Some well known postmodern novels in chronological order:
Early postmodern novels
- A Universal History of Infamy (1935) by Jorge Luis Borges[1]
- At Swim-Two-Birds (1939) by Flann O'Brien[2]
- The Third Policeman (1940) by Flann O'Brien[3]
- Ficciones (1941) by Jorge Luis Borges[4]
- The Cannibal (1949) by John Hawkes[5]
- The Aleph (1949) by Jorge Luis Borges[6]
1950s
- Molloy (1951) by Samuel Beckett[7]
- The Unnamable (1953) by Samuel Beckett[8]
- The Recognitions (1955) by William Gaddis[9]
- On the Road (1957) by Jack Kerouac[10]
- Naked Lunch (1959) by William S. Burroughs[11][12]
- The Tin Drum (1959) by Günter Grass[13]
1960s
- The Sot-Weed Factor (1960) by John Barth[14]
- Catch-22 (1961) by Joseph Heller[15][16]
- Pale Fire (1962) by Vladimir Nabokov[11]
- Labyrinths (1962) by Jorge Luis Borges[11]
- A Clockwork Orange (1962) by Anthony Burgess[17]
- The Man in the High Castle (1962) by Philip K. Dick[18]
- Mother Night (1962) by Kurt Vonnegut[19]
- Blow-up and Other Stories (1963) by Julio Cortázar[20]
- Cat's Cradle (1963) by Kurt Vonnegut[21]
- Hopscotch (1963) by Julio Cortázar[11]
- The Three Stigmata of Palmer Eldritch (1965) by Philip K. Dick[22]
- Cosmicomics (1965) by Italo Calvino[23]
- In Cold Blood (1966) by Truman Capote[4]
- The Crying of Lot 49 (1966) by Thomas Pynchon[24][25][26]
- Myra Breckenridge (1968) by Gore Vidal[27]
- The Universal Baseball Association, Inc., J. Henry Waugh, Prop. (1968) by Robert Coover[28]
- Lost in the Funhouse (1968) by John Barth[29]
- The Left Hand of Darkness (1969) by Ursula Le Guin[30]
- Slaughterhouse-Five (1969) by Kurt Vonnegut[11][16]
- The French Lieutenant's Woman (1969) by John Fowles[31]
- Ada or Ardor: A Family Chronicle (1969) by Vladimir Nabokov[32]
- Ubik (1969) by Philip K. Dick[33]
1970s
- The Atrocity Exhibition (1970) by J. G. Ballard[34]
- Fear and Loathing in Las Vegas (1971) by Hunter S. Thompson[30]
- G. (1972) by John Berger[28]
- Invisible Cities (1972) by Italo Calvino[35]
- Crash (1973) by J. G. Ballard[36]
- Gravity's Rainbow (1973) by Thomas Pynchon[37][16]
- Breakfast of Champions (1973) by Kurt Vonnegut[38]
- Oreo (1974) by Fran Ross[39]
- Flow My Tears, the Policeman Said (1974) by Philip K. Dick[40]
- J R (1975) by William Gaddis[41]
- The Autumn of the Patriarch (1975) by Gabriel García Márquez[42]
- American Splendor (1976-2008) by Harvey Pekar[11]
- A Scanner Darkly (1977) by Philip K. Dick[18]
- If on a winter's night a traveler (1979) by Italo Calvino[11][43]
- The Book of Laughter and Forgetting (1979) by Milan Kundera[11]
1980s
- Midnight's Children (1981) by Salman Rushdie[44]
- Valis (1981) by Philip K. Dick[45]
- Sixty Stories (1981) by Donald Barthelme[28]
- A Wild Sheep Chase (1982) by Haruki Murakami[46]
- Shame (1983) by Salman Rushdie[47]
- Money (1984) by Martin Amis[48]
- The Unbearable Lightness of Being (1984) by Milan Kundera[49]
- Neuromancer (1984) by William Gibson[50]
- Nights at the Circus (1984) by Angela Carter[51]
- Hard-Boiled Wonderland and the End of the World (1985) by Haruki Murakami[52]
