 1982 | United States | [8] |
Breathless | Jim McBride | 1983 | United States | [8] |
Chan Is Missing | Wayne Wang | 1982 | United States | [22] |
City on Fire | Ringo Lam | 1987 | Hong Kong | [73] |
Cop | James B. Harris | 1988 | United States | [8] |
Crimes of Passion | Ken Russell | 1984 | United States | [74] |
Cruising | William Friedkin | 1980 | United States | [75] |
Cutter's Way | Ivan Passer | 1981 | United States | [76] |
Dead Men Don't Wear Plaid | Carl Reiner | 1982 | United States | [77] |
The Dead Pool | Buddy Van Horn | 1988 | United States | [23] |
Defiance | John Flynn | 1980 | United States | [8] |
D.O.A. | Rocky Morton and Annabel Jankel | 1988 | United States | [8] |
Dressed to Kill | Brian De Palma | 1980 | United States | [59] |
The Exterminator | James Glickenhaus | 1980 | United States | [8] |
An Eye for an Eye | Steve Carver | 1981 | United States | [8] |
Eyewitness | Peter Yates | 1981 | United States | [8] |
Fatal Attraction | Adrian Lyne | 1987 | United States | [8] |
Fear City | Abel Ferrara | 1984 | United States | [8] |
The First Deadly Sin | Brian G. Hutton | 1980 | United States | [8] |
Frantic | Roman Polanski | 1988 | United States | [8] |
Gloria | John Cassavetes | 1980 | United States | [8] |
Hammett | Wim Wenders | 1982 | United States | [8] |
Hidden City | Stephen Poliakoff | 1987 | United Kingdom | [13] |
The Hit | Stephen Frears | 1984 | United Kingdom | [22] |
House of Games | David Mamet | 1987 | United States | [8] |
The House on Carroll Street | Peter Yates | 1988 | United States | [78] |
I, the Jury | Richard T. Heffron | 1982 | United States | [8] |
Jagged Edge | Richard Marquand | 1985 | United States | [8] |
Johnny Handsome | Walter Hill | 1989 | United States | [8] |
Kill Me Again | John Dahl | 1989 | United States | [8] |
The Killer | John Woo | 1989 | Hong Kong | [79] |
Little Nikita | Richard Benjamin | 1988 | United States | [8] |
The Long Good Friday | John Mackenzie | 1980 | United Kingdom | [13][14] |
Manhunter | Michael Mann | 1986 | United States | [8][57][58] |
Mike's Murder | James Bridges | 1984 | United States | [8] |
Mona Lisa | Neil Jordan | 1986 | United Kingdom | [13][14] |
The Morning After | Sidney Lumet | 1986 | United States | [8] |
Ms. 45 | Abel Ferrara | 1981 | United States | [8] |
Murphy's Law | J. Lee Thompson | 1986 | United States | [8] |
Night of the Juggler | Robert Butler | 1980 | United States | [8] |
Nighthawks | Bruce Malmuth | 1981 | United States | [8] |
No Mercy | Richard Pearce | 1986 | United States | [80] |
No Way Out | Roger Donaldson | 1987 | United States | [8] |
Out of Bounds | Richard Tuggle | 1986 | United States | [8] |
Police | Maurice Pialat | 1985 | France | [8] |
The Postman Always Rings Twice | Bob Rafelson | 1981 | United States | [8] |
Prince of the City | Sidney Lumet | 1981 | United States | [8] |
Quicksilver | Thomas Michael Donnelly | 1986 | United States | [8] |
Raging Bull | Martin Scorsese | 1980 | United States | [12] |
Scarface | Brian De Palma | 1983 | United States | [8] |
Sea of Love | Harold Becker | 1989 | United States | [8] |
Sharky's Machine | Burt Reynolds | 1981 | United States | [8] |
Silent Rage | Michael Miller | 1982 | United States | [8] |
Slam Dance | Wayne Wang | 1987 | United States | [8] |
Someone to Watch Over Me | Ridley Scott | 1987 | United States, United Kingdom | [8] |
Still of the Night | Robert Benton | 1982 | United States | [8] |
Stormy Monday | Mike Figgis | 1988 | United Kingdom | [13][14] |
Sudden Impact | Clint Eastwood | 1983 | United States | [8] |
Thief | Michael Mann | 1981 | United States | [8] |
Tightrope | Richard Tuggle | 1984 | United States | [8] |
To Live and Die in L.A. | William Friedkin | 1985 | United States | [8][81] |
Trouble in Mind | Alan Rudolph | 1985 | United States | [82] |
True Confessions | Ulu Grosbard | 1981 | United States | [8] |
Union City | Marcus Reichert | 1980 | United States | [8] |
Violent Cop | Takeshi Kitano | 1989 | Japan | [83] |
Who Framed Roger Rabbit | Robert Zemeckis | 1988 | United States | [84] |
Witness | Peter Weir | 1985 | United States | [8] |
Year of the Dragon | Michael Cimino | 1985 | United States | [8] |
List of films: 1990–1999
Film | Director | Year | Country | Ref(s). |
---|---|---|---|---|
12 Monkeys | Terry Gilliam | 1995 | United States | [85] |
Affliction | Paul Schrader | 1997 | United States | [1] |
After Dark, My Sweet | James Foley | 1990 | United States | [8] |
Arlington Road | Mark Pellington | 1999 | United States | [8] |
Bad Influence | Curtis Hanson | 1990 | United States | [27] |
Bad Lieutenant | Abel Ferrara | 1992 | United States | [1] |
Basic Instinct | Paul Verhoeven | 1992 | United States | [8] |
Batman Returns | Tim Burton | 1992 | United States | [27] |
Belly | Hype Williams | 1998 | United States | [86] |
Best Laid Plans | Mike Barker | 1999 | United States | [52] |
The Big Lebowski | Joel and Ethan Coen | 1998 | United States, United Kingdom | [87] |
Blink | Michael Apted | 1994 | United States | [27] |
Blood and Wine | Bob Rafelson | 1996 | United States | [88] |
Blue Steel | Kathryn Bigelow | 1990 | United States | [89] |
Bound | Lana and Lilly Wachowski | 1996 | United States | [27] |
Boys Don't Cry | Kimberly Peirce | 1999 | United States | [8] |
Bugsy | Barry Levinson | 1991 | United States | [8] |
Cape Fear | Martin Scorsese | 1991 | United States | [8] |
Carlito's Way | Brian De Palma | 1993 | United States | [90] |
La Cérémonie | Claude Chabrol | 1995 | France | [26] |
China Moon | John Bailey | 1994 | United States | [27] |
Clockers | Spike Lee | 1995 | United States | [91] |
Cop Land | James Mangold | 1997 | United States | [23] |
Croupier | Mike Hodges | 1998 | United Kingdom | [13][14] |
The Crow | Alex Proyas | 1994 | United States | |
Dark City | Alex Proyas | 1998 | United States, Australia | [27] |
Dead Again | Kenneth Branagh | 1991 | United States | [8] |
Dead Presidents | Albert and Allen Hughes | 1995 | United States | [92] |
Deceiver | Jonas Pate and Josh Pate | 1997 | United States | [27] |
Deep Cover | Bill Duke | 1992 | United States | [27] |
Deep Crimson | Arturo Ripstein | 1996 | Mexico | [13] |
Delusion | Carl Colpaert | 1991 | United States | [27] |
