Littoral art is a term used by Canadian artist and writer Bruce Barber to describe art occurring outside of the institutions of the artworld.[1] It is a manifestation of Nicolas Bourriaud's relational aesthetics and is public and community-based, emphasizing the interaction between artists and spectators.[1] The idea derives from Habermas's concept of communicative action.

References

  1. 1 2 Christine Ross, The Aesthetics of Disengagement: Contemporary Art and Depression, University of Minnesota Press, 2006, p138. ISBN 0-8166-4539-6
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