- Satantango (1985) by László Krasznahorkai[53]
- White Noise (1985) by Don DeLillo[24][25]
- The Handmaid's Tale (1985) by Margaret Atwood
- The New York Trilogy (1985–86) by Paul Auster[11]
- Red Sorghum (1986) by Mo Yan[54]
- Maus (1986) by Art Spiegelman[11]
- Foe (1986) by J. M. Coetzee[55]
- Watchmen (1986–87) by Alan Moore and Dave Gibbons[11]
- Beloved (1987) by Toni Morrison[15]
- The Bonfire of the Vanities (1987) by Tom Wolfe[56]
- Libra (1988) by Don Delillo[57]
- Wittgenstein's Mistress (1988) by David Markson[11]
- Foucault's Pendulum (1988) by Umberto Eco[58]
- Dance Dance Dance (1988) by Haruki Murakami[46]
- The Satanic Verses (1988) by Salman Rushdie[5]
1990s
- The Black Book (1990) by Orhan Pamuk[59]
- Vineland (1990) by Thomas Pynchon[60]
- Soul Mountain (1990) by Gao Xingjian[61]
- Haroun and the Sea of Stories (1990) by Salman Rushdie[62]
- American Psycho (1991) by Bret Easton Ellis[63]
- Time's Arrow (1991) by Martin Amis[64]
- The Gold Bug Variations (1991) by Richard Powers[65]
- Mao II (1991) by Don Delillo[66][62]
- Generation X: Tales for an Accelerated Culture (1991) by Douglas Coupland[67]
- Leviathan (1992) by Paul Auster[4]
- Snow Crash (1992) by Neal Stephenson[68]
- Memories of the Ford Administration (1992) by John Updike[69]
- Sarajevo Blues (1992) by Semezdin Mehmedinović[70]
- The House of Doctor Dee (1993) by Peter Ackroyd[71]
- The Island of the Day Before (1994) by Umberto Eco[72]
- Brazil (1994) by John Updike[73]
- The Memory Police (1994) by Yōko Ogawa
- Galatea 2.2 (1995) by Richard Powers[74]
- The Wind-Up Bird Chronicle (1995) by Haruki Murakami[30]
- The Tunnel (1995) by William H. Gass[11]
- Blindness (1995) by José Saramago[75]
- Infinite Jest (1996) by David Foster Wallace[76]
- CivilWarLand in Bad Decline (1996) by George Saunders[77]
- Fight Club (1996) by Chuck Palahniuk
- Primeval and Other Times (1996) by Olga Tokarczuk[78]
- Underworld (1997) by Don DeLillo[67]
- Mason & Dixon (1997) by Thomas Pynchon[79]
- Toward the End of Time (1997) by John Updike[80]
- My Name Is Red (1998) by Orhan Pamuk[81]
- The Savage Detectives (1998) by Roberto Bolaño[82]
- Motherless Brooklyn (1999) by Jonathan Lethem[11]
- The Ground Beneath Her Feet (1999) by Salman Rushdie[83]
- The Intuitionist (1999) by Colson Whitehead[84]
- Sputnik Sweetheart (1999) by Haruki Murakami[85]
2000s
- White Teeth (2000) by Zadie Smith[30]
- Pastoralia (2000) by George Saunders[86]
- The Amazing Adventures of Kavalier & Clay (2000) by Michael Chabon[87]
- A Heartbreaking Work of Staggering Genius (2000) by Dave Eggers[28]
- House of Leaves (2000) by Mark Z. Danielewski[88]
- The Cave (2000) by José Saramago[89]
- Baudolino (2000) by Umberto Eco[90]
- Gertrude and Claudius (2000) by John Updike[91]
- An Episode in the Life of a Landscape Painter (2000) by César Aira[92]
- The Blind Assassin (2001) by Margaret Atwood[93]
- number9dream (2001) by David Mitchell[94]
- You Shall Know Our Velocity (2002) by Dave Eggers[95]
- The Double (2002) by José Saramago[96]