Desperate Hours | Michael Cimino | 1990 | United States | [8] |
Devil in a Blue Dress | Carl Franklin | 1995 | United States | [27] |
Diary of a Hitman | Roy London | 1991 | United States | [27] |
Donnie Brasco | Mike Newell | 1997 | United States | [8] |
Face/Off | John Woo | 1997 | United States | [14] |
Fallen Angels | Wong Kar-wai | 1995 | Hong Kong | [13] |
Fargo | Joel and Ethan Coen | 1996 | United States, United Kingdom | [13] |
Fear | James Foley | 1996 | United States | [27] |
La Femme Nikita | Luc Besson | 1990 | France/Italy | [13] |
Fight Club | David Fincher | 1999 | United States | [27] |
Final Analysis | Phil Joanou | 1992 | United States | [8] |
Flesh and Bone | Steve Kloves | 1993 | United States | [93] |
Following | Christopher Nolan | 1998 | United Kingdom | [94] |
Foreign Land | Walter Salles and Daniela Thomas | 1996 | Brazil | [13] |
The Game | David Fincher | 1997 | United States | [27] |
Gattaca | Andrew Niccol | 1997 | United States | [95] |
The Getaway | Roger Donaldson | 1994 | United States | [27] |
Ghost Dog: The Way of the Samurai | Jim Jarmusch | 1999 | United States | [96] |
The Glass Shield | Charles Burnett | 1994 | United States | [91] |
Gloria | Sidney Lumet | 1999 | United States | [8] |
The Grifters | Stephen Frears | 1990 | United States | [8] |
Guncrazy | Tamra Davis | 1992 | United States | [27] |
La Haine | Mathieu Kassovitz | 1995 | France | [97] |
Hana-bi | Takeshi Kitano | 1997 | Japan | [98] |
Hard Boiled | John Woo | 1992 | Hong Kong | [79] |
Hard Eight | Paul Thomas Anderson | 1996 | United States | [12] |
Heat | Michael Mann | 1995 | United States | [27] |
Homicide | David Mamet | 1991 | United States | [8] |
The Hot Spot | Dennis Hopper | 1990 | United States | [8] |
In the Line of Fire | Wolfgang Petersen | 1993 | United States | [8] |
Insomnia | Erik Skjoldbjærg | 1997 | Norway | [99] |
Internal Affairs | Mike Figgis | 1990 | United States | [8] |
Jackie Brown | Quentin Tarantino | 1997 | United States | [27] |
The Kill-Off | Maggie Greenwald | 1990 | United States | [27] |
King of New York | Abel Ferrara | 1990 | United States | [8] |
A Kiss Before Dying | James Dearden | 1991 | United States | [8] |
Kiss of Death | Barbet Schroeder | 1995 | United States | [27] |
Kiss or Kill | Bill Bennett | 1997 | Australia | [13] |
The Krays | Peter Medak | 1990 | United Kingdom | [27] |
L.A. Confidential | Curtis Hanson | 1997 | United States | [12][27] |
The Last Seduction | John Dahl | 1994 | United States | [27] |
Léon: The Professional | Luc Besson | 1994 | France | [13] |
Lethal Weapon 3 | Richard Donner | 1992 | United States | [8] |
Liebestraum | Mike Figgis | 1991 | United States | [27] |
Light Sleeper | Paul Schrader | 1992 | United States | [100] |
The Limey | Steven Soderbergh | 1999 | United States | [27] |
Live Flesh | Pedro Almodóvar | 1997 | Spain | [19] |
Lock, Stock and Two Smoking Barrels | Guy Ritchie | 1998 | United Kingdom | [14] |
Lone Star | John Sayles | 1996 | United States | [101] |
Lord of Illusions | Clive Barker | 1995 | United States | [102] |
Lost Highway | David Lynch | 1997 | United States | [27] |
Love Crimes | Lizzie Borden | 1992 | United States | [27] |
Malice | Harold Becker | 1993 | United States | [8] |
The Matrix | Lana and Lilly Wachowski | 1999 | Australia, United States | [103] |
Menace II Society | Albert and Allen Hughes | 1993 | United States | [92] |
Miami Blues | George Armitage | 1990 | United States | [27] |
Miller's Crossing | Joel and Ethan Coen | 1990 | United States | [8] |
Mulholland Falls | Lee Tamahori | 1996 | United States | [27] |
Narrow Margin | Peter Hyams | 1990 | United States | [27] |
New Jack City | Melvin Van Peebles | 1991 | United States | [27] |
Night and the City | Irwin Winkler | 1992 | United States | [8] |
Night Train | Les Bernstien | 1999 | United States | [104] |
The Ninth Gate | Roman Polanski | 1999 | United States | [12] |
One False Move | Carl Franklin | 1992 | United States | [27] |
Out of Sight | Steven Soderbergh | 1998 | United States | [105] |
Pacific Heights | John Schlesinger | 1990 | United States | [27] |
Palmetto | Volker Schlöndorff | 1998 | United States | [106][107] |
El Patrullero | Alex Cox | 1991 | Mexico | [13] |
Payback | Brian Helgeland | 1999 | United States | [27] |
Pi | Darren Aronofsky | 1998 | United States | [12] |
The Player | Robert Altman | 1992 | United States | [108] |
Point Break | Kathryn Bigelow | 1991 | United States | [109] |
Poison Ivy | Katt Shea | 1992 | United States | [41] |
Poodle Springs | Bob Rafelson | 1998 | United States | [30] |
The Public Eye | Howard Franklin | 1992 | United States | [27] |
Pulp Fiction | Quentin Tarantino | 1994 | United States | [12] |
Pusher | Nicolas Winding Refn | 1996 | Denmark | [5] |
The Rapture | Michael Tolkin | 1991 | United States | [53] |
Red Rock West | John Dahl | 1993 | United States | [8] |
Reservoir Dogs | Quentin Tarantino | 1992 | United States | [8][12] |
Revenge | Tony Scott | 1990 | United States, Mexico | [27] |
Romeo Is Bleeding | Peter Medak | 1993 | United States | [27] |
Ronin | John Frankenheimer | 1998 | United States | [110] |
Rush | Lili Fini Zanuck | 1991 | United States | [27] |
Set It Off | F. Gary Gray | 1994 | United States | [111] |
Seven | David Fincher | 1995 | United States | [27] |
Shallow Grave | Danny Boyle | 1994 | United Kingdom | [14][17] |
Shattered | Wolfgang Petersen | 1991 | United States | [8] |
The Silence of the Lambs | Jonathan Demme | 1991 | United States | [27] |
Simpatico | Matthew Warchus | 1999 | United States | [27] |
A Simple Plan | Sam Raimi | 1998 | United States | [27] |
Sleeping with the Enemy | Joseph Ruben | 1991 | United States | [27] |
Sling Blade | Billy Bob Thornton | 1996 | United States | [112] |
Sonatine | Takeshi Kitano | 1993 | Japan | [83] |
The Spanish Prisoner | David Mamet | 1997 | United States | [67] |
Strange Days | Kathryn Bigelow | 1995 | United States | [53] |
Suture | Scott McGehee and David Siegel | 1993 | United States | [27] |
Swoon | Tom Kalin | 1992 | United States | [101] |
The Talented Mr. Ripley | Anthony Minghella | 1999 | United States | [113] |
The Temp | Tom Holland | 1993 | United States | [114] |
