Melusine
Opera by Aribert Reimann
The composer in 2010
LibrettistClaus H. Henneberg
LanguageGerman
Based onMelusine
by Yvan Goll
Premiere
29 April 1971 (29 April 1971)
Schwetzingen Festival

Melusine is a 1971 German-language opera by Aribert Reimann, on a libretto by Claus H. Henneberg after Melusine, a 1920 play in four acts by Yvan Goll which transposes the legendary water-spirit to Goll's time. The opera was written for the Schwetzingen Festival, where it premiered in 1971. It was recorded in 2010.

History

Melusine, Aribert Reimann's second opera, was written on the seventh commission from the Süddeutscher Rundfunk for a new opera for the Schwetzingen Festival, following for example Hans Werner Henze's Elegie für junge Liebende (1961) and Fortner's In seinem Garten liebt Don Perlimplin Belisa (1962).[1] The libretto was written in German by Claus H. Henneberg, based on a 1920 play of the same name by Yvan Goll,[2] which was again based on Mélusine, a French-language libretto written by Goll for an earlier – possibly unperformed – opera by Marcel Mihalovici in 1920.[3]

Plot

The title refers to the legendary water spirit Melusine. Derived from French legend and later a German folk book by Thüring von Ringoltingen, the topic is transposed to modern everyday life ("modernes Alltagsleben") in France before World War I.[1][4] The main character is married to a real estate agent, but still a virgin, focused on the preservation of a local park (or forest) that she sees filled with nature spirits. She is unable to stop a castle being built on the land, a building in which she loses her virginity and dies.[2][4]

Performances

Melusine premiered at the opening of the festival Schlosstheater Schwetzingen in 1971, conducted by Reinhard Peters, staged by Rudolf Sellner, with Catherine Gayer in the title role, and Martha Mödl as Pythia.[5][1] The opera was recorded by Wergo in 2010 from a live performance at the Staatstheater Nürnberg.[2][6] A 1974 handbook on opera production notes the features of aleatoric passages, dissonances and atonality.[4] A reviewer of The Guardian described the musical language as neo-expressionist, with writing for voices in declamatory style and with demanding coloraturas.[2] A reviewer of the premiere, writing for the weekly Die Zeit, found the vocal writing for the three main characters convincing, and compared the work's expressivity to Alban Berg's Lulu and its atmosphere to Debussy's Pelléas et Mélisande, noting the similarities of the three female characters.[1]

In 2016, a production by the Berlin University of the Arts, where Reimann had been a professor of contemporary Lied, honoured the composer's 80th birthday.[7]

Roles

Roles, voice types, premiere cast
Role Voice type Premiere cast, 29 April 1971[5][8]
Conductor: Reinhard Peters
Melusine coloratura soprano Catherine Gayer
Pythia contralto Martha Mödl
Madame Lapérouse mezzo-soprano Gitta Mikes
Oleander tenor Donald Grobe
Graf von Lusignan baritone Barry McDaniel
Surveyor bass-baritone Ivan Sardi
Mason bass Klaus Lang
Architect tenor Loren Driscoll
Oger bass Josef Greindl

References

  1. 1 2 3 4 Schwinger, Wolfram (7 May 1971). "Aribert Reimanns neue Oper in Schwetzingen uraufgeführt: Ein Stück Lulu in Melusine". Die Zeit (in German). Retrieved 7 July 2017.
  2. 1 2 3 4 Clements, Andrew (19 August 2010). "Reimann: Melusine". The Guardian. Retrieved 7 July 2017.
  3. ↑ The Oxford Dictionary of Music, 0199578540 (2013)
  4. 1 2 3 Eaton, Quaintance (1974). "Melusine". Opera Production II: A Handbook. University of Minnesota Press. ISBN 978-0-8166-5754-4.
  5. 1 2 "Melusine 1971". Opera Scotland. Retrieved 12 September 2017.
  6. ↑ "Aribert Reimann: Melusine". Wergo. 2010. OCLC 699835923. WER67192. Retrieved 10 October 2023 – via Presto Music. Nürnberger Philharmoniker conducted by Peter Hirsch.
  7. ↑ Pachl, Peter P. (11 July 2016). "Das Geheimnis exponierter Töne – Aribert Reimanns Melusine an der Universität der Künste Berlin". neue musikzeitung (in German). Retrieved 7 July 2017.
  8. ↑ "Melusine". Schott Music. Mainz. Retrieved 12 July 2019.

Further reading

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