- Everything Is Illuminated (2002) by Jonathan Safran Foer[11]
- Snow (2002) by Orhan Pamuk[97]
- Kafka on the Shore (2002) by Haruki Murakami[98]
- VAS: An Opera in Flatland (2002) by Steve Tomasula and Stephen Farrell[99]
- The Curious Incident of the Dog in the Night-Time (2003) by Mark Haddon[4]
- Elizabeth Costello (2003) by J. M. Coetzee[100]
- 2666 (2004) by Roberto Bolaño[4]
- Cloud Atlas (2004) by David Mitchell[101]
- The Mysterious Flame of Queen Loana (2004) by Umberto Eco[28]
- Slow Man (2005) by J. M. Coetzee[102]
- JPod (2006) by Douglas Coupland[103]
- Life and Death Are Wearing Me Out (2006) by Mo Yan[104]
- In Persuasion Nation (2006) by George Saunders[105]
- Against the Day (2006) by Thomas Pynchon[106]
- The Yiddish Policemen's Union (2007) by Michael Chabon[4]
- Inherent Vice (2009) by Thomas Pynchon[4]
- Generosity: An Enhancement (2009) by Richard Powers[107]
- 1Q84 (2009-2010) by Haruki Murakami[108]
2010s
- Swamplandia! (2011) by Karen Russell[109]
- A Visit from the Goon Squad (2011) by Jennifer Egan[110]
- The Sense of an Ending (2011) by Julian Barnes[111]
- The Angel Esmeralda (2011) by Don Delillo[112]
- The Paper Menagerie (2011) by Ken Liu[113]
- The Pale King (2011) by David Foster Wallace[114]
- Ready Player One (2011) by Ernest Cline[115]
- Bleeding Edge (2013) by Thomas Pynchon[116]
- A Brief History of Seven Killings (2014) by Marlon James[117]
- The Day the Sun Died (2015) by Yan Lianke[118]
- The Familiar Volume 1, Volume 2, Volume 3, Volume 4, and Volume 5 (2015-2017) by Mark Z. Danielewski[119]
- Swing Time (2016) by Zadie Smith[47]
- The Underground Railroad (2016) by Colson Whitehead[15]
- Moonglow (2016) by Michael Chabon[120]
- 4 3 2 1 (2017) by Paul Auster[121]
- Killing Commendatore (2017) by Haruki Murakami[122]
- The White Book (2017) by Han Kang[123]
- Lincoln in the Bardo (2017) by George Saunders[124]
- Quichotte (2019) by Salman Rushdie[125]
- Black Leopard, Red Wolf (2019) by Marlon James[126]
2020s
- Antkind (2020) by Charlie Kaufman[127]
- Interior Chinatown (2020) by Charles Yu[128]
- Otaku Girl (2021) by Louis Bulaong[129]
- The Candy House (2022) by Jennifer Egan[130]
See also
References
- ↑ Nicol, Bran, ed. (August 3, 2009). "Preface: Reading postmodern fiction". The Cambridge Introduction to Postmodern Fiction. Cambridge Introductions to Literature. Cambridge University Press. pp. xiii–xviii. doi:10.1017/CBO9780511816949.001. ISBN 9780521861571.
- ↑ "Microsoft Word - booker.doc" (PDF).
- ↑ "The Third Policeman by Flann O'Brien". www.postmodernmystery.com.
- 1 2 3 4 5 6 7 "The Postmodern Mystery Reading List: 50 Essential Works". postmodernmystery.com.
- 1 2 "Top 10 Postmodern Novels for a New Parody | Exclusive Books Blog".
- ↑ Klein, David (2017). "Aleph/ALEF. On the Relationship of Media and the Fantastic in Borges's "El Aleph"". Variaciones Borges (43): 23–44. JSTOR 26476321 – via JSTOR.
- ↑ Hansen, Joel (1997). "Book Review: Samuel Beckett and the End of Modernity". MFS Modern Fiction Studies. 43 (4): 1040–1042. doi:10.1353/mfs.1997.0073. S2CID 201772902.