Things to Do in Denver When You're Dead | Gary Fleder | 1995 | United States | [27] |
This World, Then the Fireworks | Michael Oblowitz | 1997 | United States | [50] |
True Romance | Tony Scott | 1993 | United States | [27] |
Twilight | Robert Benton | 1998 | United States | [27] |
Twin Peaks: Fire Walk with Me | David Lynch | 1992 | United States | [50] |
The Two Jakes | Jack Nicholson | 1990 | United States | [8] |
U Turn | Oliver Stone | 1997 | United States | [14] |
The Underneath | Steven Soderbergh | 1995 | United States | [27] |
Unlawful Entry | Jonathan Kaplan | 1992 | United States | [50] |
The Usual Suspects | Bryan Singer | 1995 | United States | [12][27] |
Where the Day Takes You | Marc Rocco | 1992 | United States | [8] |
White Sands | Roger Donaldson | 1992 | United States | [8] |
Wild at Heart | David Lynch | 1990 | United States | [69] |
Wild Things | John McNaughton | 1998 | United States | [8] |
The X-Files | Rob Bowman | 1998 | United States | [12] |
Zero Effect | Jake Kasdan | 1998 | United States | [101] |
List of films: 2000–2009
List of films: 2010–2019
Film | Director | Year | Country | Ref(s). |
---|---|---|---|---|
A Land Imagined | Yeo Siew Hua | 2018 | Singapore, France, Netherlands | [138] |
Aa Drushya | Shiva Ganesh | 2019 | India | [139] |
Aake | K. M. Chaitanya | 2017 | India | [140] |
Aaranya Kaandam | Thiagarajan Kumararaja | 2011 | India | [141] |
Alois Nebel | Tomáš Luňák | 2011 | Czech Republic | [142] |
The American | Anton Corbijn | 2010 | United States | [143] |
American Dreamer | Derrick Borte | 2018 | United States | [144] |
Animal Kingdom | David Michôd | 2010 | Australia | [145] |
Anon | Andrew Niccol | 2018 | United Kingdom, United States | [146] |
Anti Matter | Keir Burrows | 2017 | United Kingdom | [147] |
Asura: The City of Madness | Kim Sung-su | 2016 | South Korea | [148] |
B.A. Pass | Ajay Bahl | 2013 | India | [149] |
Badlapur | Sriram Raghavan | 2015 | India | [150] |
Bad Times at the El Royale | Drew Goddard | 2018 | United States | [151] |
Bad Turn Worse | Zeke and Simon Hawkins | 2014 | United States | [152] |
The Bag Man | David Grovic | 2014 | United States | [153] |
Bastards | Claire Denis | 2013 | France/Germany | [154] |
Black Coal, Thin Ice | Diao Yinan | 2014 | China | [155] |
Blade Runner 2049 | Denis Villeneuve | 2017 | United States | [156] |
Blow the Man Down | Bridget Savage Cole and Danielle Krudy | 2019 | United States | [157] |
Blue Ruin | Jeremy Saulnier | 2014 | United States | [158] |
Bornoporichoy | Mainak Bhowmick | 2019 | India | [159] |
Brawl in Cell Block 99 | S. Craig Zahler | 2017 | United States | [160] |
Brighton Rock | Rowan Joffé | 2011 | United Kingdom | [161] |
Broken City | Allen Hughes | 2013 | United States | [162] |
Burning | Lee Chang-dong | 2018 | South Korea | [163] |
Burning Kiss | Robbie Studsor | 2018 | Australia | [164] |
Cities of Last Things | Ho Wi Ding | 2018 | Taiwan, China, France, United States |
[165] |
Cold in July | Jim Mickle | 2014 | United States | [166] |
The Dark Knight Rises | Christopher Nolan | 2012 | United Kingdom, United States | [167] |
Destroyer | Karyn Kusama | 2018 | United States | [168] |
Detour | Christopher Smith | 2016 | United Kingdom, South Africa | [169] |
Disappearance at Clifton Hill | Albert Shin | 2019 | Canada | [170] |
Dragged Across Concrete | S. Craig Zahler | 2018 | United States | [171] |
Drive | Nicolas Winding Refn | 2011 | United States | [172][173] |
Drum | Keywan Karimi | 2016 | Iran/France | [174] |
Earthquake Bird | Wash Westmoreland | 2019 | United States, United Kingdom | [175] |
Elena | Andrey Zvyagintsev | 2011 | Russia | [110] |
Elle | Paul Verhoeven | 2016 | France/Germany | [110] |
Ex Machina | Alex Garland | 2015 | United States, United Kingdom | [176] |
Frank & Lola | Matthew Ross | 2016 | United States | [177] |
The Ghost Writer | Roman Polanski | 2010 | United Kingdom, France, Germany | [178] |
The Girl with the Dragon Tattoo | David Fincher | 2011 | United States | [179] |
Gone Girl | David Fincher | 2014 | United States | [53] |
Good Time | Josh and Benny Safdie | 2017 | United States | [180] |
The Handmaiden | Park Chan-wook | 2016 | South Korea | [53] |
Hell or High Water | David Mackenzie | 2016 | United States | [53] |
In the Shadow | David Ondříček | 2012 | Czech Republic | [142] |
In the Shadow of the Moon | Jim Mickle | 2019 | United States | [181] |
Inception | Christopher Nolan | 2010 | United Kingdom, United States | [182] |
Inherent Vice | Paul Thomas Anderson | 2014 | United States | [183] |
John Wick | Chad Stahelski | 2014 | United States | [184] |
John Wick: Chapter 2 | Chad Stahelski | 2017 | United States | [185] |
John Wick: Chapter 3 – Parabellum | Chad Stahelski | 2019 | United States | [186] |
Kill List | Ben Wheatley | 2011 | United Kingdom | [187] |
The Killer Inside Me | Michael Winterbottom | 2010 | United States | [30] |
Killer Joe | William Friedkin | 2012 | United States | [188] |
Killing Them Softly | Andrew Dominik | 2012 | United States | [189] |
Long Day's Journey into Night | Bi Gan | 2018 | China | [190] |
The Looming Storm | Dong Yue | 2017 | China | [191] |
Looper | Rian Johnson | 2012 | United States | [192] |
Lost River | Ryan Gosling | 2014 | United States | [193] |
Magical Girl | Carlos Vermut | 2014 | Spain | [194] |
Manila Kingpin: The Asiong Salonga Story | Tikoy Aguiluz | 2011 | Philippines | [53] |
The Merciless | Byun Sung-hyun | 2017 | South Korea | [195] |
Miss Bala | Gerardo Naranjo | 2011 | Mexico | [110] |
A Morass | Shane James Bordas | 2011 | United Kingdom | [196] |
Motherless Brooklyn | Edward Norton | 2019 | United States | [197] |
Mute | Duncan Jones | 2018 | United Kingdom, Germany | [198] |
The Nice Guys | Shane Black | 2016 | United States | [199] |
Nightcrawler | Dan Gilroy | 2014 | United States | [200] |
Nocturnal Animals | Tom Ford | 2016 | United States | [201] |
No Other Woman | Ruel S. Bayani | 2011 | Philippines | [53] |
Only God Forgives | Nicolas Winding Refn | 2013 | Denmark/France | [202] |
On the Job | Erik Matti | 2013 | Philippines | [53] |
Paradox | Wilson Yip | 2017 | Hong Kong | [203] |
Phoenix | Christian Petzold | 2014 | Germany | [53] |
