An example of a medium group shot featuring Gary Cooper and Adolphe Menjou from the 1932 drama film A Farewell to Arms

In a movie a medium shot,[1] mid shot (MS),[2] or waist shot[3] is a camera angle shot from a medium distance.[4]

Use

Medium shots are favored in sequences where dialogues or a small group of people are acting, as they give the viewer a partial view of the background, such as when the shot is 'cutting the person in half'[4] and also show the subjects' facial expressions in the context of their body language.[5] Medium shots are also used when the subject in the shot is delivering information, such as news presenters.[2] It is also used in interviews.[3] It is the most common shot in movies,[6][7] and it usually follows the first establishing shots of a new scene or location.[7]

A normal lens that sees what the human eye sees[8] is usually used for medium shots.[7]

Definition

A medium two-shot of Robin Roberts interviewing Barack Obama

The medium shot shows equality between subjects and background. The dividing line between what constitutes a long shot and medium shot is not definite, nor is the line between medium shot and close-up.[7] In some standard texts and professional references, a full-length view of a human subject is called a medium shot;[6] in this terminology, a shot of the person from the knees up or the waist up is a close-up shot. In other texts, these partial views are called medium shots.[9] In principle, the medium shot is what can be seen with the human eye in a single quick glance and convey all the action taking place in that field of view.[6][2]

Types

Medium shots are divided into singles (a waist-high shot of one actor), group shots, over-the shoulders or two-shots (featuring two people).[6] A medium wide shot, or American shot, shows a bit more of the background but is still close enough for facial expressions to be seen, although these facial expressions would be better seen in a waist-high shot.[10]

See also

References

  1. Brown, Blain (2012). Cinematography: Theory and Practice, Image Making for Cinematographers and Directors. Burlington, Massachusetts: Focal Press. p. 20. ISBN 9781136047381. Retrieved August 11, 2023.
  2. 1 2 3 "Mid Shot (MS)". mediacollege.com. Wavelength Media. Retrieved 2015-12-01.
  3. 1 2 "Basics of video shooting". asu.edu. Arizona State University. Retrieved 2015-12-01.
  4. 1 2 "medium shot". www.dictionary.com. Dictionary.com. Retrieved 1 December 2015.
  5. Ablan, Dan. "Medium Shots". www.peachpit.com. Peachpit. Retrieved 1 December 2015.
  6. 1 2 3 4 Alexander, Victor. "Long shot, medium shot, close-up". www.releasing.net. Releasing.net. Archived from the original on December 23, 2019. Retrieved 1 December 2015.
  7. 1 2 3 4 Moura, Gabe (3 June 2014). "SHOT SIZES: Telling What They See". www.elementsofcinema.com. Gabriel Moura. Retrieved 1 December 2015.
  8. Moura, Gabe (3 June 2014). "Types of Lenses". www.elementsofcinema.com. Gabriel Moura. Retrieved 1 December 2015.
  9. "Film Glossary". www.owlnet.rice.edu. Rice University. Retrieved 1 December 2015.
  10. "Elements of Cinematography: Camera". www.utdallas.edu. University of Texas at Dallas. Retrieved 1 December 2015.

Further reading

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