- ↑ Brewer, Mária Minich (1986). "Samuel Beckett: Postmodern Narrative and the Nuclear Telos". Boundary 2. 15 (1/2): 153–170. doi:10.2307/303428. JSTOR 303428.
- ↑ "What Mean?": The Postmodern Metafiction Within William Gaddis's "The Recognitions"|William & Mary
- ↑ Johnson, Ronna C. (2000). ""You're Putting Me on": Jack Kerouac and the Postmodern Emergence". College Literature. 27 (1): 22–38. JSTOR 25112494 – via JSTOR.
- 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 "61 essential postmodern reads: an annotated list". Los Angeles Times. July 16, 2009.
- ↑ DeKoven, Marianne (May 10, 2004). Utopia Limited: The Sixties and the Emergence of the Postmodern. Duke University Press. ISBN 0822385457 – via Google Books.
- ↑ Bhattacharyya, Anuradha (January 1, 2018). "The Character of Oskar in The Tin Drum" – via www.academia.edu.
{{cite journal}}: Cite journal requires|journal=(help) - ↑ "Sot-Weed Factoring". 10 October 2013.
- 1 2 3 "No Results 2022-23 – Catalog". catalog.williams.edu.
- 1 2 3 "Postmodern Literature Guide: 10 Notable Postmodern Authors - 2021 - MasterClass".
- ↑ "How can I approach A Clockwork Orange using a postmodernist approach or theory? - eNotes.com".
- 1 2 PALMER, CHRISTOPHER (2003). Exhilaration and Terror of the Postmodern. Vol. 27. Liverpool University Press. ISBN 9780853236184. JSTOR j.ctt5vjh9t – via JSTOR.
- ↑ Schauer, Mark (June 29, 2013). Self-delusion and schizophrenia in Vonnegut's "Mother Night" – via www.grin.com.
- ↑ Kauffmann, R. Lane (1990). "For Interpretation". Semiotics: 167–175. doi:10.5840/cpsem199038.
{{cite journal}}: Cite journal requires|journal=(help) - ↑ "Kurt Vonnegut and postmodernism: An analysis - www.jetir.org" (PDF).
- ↑ "The Three Stigmata of Palmer Eldritch Critical Essays - eNotes.com".
- ↑ Siegel, Kristi (1991). "Italo Calvino's Cosmicomics: Qfwfg's Postmodern Autobiography". Italica. 68 (1): 43–59. doi:10.2307/479431. JSTOR 479431 – via JSTOR.
- 1 2 "Postmodern Fiction". public.wsu.edu.
- 1 2 Kelly, Adam (2011). "Beginning with Postmodernism". Twentieth Century Literature. 57 (3/4): 391–422. doi:10.1215/0041462X-2011-4009. JSTOR 41698759 – via JSTOR.
- ↑ "The coolest books of all time: amazing novels to read". Shortlist. April 6, 2022.
- ↑ The Later Fiction of Gore Vidal: 1962-2006 - University of Pittsburgh
- 1 2 3 4 5 "61 essential postmodern reads: An annotated list". 16 July 2009.
- ↑ "John Barth's "Lost in the Funhouse": A Postmodern Critique of the Developmental Narrative". 19 November 2013.
- 1 2 3 4 6 Postmodern Novels that Should Be Comics - Book Riot
- ↑ "To Wit's End Postmodern Fiction? | The Critical Flame". July 2009.
- ↑ Reitano, Natalie (2007). ""Our Marvelous Mortality": Finitude in "Ada, or Ardor"". Criticism. 49 (3): 377–403. doi:10.1353/crt.0.0038. JSTOR 23130901. S2CID 194050299.
- ↑ Studniarz, Sławomir. ""Ontology, simulacra and hyperreality. Philip K. Dick's Ubik and the question of postmodernist canon"".
- ↑ "J. G. Ballard's the Atrocity Exhibition and Postmodern Dystopia".
- ↑ Panigrahi, Sambit (2017). "Postmodern Temporality in Italo Calvino's "Invisible Cities"". Italica. 94 (1): 82–100. JSTOR 44504640.