Pickings | Usher Morgan | 2018 | United States | [204] |
The Place Beyond the Pines | Derek Cianfrance | 2013 | United States | [205][206][207] |
Pocket Listing | Conor Allyn | 2016 | United States | [208] |
The Poison Rose | George Gallo and Francesco Cinquemani | 2019 | United States | [209] |
Prisoners | Denis Villeneuve | 2013 | United States | [210] |
Serenity | Steven Knight | 2019 | United States | [211] |
Shutter Island | Martin Scorsese | 2010 | United States | [30] |
Spring Breakers | Harmony Korine | 2012 | United States | [212] |
Strangled | Árpád Sopsits | 2016 | Hungary | [213] |
Sunrise | Partho Sen-Gupta | 2014 | India, France | [214] |
Taniel | Garo Berberian | 2017 | United Kingdom, Armenia | [215] |
Trance | Danny Boyle | 2013 | United Kingdom | [212] |
Trouble Is My Business | Tom Konkle | 2018 | United States | [216] |
Uncut Gems | Josh and Benny Safdie | 2019 | United States | [217] |
Under the Silver Lake | David Robert Mitchell | 2018 | United States | [218] |
Upgrade | Leigh Whannell | 2018 | Australia, United States | [219] |
Victoria | Sebastian Schipper | 2015 | Germany | [220] |
The Villainess | Jung Byung-gil | 2017 | South Korea | [195] |
A Walk Among the Tombstones | Scott Frank | 2014 | United States | [221] |
Walking Too Fast | Radim Špaček | 2010 | Czech Republic | [222] |
Who Killed Cock Robin | Cheng Wei-hao | 2017 | Taiwan | [223][224] |
Widows | Steve McQueen | 2018 | United States | [225] |
The Wild Goose Lake | Diao Yinan | 2019 | China/France | [226] |
Wind River | Taylor Sheridan | 2017 | United States | [227] |
Winter's Bone | Debra Granik | 2010 | United States | [228] |
You Were Never Really Here | Lynne Ramsay | 2017 | United Kingdom, United States, France |
[229] |
List of films: 2020–2029
Film | Director | Year | Country | Ref(s). |
---|---|---|---|---|
Adverse | Brian Metcalf | 2021 | United States | [230] |
Arishadvarga | Arvind Kamath | 2020 | India | [140] |
The Batman | Matt Reeves | 2022 | United States | [231] |
Calm with Horses | Nick Rowland | 2020 | Ireland | [232] |
The Card Counter | Paul Schrader | 2021 | United States | [233] |
City of Love | Èric Boadella | 2023 | United States | [234] |
Decision to Leave | Park Chan-wook | 2022 | South Korea | [235] |
Emily the Criminal | John Patton Ford | 2022 | United States | [236] |
The Empty Man | David Prior | 2020 | United States | [237] |
Hand Rolled Cigarette | Kin Long Chan | 2020 | China | [238] |
I'm Your Woman | Julia Hart | 2020 | United States | [239] |
John Wick: Chapter 4 | Chad Stahelski | 2023 | United States | [240] |
Kabadadaari | Pradeep Krishnamoorthy | 2021 | India | [241] |
Kapatadhaari | Pradeep Krishnamoorthy | 2021 | India | [242] |
The Kid Detective | Evan Morgan | 2020 | Canada | [243] |
Last Moment of Clarity | James and Colin Krisel | 2020 | United States | [244] |
Last Night in Soho | Edgar Wright | 2021 | United Kingdom | [245] |
The Last Victim | Naveen A Chathapuram | 2021 | United States | [246] |
The Little Things | John Lee Hancock | 2021 | United States | [247] |
Nightmare Alley | Guillermo del Toro | 2021 | United States | [248] |
No Sudden Move | Steven Soderbergh | 2021 | United States | [249] |
Preparations to Be Together for an Unknown Period of Time | Lili Horvát | 2020 | Hungary | [250] |
Reminiscence | Lisa Joy | 2021 | United States | [251] |
The Virtuoso | Nick Stagliano | 2021 | United States | [252] |
Wrath of Man | Guy Ritchie | 2021 | United Kingdom, United States | [253] |
Spears | Gerard Lough | 2022 | Ireland | [254] |
Windfall | Charlie McDowell | 2022 | United States | [255] |
See also
References
- 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 Spicer 2010, p. 424
- 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 Selby 1984
- 1 2 3 4 5 6 7 8 Spicer 2010, p. 466
- 1 2 3 Spicer 2010, p. 441
- 1 2 3 4 5 6 7 Spicer 2010, p. 452
- 1 2 3 4 5 6 7 8 9 10 11 12 Spicer 2010, p. 454
- 1 2 3 4 5 6 7 8 Spicer 2010, p. 463
- 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 Silver & Ward 1992
- ↑ "L'Avventura". Senses of Cinema. Retrieved 5 June 2022.
- 1 2 3 4 Spicer 2010, p. 464
- 1 2 3 Spicer 2010, p. 449
- 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 Conard 2009
- 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 Ballinger & Graydon 2007
- 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 Spicer 2002
- ↑ "Bullitt (1968)". Allmovie. Retrieved 22 July 2023.
- 1 2 3 4 5 6 7 8 9 10 11 12 13 14 Spicer 2010, p. 423
- 1 2 3 4 5 Mayer & McDonnell 2007
- 1 2 3 4 5 Spicer 2010, p. 453
- 1 2 3 4 Spicer 2010, p. 470
- 1 2 3 Spicer 2010, p. 442
- 1 2 3 4 5 6 7 8 9 Spicer 2010, p. 455
- 1 2 3 "Noir and Neonoir". Criterion. 2020. Retrieved 27 February 2019.
- 1 2 3 4 5 6 7 Spicer 2010, p. 427
- 1 2 3 4 5 6 7 8 Spicer 2010, p. 450
- ↑ "Diabolically Yours [Diaboliquement Vôtre] ** (1967, Alain Delon, Senta Berger, Peter Mosbacher, Sergio Fantoni) – Classic Movie Review 9307". Derek Winnert. 2020. Retrieved 27 January 2020.
- 1 2 3 4 5 6 7 8 9 10 11 12 13 Spicer 2010, p. 456
- 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 Silver, Ward, Ursini, Porfirio 2010
- ↑ "A Fugitive from the Past". IFFR. 2005.
- ↑ "Hra bez pravidel – Revue – Filmový přehled". Filmový přehled (in Czech). Retrieved 23 July 2017.
- 1 2 3 4 5 6 7 Hogan 2013
- 1 2 3 4 Spicer 2010, p. 430
- ↑ "THE HOUSEMAID". Noir City International. 2020. Retrieved 13 November 2020.
- 1 2 3 Covey, William (Summer 2003). "The Genre Don't Know Where It Came From: African American Neo-Noir Since the 1960s". Journal of Film and Video. JSTOR. 55 (2/3): 59–72. JSTOR 20688414.
- ↑ "Intimidation (1960)". Criterion. 2020. Retrieved 27 February 2019.
- 1 2 Spicer 2010, p. 460
- 1 2 3 4 5 6 7 Spicer 2010, p. 432
- 1 2 Spicer 2010, p. 445
- ↑ Red Zone Cuba (1966)|MUBI
- ↑ FilmAffinity
- ↑ "The Night of the Generals". The Wee Review. 2020. Retrieved 13 May 2019.
- 1 2 3 4 5 6 7 8 Spicer 2010, p. 433
- 1 2 Spicer 2010, p. 446
- ↑ "Japanese Noir". Criterion. 2020. Retrieved 27 February 2019.
- 1 2 3 4 Spicer 2010, p. 451
- ↑ "Requiem for a Heavyweight: The Haunting Tale of Mountain Rivera". The Fight City. 23 January 2023. Retrieved 23 January 2023.
- 1 2 Spicer 2010, p. 447
- ↑ "The great lost London beat thriller: why to watch The Small World of Sammy Lee". The Guardian. 8 November 2016. Retrieved 8 November 2016.
- ↑ "Film Noir - Examples". Filmsite. Retrieved 21 September 2021.
- ↑ "TAKE AIM AT THE POLICE VAN is a forgotten noir classic". Screen Rex. 1 March 2016. Retrieved 1 March 2016.
- 1 2 3 4 5 6 7 8 Spicer 2010, p. 436
- 1 2 Spicer 2010, p. 448
- 1 2 3 4 5 6 7 Spicer 2010, p. 425
- 1 2 3 4 5 6 7 8 9 10 11 12 "The Best Neo-Noir Movies". Vulture. 27 February 2019. Retrieved 27 February 2019.
- ↑ "Wednesday Nightmares Bring Me The Head Of Alfredo Garcia (1974)". TimeOut. Retrieved 9 November 2021.
- 1 2 3 4 5 6 Spicer 2010, p. 426
- ↑ "Nights of Alienation in the Noir Classic 'Le Cercle Rouge'". The Village Voice. 25 June 2021. Retrieved 25 June 2021.
- 1 2 3 4 5 "Neonoir - The Criterion Channel". Archived from the original on 1 July 2021. Retrieved 2 July 2021.
- 1 2 3 4 5 Neonoir - Criterion Channel teaser - criterioncollection on YouTube
- 1 2 3 4 5 6 Spicer 2010, p. 428
- 1 2 3 4 5 6 7 8 Spicer 2010, p. 429
- ↑ "GUMSHOE: a noir fan plays detective". The Movie Gourmet. 2020. Retrieved 27 February 2019.
- ↑ Spicer 2010, p. 431
- ↑ Spicer 2010, p. 443
- ↑ "Mikey and Nicky". Time Out. 30 January 2021.
- 1 2 3 Spicer 2010, p. 438
- ↑ "The Best Old Movies on a Big Screen This Week: December 3". The L Magazine. 12 March 2014.
- 1 2 3 4 5 6 7 8 Spicer 2010, p. 435
- ↑ "FORGET 'DIE HARD'— THIS CHRISTMAS, WATCH 'THE SILENT PARTNER'". CrimeReads. 20 December 2019. Retrieved 20 December 2019.
- 1 2 3 4 5 6 Spicer 2010, p. 437
- ↑ "After Hours (1985): Scorsese's Film Noir, Ulysses in SoHo". Emanuel Levy. Retrieved 30 May 2006.
- ↑ Schwartz 2005, p. 110.
- ↑ "Atlantic City (1981)". Filmsite. Retrieved 21 September 2021.
- 1 2 3 4 Spicer 2010, p. 462
- ↑ "Blu-ray Review: Ken Russell's Crimes of Passion on Arrow Video". Slant Magazine. 26 July 2016. Retrieved 26 July 2016.
- ↑ group of authors/critics (5 September 2011). "Monday Editor's Pick: Cruising (1980)". Alt Screen.
- ↑ Spicer & Hanson 2013
- ↑ The 10 Most Underrated Neo-Noir Films of The 1980s — Taste of Cinema
- ↑ Schwartz 2005, p. 120.
- 1 2 Spicer 2010, p. 461
- ↑ Ebert, Roger (19 December 1986). "No Mercy Movie Review". Chicago Sun-Times. Retrieved 8 April 2019.
But up until then, "No Mercy" is an above-average film noir, and its creepy feeling for the back streets of New Orleans and the sultry evil of its red-light suburbs got under my skin.
- ↑ The 10 Most Underrated Neo-Noir Films of The 1980s — Page 2 — Taste of Cinema
- ↑ "'TROUBLE IN MIND': NOIR TURNED INSIDE OUT". PopMatters. 27 February 2019. Retrieved 12 December 2010.
- 1 2 Spicer 2010, p. 467
- ↑ "An Alternative Guide to Great Movies: Who Framed Roger Rabbit? (1988)". East Anglian Daily Times. 2 July 2018. Retrieved 11 October 2020.
- ↑ "25 Years Ago '12 Monkeys' Taught Us the Futility of Time Travel in a Pandemic". Black Girl Nerds. 12 May 2020.
- ↑ "Belly (1998)". Blacklisted Culture. 1 June 2020.
- ↑ "Best Coast Bleakness: Five L.A. Neo-Noirs to Watch Right Now". The Ringer. 7 April 2019.
- ↑ Brennan, Sandra. "Blood and Wine – Cast, Reviews, Summary, and Awards". AllRovi. Archived from the original on 22 December 2011. Retrieved 30 October 2011.
- ↑ "Girl Power: Female Centred Neo-Noir" (PDF). Film Noir Reader 2. 1 August 1999.
- ↑ The 20 Best Neo-Noir Films Of The 1990s — Page 2 — Taste of Cinema
- 1 2 "Black noir: 10 essential black performances in film noir and neo-noir". BFI. 2 August 2017.
- 1 2 "The Black Neo-noirs of the '90s". The Ringer. 29 December 2021.
- ↑ Gods Like Us: On Movie Stardom and Modern Fame By Ty Burr, p. 304
- ↑ Dark Roots - Christopher Nolan and Noir
- ↑ "'Gattaca,' The Dystopian Science Fiction Film Whose Time Has Come". Outtake. 6 March 2017.
- ↑ "Whitaker Haunts in 'Ghost Dog'". Chicago Tribune. 17 March 2000.
- 1 2 Spicer 2010, p. 457
- 1 2 Spicer 2010, p. 465
- 1 2 3 Spicer 2010, p. 469
- ↑ "Light Sleeper". Time Out. 6 February 2021.
- 1 2 3 "Unpunished Evil: When Neo-noirs Took Over the '90s". The Ringer. 12 May 2020.
- ↑ "Lord of Illusions (1995) - Clive Barker | Synopsis, Characteristics, Moods, Themes and Related | AllMovie".
- ↑ The Matrix as a Neo Noir – An Analysis of The Matrix with Special ... | Self-Publishing at GRIN. Grin.com. 14 October 2005. ISBN 9783638427852. Retrieved 4 December 2016.
- ↑ "Night Train: Synopsis". Synapse Films. Archived from the original on 30 March 2019. Retrieved 14 June 2014.
- ↑ "What If: The Sexy Noir of Out of Sight". Bright Wall/Dark Room. 21 March 2018.
- ↑ Holden, Stephen (20 February 1998). "She Smolders, He Fumes: Gee, It's Hot". The New York Times.
- ↑ MATHEWS, JACK (20 February 1998). "'Palmetto' Gets Stuck in the Thick of Film Noir". Los Angeles Times. Retrieved 14 October 2017.
- ↑ "Double Take: The Player (1992)". Popmatters. 23 March 2015. Retrieved 23 March 2015.
- ↑ The 20 Best Neo-Noir Films Of The 1990s — Taste of Cinema
- 1 2 3 4 5 6 7 8 9 10 11 12 "Twenty-first century noir". BFI. 27 November 2020.
- ↑ "10 Female-Led Noirs to Watch If You Loved Widows". Vulture. 21 November 2018.
- 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 Naremore 2008
- ↑ "How Every Element in the Final Sequence from 'The Talented Mr. Ripley' Works To Create A Wonderfully Disturbing Finale". The Film Magazine. July 2020. Retrieved 1 July 2020.