- ↑ Pordzik, Ralph (1999). "James G. Ballard's "Crash" and the Postmodernization of the Dystopian Novel". AAA: Arbeiten aus Anglistik und Amerikanistik. 24 (1): 77–94. JSTOR 43020169 – via JSTOR.
- ↑ Temple, Emily (8 February 2012). "An Essential Postmodern Reading List". Flavorwire.
- ↑ Sieber, Sharon Lynn (2011). "Postmodern Infundibula and Other Non-linear Time Structures in "Breakfast of Champions, Slaughterhouse-Five", and "Sirens of Titan"". Hungarian Journal of English and American Studies (HJEAS). 17 (1): 127–141. JSTOR 43921805 – via JSTOR.
- ↑ Danzy Senna: An overlooked classic about the comedy of race|The New Yorker
- ↑ "REVIEW: Flow My Tears, the Policeman Said by Philip K. Dick". 18 March 2005.
- ↑ DeLucas, Mark. "Fiction, Finance, and the Postmodern: William Gaddis's JR".
- ↑ "The Autumn of the Patriarch Analysis - eNotes.com".
- ↑ "Theoretical Essays of Ralph Cohen". University of Virginia Press. 2017. doi:10.2307/j.ctt1v2xtv6. JSTOR j.ctt1v2xtv6 – via JSTOR.
{{cite journal}}: Cite journal requires|journal=(help) - ↑ Göbel, Walter (1995). "Postmodern Parallels and Paradoxes: Sterne's "Tristram Shandy" and Rushdie's "Midnight's Children"". AAA: Arbeiten aus Anglistik und Amerikanistik. 20 (1): 211–221. JSTOR 43023708 – via JSTOR.
- ↑ "Christopher Palmer- Postmodernism and the Birth of the Author in Philip K. Dick's Valis". www.depauw.edu.
- 1 2 Hantke, Steffen (2007). "Postmodernism and Genre Fiction as Deferred Action: Haruki Murakami and the Noir Tradition". Critique: Studies in Contemporary Fiction. 49: 3–24. doi:10.3200/CRIT.49.1.2-24. S2CID 170331055.
- 1 2 Quabeck, Franziska (2018). "'A Kind of Shadow': Mirror Images and Alter Egos in Zadie Smith's Swing Time". Zeitschrift für Anglistik und Amerikanistik. 66 (4): 461–477. doi:10.1515/zaa-2018-0038. S2CID 165779639.
- ↑ "The 100 best novels: No 93 – Money: A Suicide Note by Martin Amis (1984)". TheGuardian.com. 29 June 2015.
- ↑ Kurt, Gülçehre. "A postmodernist Analysis of Milan Kundera's "The Unbearable Lightness of Being"".
- ↑ Myers, Tony (August 3, 2001). "The Postmodern Imaginary in William Gibson's Neuromancer". MFS Modern Fiction Studies. 47 (4): 887–909. doi:10.1353/mfs.2001.0100. S2CID 7402759 – via Project MUSE.
- ↑ Feminism and the Postmodern Impulse – via sunypress.edu.
- ↑ Castro, Nicole. "Asymptotically Immortal: Haruki Murakami's Hard-boiled Wonderland and the End of the World as Postmodern Monogatari of Identity". Unpublished – via www.academia.edu.
- ↑ "László Krasznahorkai's Catastrophic Harmonies". Boston Review.
- ↑ "A Westerner's Reflection on Mo Yan". 11 October 2012.
- ↑ Shi, Flair Donglai (2015). "Post-colonialism in Post-modernism: A Comparative Characterology of J.M.Coetzee's Foe as an Appropriation of Daniel Defoe's Robinson Crusoe". Subalternspeak: Journal of Postcolonial Studies. 4 (1): 87–98.
- ↑ Hancock, Christopher (January 31, 2022). "'Bonfire of the vanities': on fashion, folly and the futility of war".
- ↑ Carmichael, Thomas (1993). "Lee Harvey Oswald and the Postmodern Subject: History and Intertextuality in Don DeLillo's "Libra, The Names", and "Mao II"". Contemporary Literature. 34 (2): 204–218. doi:10.2307/1208548. JSTOR 1208548 – via JSTOR.