- ↑ Williams, Linda Ruth (2009). "A Woman Scorned: The Neo-Noir Erotic Thriller as Revenge Drama". In Bould, Mark; Glitre, Kathrina; Tuck, Greg (eds.). Neo-Noir. New York: Columbia University Press. p. 168. ISBN 978-0-231-85047-6.
- ↑ "Prison Bound". Metroactive Movies. Retrieved 9 January 2003.
- ↑ Spicer 2010, p. 471
- 1 2 "The World of Korean Noir". The Independent. Retrieved 7 November 2017.
- ↑ "The 20 Best Neo-Noir Films of the 2000s". Taste of Cinema. 3 May 2014.
- ↑ "'Review: "Kala" Mixes Neo-Noir Elements with Javanese Myth to Create A Truly Unique Vision". CINEMA ESCAPIST. 17 October 2019.
- 1 2 Spicer 2010, p. xxxvi
- ↑ ""Fucking Queer": Eastern Promises and the Traditions of Noir". Bright Lights. Retrieved 30 April 2010.
- ↑ "Movie Review: The Girl with the Dragon Tattoo- An Exceptional Neo-Noir With Complex Characters and a Mesmerizing Plot". Generation Film. 23 April 2010.
- ↑ "5 WAYS 'I, ROBOT' WAS SO PRESCIENT FOR ITS TIME". Inverse. 17 July 2017.
- ↑ Beech, Peter (18 November 2011). "My favourite film: In Bruges". The Guardian. Retrieved 14 April 2017.
- ↑ "14 Must Watch Film Noir/Neo Noir Films from India !". www.ss.filmelon.com. Archived from the original on 29 May 2016. Retrieved 17 January 2022.
- ↑ Savage, Guy. "The Trap (2007)". Film Noir of the Week. Retrieved 14 June 2020.
- ↑ "Film: The Trap (Klopka)". liberalarts.utexas.edu. Retrieved 14 June 2020.
- ↑ Spicer 2010, p. 458
- ↑ Sanders 2008, p. 95
- ↑ Hong Kong Neo-Noir, p. 226
- 1 2 Spicer 2010, p. 434
- 1 2 "The 'Pusher' trilogy: A desperate trip into Copenhagen's neon lit underworld". SBS. 20 March 2017. Retrieved 30 March 2017.
- ↑ "A Scanner Darkly. 2006. Directed by Richard Linklater". MoMA. Retrieved 19 July 2017.
- ↑ Hong Kong Neo-Noir, p. 227
- ↑ Puckett, Terek (3 May 2014). "The 20 Best Neo-Noir Films of the 2000s". Taste of Cinema.
- ↑ "The Elements of Neo Noir". Geek Centricity. Retrieved 4 November 2016.
- ↑ "The Way of the Gun: A Violent Neo-Noir Thriller In The Likes Of Tarantino". The Reporter. Retrieved 11 September 2012.
- ↑ Ehrlich, David (13 August 2018). "'A Land Imagined' Review: A Dreamy Neo-Noir that Unfolds Like a Singaporean 'Chinatown'". IndieWire. Retrieved 22 March 2022.
- ↑ "'Aa Drushya' movie review: A narrative that captivates the viewer". The New Indian Express. 9 November 2019.
- 1 2 "'Aake' to 'Arishadvarga': 5 Kannada neo-noir films and where you can watch them". The News Minute. 24 December 2020.
- ↑ Kamath, Sudhish (5 February 2011). "A new chapter". The Hindu. Chennai, India. Archived from the original on 25 October 2012. Retrieved 14 April 2017.
- 1 2 Feikusová, Klára. "Film noir po česku". Kinobox.cz. Retrieved 14 April 2015.
- ↑ "'The American' Review". The Telegraph. 25 November 2010.
- ↑ "'American Dreamer' is here to ruin Jim Gaffigan for you". Mashable. 27 September 2019.
- ↑ "'Australian crime noir 'Animal Kingdom' is hypnotic and chilling". St. Louis Post-Dispatch. 3 September 2010.
- ↑ "'Anon' Review". Empire. 8 May 2018.
- ↑ "'Anti Matter': Film Review". The Hollywood Reporter. 6 September 2017.
- ↑ "ASURA: THE CITY OF MADNESS Trailer Delivers Noir Thrills". Screen Anarchy. 28 September 2016.
- ↑ "Harper Collins uses B.A. Pass' movie still as cover of Delhi Noir". Urban Asia. 8 April 2013.
- ↑ "Movie Badlapur 2015, Story, Trailers | Times of India", The Times of India, retrieved 15 November 2022
- ↑ "Drew Goddard turns his dial to "noir" in the twisty crime thriller Bad Times At The El Royale". The AV Club. 10 October 2018.
- ↑ "Cotton Mills, Venom and Dead Ends". The New York Times. 13 November 2014.
- ↑ "Ebiri on The Bag Man: Whatever You Do, Don't Look Inside". The New York Times. 28 February 2014.
- ↑ "The Perfect and Perfectly Inexplicable Genius of Claire Denis". The Ringer. 4 April 2019.
- ↑ Buckmaster, Luke (12 June 2014). "Black Coal, Thin Ice review – a chilly, neo-noir thriller | Film". The Guardian. Retrieved 4 December 2016.
- ↑ Egner, Jeremy (8 September 2017). "'Blade Runner 2049': Harrison Ford, Ryan Gosling and the Creators Discuss the Sequel". The New York Times. Retrieved 14 October 2017.
- ↑ "How the Coen-esque 'Blow the Man Down' Enlivens the Noir Genre with Feminine Flair". IndieWire. 13 March 2020. Retrieved 20 July 2021.
- ↑ "Blue Ruin, film review: Revenge story is as darkly melodramatic as any Greek tragedy". The Independent. 1 May 2014.
- ↑ "Bornoporichoy: A Grammar of Death (2019)". Famous Fix. 26 July 2019.
- ↑ Nobile Jr., Phil (24 September 2017). "'Fantastic Fest Review: BRAWL IN CELL BLOCK 99 Is A Misanthropic Masterpiece". Birth.Movies.Death. Retrieved 24 April 2019.
- ↑ "Bornoporichoy: A Grammar of Death (2019)". Evening Standard. 6 March 2014.
- ↑ "'Broken City,' Broken Movie: An Undernourished Noir". NPR. 17 January 2013. Archived from the original on 17 June 2016.
- ↑ "Burning review - an explosive psychological thriller". The Arts Desk. 2 February 2019.
- ↑ Adam Patterson (26 November 2013). "Aussie Thriller THE BURNING KISS Teaser Trailer". Film Pulse. Archived from the original on 14 January 2022. Retrieved 14 January 2022.
- ↑ "Ho Wi Ding's dystopian noir 'Cities of Last Things' looks back knowingly". LA Times. 10 July 2019.
- ↑ "Forbes review of Cold in July". Forbes. Retrieved 4 April 2017.
- ↑ Chang, Justin (16 July 2012). "Film Review: 'The Dark Knight Rises'". Variety. Retrieved 11 April 2017.
- ↑ "'Destroyer' review: Nicole Kidman's performance in dense neo-noir admirable". The Gazette. 10 January 2019.
- ↑ "The gimmicky neo-noir Detour feels like a film school project". The AV Club. 18 January 2017.
- ↑ "Review: Disappearance at Clifton Hill – A Neo-Noir that Resembles More of a Concept". The Edge. 12 July 2020.
- ↑ Knight, Jacob (10 October 2018). "Beyond Fest: DRAGGED ACROSS CONCRETE Is Outlaw Cinema At Its Finest". Birth. Movies. Death.