- ↑ "Foucault's Pendulum by Umberto Eco". www.postmodernmystery.com.
- ↑ "The Black Book by Orhan Pamuk".
- ↑ Cowart, David (1990). "Attenuated Postmodernism: Pynchon's Vineland". Critique: Studies in Contemporary Fiction. 32 (2): 67–76. doi:10.1080/00111619.1990.9933800.
- ↑ "Gao Xingjian's Soul Mountain: The making of the Eurasian post-modern self. - Free Online Library".
- 1 2 Postmodern Worldview - Brac University
- ↑ "American Psycho: A Post Modern Horror". the-artifice.com. October 2015.
- ↑ Finney, Brian (2006). "Martin Amis's Time's Arrow and the Postmodern Sublime". Martin Amis: Postmodernism and Beyond. pp. 101–116. doi:10.1057/9780230598478_8. ISBN 978-1-349-28391-0.
- ↑ Athenot, Eric (2000). "The Reader as "a first-class goldberg rube" in the Gold Bug Variations". Cahiers Charles V. 29: 263–273. doi:10.3406/cchav.2000.1297.
- ↑ Baker, Peter (August 3, 1994). "The Terrorist as Interpreter: Mao II in Postmodern Context". Postmodern Culture. 4 (2). doi:10.1353/pmc.1994.0002. S2CID 144060803 – via Project MUSE.
- 1 2 "BBC - Genres". BBC.
- ↑ "Snow Crash: An Analysis of Postmodern Identities in Cyberpunk". Navigating Cybercultures. Brill. 2013. pp. 103–111. doi:10.1163/9781848881631_011. ISBN 9781848881631.
- ↑ Kaiser, Wilson (May 1, 2014). "John Updike: Now and Then". American Studies. 53 (2): 141–153. doi:10.1353/ams.2014.0097. S2CID 159498983.
- ↑ Obradović, Dragana (2016). Writing the Yugoslav Wars. University of Toronto Press. ISBN 9781442629547. JSTOR 10.3138/j.ctt1whm98w.
- ↑ Wisner, Buell (2014). "Peter Ackroyd's "The House of Doctor" Dee and the Antinomies of Postmodern Historical Fiction". CEA Critic. 76 (3): 299–304. doi:10.1353/cea.2014.0039. JSTOR 44378567. S2CID 161866298.
- ↑ "- BookmarkAuthorizationFailure".
- ↑ Kaiser, Wilson (May 1, 2014). "John Updike: Now and Then". American Studies. 53 (2): 141–153. doi:10.1353/ams.2014.0097. S2CID 159498983.
- ↑ Kucharzewski, Jan (2008). "'From Language to Life is Just Four Letters': Self-Referentiality vs. The Reference of Self in Richard Powers's "Galatea 2.2"". Amerikastudien / American Studies. 53 (2): 171–187. JSTOR 41158372.
- ↑ "Blindness". 20 May 2020.
- ↑ "The Sixty-One Essential Postmodern Reads". The New Yorker. July 21, 2009.
- ↑ "(Re)Constructing the Past in George Saunders' "CivilWarLand in Bad Decline" ⋆ U.S. Studies Online". 24 February 2021.
- ↑ Anders (2021). "Primeval and Other Times by Olga Tokarczuk: The "Tender Narrator" and the Perils of Myth". The Polish Review. 66 (2): 105–117. doi:10.5406/polishreview.66.2.0105. JSTOR 10.5406/polishreview.66.2.0105. S2CID 236733507.
- ↑ The Multiple Worlds of Pynchon's 'Mason & Dixon'. Boydell & Brewer. 2005. ISBN 9781571133182. JSTOR 10.7722/j.ctt81hkw.
- ↑ Kaiser, Wilson (May 1, 2014). "John Updike: Now and Then". American Studies. 53 (2): 141–153. doi:10.1353/ams.2014.0097. S2CID 159498983.