- ↑ Thomson, David. "Thomson on Films: 'Drive,' a Cool, New Noir That Degenerates Into a Bloodbath". The New Republic.
- ↑ Harris, Brandon (14 September 2011). "Nicolas Winding Refn, Drive".
- ↑ “I’m not an exile”: Iranian director Keywan Karimi talks returning to the city where he was imprisoned|Features|Screen Daily
- ↑ "'Earthquake Bird' review: 'Gone Girl' is transported to Tokyo in a darkly meditative neo-noir thriller". NME. 22 November 2019.
- ↑ "'Ex Machina' and the Reinvention of the Femme Fatale". Lit Reactor. 4 June 2015.
- ↑ "FRANK & LOLA: Soul Affirming Neon Noir". Film Inquiry. 8 December 2016.
- ↑ Phillips, Gene D. (2012). Out of the Shadows: Expanding the Canon of Classic Film Noir. Scarecrow Press. p. 225. ISBN 9780810881891.
- ↑ "The Girl with the Dragon Tattoo- Film Noir". Film Communication. 12 December 2012.
- ↑ "The Safdies: Good Time, guerrilla film and gangs of New York". Dazed. 1 November 2017.
- ↑ "Stream It Or Skip It: 'In the Shadow of the Moon' on Netflix, a Noir Sci-Fi Thriller That Bites Off More Than it Can Chew". Decider. 27 September 2019.
- ↑ Steinberg, Marc. "Postmodernity is the New Black: The Evolution of American Film Noir". Academia.edu. Retrieved 11 April 2017.
- ↑ Bradshaw, Peter (29 January 2015). "Inherent Vice review – deliriously masterful sunlight noir | Peter Bradshaw's film of the week | Film". The Guardian. Retrieved 4 December 2016.
- ↑ "Review: John Wick (2014)". Daniel Switzer. Archived from the original on 31 March 2019. Retrieved 18 May 2016.
- ↑ Archived 12 May 2017 at the Wayback Machine, The Advocate, 20 June 2017
- ↑ "Method Studios's Smashing 'John Wick: Chapter 3 – Parabellum' Invisible VFX". Animation World Network. Retrieved 22 October 2019.
- ↑ "THE SOCIAL-REALIST NOIR HORROR [INSERT ADJECTIVE HERE] FREAKOUT OF KILL LIST". Luddite Robot. 31 May 2017.
- ↑ "Killer Joe Review: Masterfully Savage, Darkly Comic Neo-Noir". WhatCulture. 1 July 2012.
- ↑ "'Killing Them Softly's' Condemnation Of Corporate America During A Recession Has Aged Perfectly". The Playlist. 2 April 2020.
- ↑ "EAFFI 2019 | Long Day's Journey Into Night Puts The Neo in Neo-Noir". HeadStuff. 8 April 2019. Retrieved 2 June 2019.
- ↑ 周智瑛 (25 July 2019). "国产悬疑片中"黑色"的内在意蕴探讨". 卫星电视与宽带多媒体杂志. 参考网. Retrieved 5 September 2022.
- ↑ ""Looper" is a neo-noir mind bender done right". People's World. 2 October 2012. Retrieved 4 December 2016.
- ↑ "Ryan Gosling's Lost River: A Neo-Noir Near Future". Step On Magazine. 21 April 2015. Archived from the original on 2 August 2016.
- ↑ "Magical Girl" (in Spanish). AQUÍ Y ALLÍ FILMS. 2014. Archived from the original on 22 May 2019. Retrieved 27 August 2019.
- 1 2 Kemp, Philip (7 November 2017). "The world of Korean noir: Extreme violence, dwelt on with relish, seems to be de rigueur". The Independent. Archived from the original on 20 April 2022. Retrieved 5 October 2023.
- ↑ BFI. "British Films Directory – A Morass". britishcouncil.org. Archived from the original on 6 September 2011.
- ↑ A CERTAIN PROVOCATION: EDWARD NORTON ON THE NEO-NOIR MOTHERLESS BROOKLYN
- ↑ Mute Is an Excellent Film Noir That Just Happens to Be Set in a Cyberpunk World|Gizmodo
- ↑ "THE NICE GUYS Review: 10 (Neo-Noir, Action, and Laughs? Yeah Buddy!)". Tim Day, Day at the Movies. Archived from the original on 7 October 2016.
- ↑ "Nightcrawler: Here's Why This Neo-Noir Thriller Is So Creepy". Patheos. 10 March 2015.
- ↑ Fuller, Graham. "Jilted Husband Takes Novel Revenge in Sadistic Neo-Noir 'Nocturnal Animals'". Culture Trip. Retrieved 4 December 2016.
- ↑ "ONLY GOD FORGIVES – BEYOND NEO-NOIR". INHALE MAG.
- ↑ 陳廣隆 (30 August 2017). "【殺破狼:貪狼.影評】古天樂未竟全功的轉型嘗試?". HK01 (in Chinese). Archived from the original on 5 January 2019.
《殺破狼》的精髓,在於其「野」(raw),在於其「黑」(noir),在於其「冷」(cool),缺一不可。(The feature of Paradox is on its raw feeling, of noir, of cool, none of them are not included.)
- ↑ Goldstein, Gary (1 March 2018). "'Los Angeles Times': Film Review". Los Angeles Times. Retrieved 10 March 2018.
- ↑ "Neo-Noir: The Place Beyond the Pines". Retrieved 27 December 2016.
- ↑ "'The Place Beyond the Pines': Greco-Biblical Epic in Neo-Noir Clothing". Archived from the original on 28 December 2016. Retrieved 27 December 2016.
- ↑ "The Place Beyond The Pines (2012)". 11 May 2013. Retrieved 27 December 2016.
- ↑ Scheck, Frank (9 December 2016). "'Pocket Listing': Film Review". The Hollywood Reporter. Retrieved 19 February 2017.
- ↑ "Film Review: The Poison Rose". Variety. 24 May 2019.
- ↑ "Film Review: Prisoners". Variety. 30 August 2013.
- ↑ "Review: Serenity is a ridiculous neo-noir mess". NOW magazine. 24 January 2019. Archived from the original on 19 April 2019.
- 1 2 Kohn, Eric (23 March 2013). "From 'Trance' to 'Spring Breakers,' Is This the Golden Age of Film Noir?". Indie Wire. Retrieved 22 September 2016.
- ↑ Whittle, Matt (17 November 2017). "Strangled – Review". One Room with a View. Retrieved 3 April 2019.
- ↑ Kuipers, Richard (4 October 2014). "Busan Film Review: 'Sunrise'". Variety. Retrieved 19 December 2022.
- ↑ Armenpress. "Short film about Taniel Varoujan wins two awards at Bermuda Int'l Film Festival". Armenpress. Retrieved 30 November 2018.
- ↑ "'Trouble Is My Business': Film Review". Movie Crypt. 16 October 2017.
- ↑ "Uncut Gems review – this sparkler will be the most exciting film of the year". The Guardian. 9 January 2020.
- ↑ "'Under the Silver Lake': Film Review". The Village Voice. 17 May 2018.
- ↑ "Upgrade: Sci-Fi John Wick, and That's Not a Bad Thing". The Pop Break. 4 June 2018.
- ↑ "Film Noir Files - Victoria". The MacGuffin. 21 February 2017.
- ↑ "'A Walk Among the Tombstones': Film Review". The Hollywood Reporter. 17 September 2014. Archived from the original on 10 December 2017.
- ↑ "Classy Crime-Noir POUTA (Walking Too Fast)". CineHouse. 13 February 2010. Retrieved 14 April 2015.