- ↑ Ali, Barish; Hagood, Caroline (2012). "Heteroglossic Sprees and Murderous Viewpoints in Orhan Pamuk's "My Name Is Red"". Texas Studies in Literature and Language. 54 (4): 505–529. doi:10.7560/TSLL54407. JSTOR 41679921. S2CID 159626297 – via JSTOR.
- ↑ "Love The Savage Detectives? Here's 6 More Characters Looking for Authors". The New York Public Library.
- ↑ CHEN, CHUN-YEN (2010). "A Place that is Other: Ethos of Groundlessness in Rushdie's "The Ground Beneath Her Feet"". Mosaic: An Interdisciplinary Critical Journal. 43 (4): 51–67. JSTOR 44030292 – via JSTOR.
- ↑ Sean Grattan (2017). "I Think We're Alone Now: Solitude and the Utopian Subject in Colson Whitehead's The Intuitionist". Cultural Critique. 96: 126–153. doi:10.5749/culturalcritique.96.2017.0126. JSTOR 10.5749/culturalcritique.96.2017.0126. S2CID 149075788.
- ↑ "Haruki Murakami's Sputnik Sweetheart". 12 March 2016.
- ↑ "Pastoralia — George Saunders". 22 November 2011.
- ↑ "UQ eSpace". espace.library.uq.edu.au.
- ↑ TRAVERS, SEÁN (2018). "THE POSTMODERN HAUNTED HOUSE IN MARK Z. DANIELEWSKI'S HOUSE OF LEAVES". IJAS Online (7): 65–76. JSTOR 26489194 – via JSTOR.
- ↑ Schulenburg, Chris T. (2004). "A CULTURAL BATTLE WITH THE CENTER: JOSÉ SARAMAGO's "THE CAVE" AND GLOBALIZATION". Romance Notes. 44 (3): 283–291. JSTOR 43802300.
- ↑ Mushtanova, O. Yu. (2015). "Interpretation of Historical Facts in Modern Italian Literature by the Example of Umberto Eco's Novel "Baudolino"". Mgimo Review of International Relations. 1 (40): 251–256. doi:10.24833/2071-8160-2015-1-40-251-256.
- ↑ Kaiser, Wilson (May 1, 2014). "John Updike: Now and Then". American Studies. 53 (2): 141–153. doi:10.1353/ams.2014.0097. S2CID 159498983.
- ↑ https://giramondopublishing.com/heat/archive/chris-andrews-cesar-airas-discontinuities/.
{{cite web}}: Missing or empty|title=(help) - ↑ Ijellh, Smart M. O. V. E. S. J. O. U. R. N. a. L. "Writing 'Her-story': A Postmodern approach to History in Margaret Atwood's The Blind Assassin" – via www.academia.edu.
{{cite journal}}: Cite journal requires|journal=(help) - ↑ "Bloomsbury Collections - David Mitchell".
- ↑ "You Shall Know Our Velocity by Dave Eggers". Independent.co.uk. 22 February 2003.
- ↑ "A parable of identity, morality". 10 October 2004.
- ↑ "Anatolian Arabesques". The New Yorker. 23 August 2004.
- ↑ "Kafka on the Shore by Haruki Murakami". www.postmodernmystery.com.
- ↑ "Postmodern Space Revisited: Hypertextuality and Materiality in the Selected Novels of Mark Z. Danielewski, Steve Tomasula, and Lance Olsen".
- ↑ Carstensen, Thorsten (2007). "Shattering the Word-Mirror in Elizabeth Costello: J.M. Coetzee's Deconstructive Experiment". The Journal of Commonwealth Literature. 42: 79–96. doi:10.1177/0021989407075730. S2CID 162326262.
- ↑ Hrubes, Martina (9 July 2008). Postmodernist Intertextuality in David Mitchell's Cloud Atlas. GRIN Verlag. ISBN 9783640098750.
- ↑ Dooley, Gillian Mary (11 November 2005). ""Slow Man" by J.M. Coetzee. [review]".
- ↑ "JPod by Douglas Coupland". The Independent. June 24, 2006.
- ↑ Fu, Mengxing (2018). "Fantastic Time as Para-History: Spectrality and Historical Justice in Mo Yan's Life and Death Are Wearing Me Out". Comparative Literature: East & West. 2 (2): 73–87. doi:10.1080/25723618.2018.1543069. S2CID 192388098.
- ↑ "In Persuasion Nation".
- ↑ Hume, Kathryn (2007). "The Religious and Political Vision of Pynchon's Against the Day". Philological Quarterly. 86 (1/2): 163–187.
- ↑ Kramer, Peter D. (28 September 2009). "Richard Powers' Generosity: An Enhancement". Slate.
- ↑ "1Q84, By Haruki Murakami". The Independent. October 26, 2011.
- ↑ "Swamplandia! By Karen Russell - review". TheGuardian.com. 8 April 2011.
- ↑ November 25, EW Staff; EST, 2019 at 12:00 PM. "Here are EW's top 10 fiction books of the decade". EW.com.
{{cite web}}: CS1 maint: numeric names: authors list (link) - ↑ Kirpichnikova, Anna (2018). "The Linguistic Singularity of the Novel the Sense of an Ending by Julian Barnes". The Journal of Social Sciences Research: 556–558:1.
- ↑ "REVIEW: The Angel Esmeralda by Don DeLillo". Electric Literature. December 8, 2011.
- ↑ "Asian American Elements in Ken Liu's 'Paper Menagerie' | Cram".
- ↑ "Jamesonian Interpretation of Post Postmodernism: David Foster Wallace's Infinite Jest and The Pale King".
- ↑ Aronstein, Susan; Thompson, Jason (August 3, 2015). "Coding the Grail: Ready Player One's Arthurian Mash-Up". Arthuriana. 25 (4): 51–65. doi:10.1353/art.2015.0045. S2CID 162990703 – via Project MUSE.
- ↑ Radchenko, Simon (2020). "Bleeding Edge of Postmodernism: Metamodern Writing in the Novel by Thomas Pynchon". Interlitteraria. 24 (2): 495–502. doi:10.12697/IL.2019.24.2.17. S2CID 210962145.
- ↑ Santi, Angelica. "A Brief History of Seven Killings Seminar on postmodernism and literature".
- ↑ "The 'Chinese Dream' turns into a zombie-like nightmare in Yan Lianke's 'The Day The Sun Died'". Los Angeles Times. January 17, 2019.
- ↑ "Review: Mark Z. Danielewski's 'Familiar' a monument to semantic encryption". Los Angeles Times. May 7, 2015.
- ↑ "Moonglow by Michael Chabon". 23 October 2016.
- ↑ "How Paul Auster's Lengthy '4 3 2 1' Reimagined the Social Protest Novel". 13 February 2017.
- ↑ "(PDF) A Post Modern Perspective of Murakami's Killing Commendatore Amidst the Hyper Real Chaos - High Technology Letters" (PDF).
- ↑ (PDF) Wit(h)nessing Trauma in Han Kang’s The White Book (2016) - Ruby Judd - University of KwaZulu-Natal
- ↑ "Lincoln in the Bardo". www.conceptualfiction.com.
- ↑ "'Quichotte' retells 'Don Quixote' for chaotic modern times". Christian Science Monitor. 3 September 2019.
- ↑ Turner, Edwin (May 11, 2019). "Marlon James's Black Leopard, Red Wolf is a postmodern fantasy novel that challenges the conventions of storytelling itself".
- ↑ Iglesias, Gabino (July 8, 2020). "If Surprise Makes A Great Novel, 'Antkind' Is A Great Novel". NPR.
- ↑ "Reinventing Postmodernism: A Review of Charles Yu's "Interior Chinatown" – Vol. 1 Brooklyn". vol1brooklyn.com.
- ↑ Hannigan, Carl. "Otaku Girl (Book Review): Where Memes and Literature Mix". Voice Media Group. July 1, 2021
- ↑ Macris, Anthony (26 April 2022). "In The Candy House, Jennifer Egan delivers an inventive novel for a digital age". The Conversation.
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