- ↑ "Review: Stylish Taiwanese neo-noir 'Who Killed Cock Robin' lacks pep". Los Angeles Times. 21 February 2019. Archived from the original on 20 April 2019.
- ↑ Daniel XIII (26 January 2019). "Movie Review: Who Killed Cock Robin (2017)". horrorfuel. Archived from the original on 23 April 2019.
- ↑ "Widows: Viola Davis sparkles in this superb modern noir". Raidió Teilifís Éireann. 5 November 2018.
- ↑ "Diao Yinan's shady lady noir is no quacker". The Guardian. 18 May 2019.
- ↑ Collin, Robbie (7 September 2017). "Taylor Sheridan's chilly noir gets the riveting best out of Jeremy Renner". The Daily Telegraph. Retrieved 15 January 2018.
- ↑ "WINTER'S BONE and the Rural Noir". Bright Lights Film Journal. 27 December 2010.
- ↑ "Exploring the Dark Character Study of You Were Never Really Here". Den of Geek. 4 April 2018.
- ↑ "Grindstone Entertainment Group Acquires Neo-Noir Thriller 'Adverse'". Deadline. 15 September 2020.
- ↑ "The Batman: Matt Reeves Cites Chinatown and Other 1970s Noirs as Influences". 22 August 2020.
- ↑ "'Calm with Horses' Review: A Raw and Thrilling Irish Noir". Headstuff. 28 October 2020.
- ↑ "The Card Counter Trailer: Oscar Isaac Is A Gambler With A Dark Past". Screenrant. 27 July 2021.
- ↑ Nigrin, Al (23 January 2023). "Neo-noir thriller City of Love screens on opening weekend of the Spring 2023 New Jersey Film Festival!". NewJerseyStage.com. Retrieved 18 December 2023.
- ↑ George, Joe (26 October 2022). "Review: 'Decision to Leave' Is a Noir for the Surveillance Age". Progressive.org. Retrieved 21 November 2022.
- ↑ "'Emily the Criminal' Review: Aubrey Plaza Is a Sympathetic Scammer in This Cold Character Study". Variety. 24 January 2022.
- ↑ "How The Empty Man Became the Ring Video of Streaming". Den of Geek. 23 July 2021.
- ↑ "殺入烏甸尼遠東電影節《手捲煙》獲推舉純正黑色港片" (in Chinese). Apple Daily. 12 May 2021. Archived from the original on 18 June 2021. Retrieved 7 June 2021.
Sabrina Baracetti, the founder and chairman of the Udinese Far East Film Festival, expressed his thoughts on "Hand-Rolled Cigarette". "It is a pure Hong Kong film noir, representing the Hong Kong film we have loved for more than 20 years!"
- ↑ "'I'm Your Woman' Review". RogerEbert.com. 10 December 2020.
- ↑ Gaughan, Liam (18 March 2022). "'John Wick: Chapter 4' Homages Every Era of Action Films". Collider. Retrieved 25 March 2023.
- ↑ "Kabadadaari (2021)". Filmibeat. 28 January 2021.
- ↑ "Kapatadhaari (U/A) – Telugu-language neo-noir thriller film- Rating 3*". FilmGappa. 3 February 2021.
- ↑ "'The Kid Detective' Review: This Smart, Handsomely Noir-esque Whodunit Is No Child's Play". Variety. 15 October 2020.
- ↑ "LAST MOMENT OF CLARITY -- A Schlocky and Predictable Thriller". disappointment media. 18 May 2020.
- ↑ "'Last Night in Soho' Trailer: Edgar Wright Sends Anya Taylor-Joy Into a Colorful Nightmare". 25 May 2021.
- ↑ "'The Last Victim is a Languid Neo-noir partly redeemed by Ali Larter's strong performance'". 13 May 2022.
- ↑ "'The Little Things': Denzel Washington, Rami Malek, and John Lee Hancock Tease a Twisted Neo-Noir with Incredible Performances". FilmSpeak. 16 January 2021.
- ↑ "'Nightmare Alley': 9 Things to Know About Guillermo del Toro's Big Return to Theaters". Indiewire. 23 May 2021.
- ↑ "No Sudden Move Stars Don Cheadle in a Heist Gone Sideways". 23 May 2021.
- ↑ "'Preparations to Be Together for an Unknown Period of Time' Review: Superb Noirish Hungarian Drama". Variety. 15 September 2020.
- ↑ "'Reminiscence' Trailer: Hugh Jackman in a New Film From the Creators of 'Westworld'". 3 June 2021.
- ↑ "Neo-Noir Thriller 'The Virtuoso' set for release". Bloody Flicks. 15 April 2021.
- ↑ Seitz, Matt Zoller. "Wrath of Man movie review & film summary (2021) | Roger Ebert". www.rogerebert.com. Retrieved 26 September 2021.
- ↑ "Irish Film Review: Spears". filmireland.net. 18 February 2022. Retrieved 24 February 2022.
- ↑ Gruder, Susannah (18 March 2022). "'Windfall' Review: Lily Collins and Jesse Plemons Are Held Hostage in Netflix's Simplistic Neo-Noir". IndieWire. Retrieved 21 March 2022.
Bibliography
- Ballinger, Alexander; Graydon, Danny (2007). The Rough Guide to Film Noir. London & New York: Rough Guides. ISBN 978-1-84353-474-7.
- Conard, Mark T.; ed. (2009). The Philosophy of Neo-Noir. Lexington: University Press of Kentucky. ISBN 081319217X.
- Hogan, David J. (2013). Film Noir FAQ: All That's Left to Know About Hollywood's Golden Age of Dames, Detectives, and Danger. Milwaukee, WI: Hal Leonard. ISBN 978-1-55783-855-1.
- Mayer, Geoff; McDonnell, Brian (2007). Encyclopedia of Film Noir. Westport, CT: Greenwood Press. ISBN 978-0-313-33306-4.
- Naremore, James (2008). More Than Night: Film Noir in Its Contexts (2d ed.). Berkeley, Los Angeles, and London: University of California Press. ISBN 978-0-520-25402-2.
- Schwartz, Robert (2005). Neo-Noir: The New Film Noir Style from Psycho to Collateral. Lanham, Maryland: Scarecrow Press. ISBN 978-0-810-85676-9.
- Selby, Spencer (1984). Dark City: The Film Noir. Jefferson, N.C. & London: McFarland Publishing. ISBN 0-89950-103-6.
- Silver, Alain; Ward, Elizabeth; eds. (1992). Film Noir: An Encyclopedic Reference to the American Style (3rd ed.). Woodstock, New York: The Overlook Press. ISBN 0-87951-479-5.
- Silver, Alain; Ward, Elizabeth; Ursini, James; Porfirio, Robert; eds. (2010). Film Noir: The Encyclopedia. New York & London: Overlook/Duckworth. ISBN 978-1-59020-144-2.
- Spicer, Andrew (2002). Film Noir. Harlow, UK: Longman/Pearson Education. ISBN 978-0-582-43712-8.
- Spicer, Andrew (2010). Historical Dictionary of Film Noir. Lanham, MD: Scarecrow Press. ISBN 978-0-8108-5960-9.
- Spicer, Andrew; Hanson, Helen (2013). A Companion to Film Noir. Oxford: Wiley-Blackwell. ISBN 978-1-4443-3627-6.
- Williams, Tony (2017). Hong Kong Neo-Noir. Yau, Esther (ed.). Edinburgh University Press. ISBN 9781474412674.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.