Mikael Chukwuma Owunna (born 1990) is an African-American photographer who currently lives and works in Pittsburgh, Pennsylvania.

Life

Owunna was born in Pittsburgh, Pennsylvania, of Nigerian and Swedish heritage. As a youth he attended boarding school in Ohio, where he was bullied after coming out.[1] In college he studied engineering, earning a degree in Biomedical Engineering and History from Duke University. In 2009 he received a Rothermere Scholarship to Oxford University, and in 2012 he was named a Fulbright Scholar. He spent his Fulbright year in Taiwan.[2]

While struggling to come to terms with his sexuality (he identifies as queer) he discovered photography, which became both a creative outlet and an escape.[3] He has mentioned Octavia Butler and Chinua Achebe as influences on his work.[3] He cites an exhibit of the work of Zanele Muholi as "the first time I had ever seen an image of another queer African person," and as part of the impetus for his first project, Limitless Africans.[4]

Owunna speaks English, French and Mandarin Chinese.

Work

Of his work, Owunna says: "I am constantly thinking about how I can imagine and reimagine universes where people from marginalized backgrounds—particularly Black and LGBTQ people—can be full and complete individuals."[3]

In 2013 Owunna began work on Limitless Africans.[5] The book took six and a half years to create, during which Owunna traveled to ten countries across North America, Europe and the Caribbean to document the experiences of LGBTQ African immigrants and refugees. "Growing up, I was told that it was 'un-African' to be gay and that homosexuality was foreign to our culture. After enduring years of severe alienation from my Nigerian heritage and a series of exorcisms in Nigeria, I started Limitless to reclaim my African-ness and queerness on my own terms."[6] The New York Times described the book as "defiant and arresting, challenging notions of what queer people look like, what African people look like and the grace that comes from loving oneself."[4]

His project Infinite Essence grew out of frustration with the constant media images of Black bodies as sites of violence and death. "What is the impact that has when you see somebody who looks like you being killed all of the time?"[3] The project's goal is "to counteract the pain of those photos, to create imagery that show[s] the black body not as a site of death but as a site of magic."[1] In February 2019 he received a $20,000 grant from the Greater Pittsburgh Arts Council to complete the project.[7]

Exhibits, awards, and recognition

Owunna's work has been exhibited in the United States, Canada, and Belgium, and has received numerous awards and recommendations including the YWCA Racial Justice Award for Creativity and Innovation.

In addition to the Greater Pittsburgh Arts Council grant mentioned above, he has also received grants from the Fine Foundation, the Pittsburgh Endowment, and the A.W. Mellon Educational and Charitable Trust Fund. In 2018 he was awarded a Kathryn Davis Fellowship for Peace from Middlebury College.

References

  1. 1 2 Becky Harlan, "'Every Black Person Deserves To See Themselves This Way'". Archived August 9, 2020, at the Wayback Machine, NPR, March 3, 2019.
  2. ↑ Aisha Adkins, "Owning His Truth", The Black Expat, September 8, 2016.
  3. 1 2 3 4 Amber Hickey and Anney Traymany, "Mikael Owunna's Photographs Show the Essence of Black Healing". Archived September 21, 2020, at the Wayback Machine, Aperture, June 4, 2020.
  4. 1 2 Jake Naughton, "Pride and Self-Love in the L.G.B.T.Q. African Diaspora" Archived October 6, 2018, at the Wayback Machine, The New York Times, March 19, 2018.
  5. ↑ Isabella Gomez Sarmiento, "'Un-African'? Photos Challenge Notions Of LGBTQ Identity In The African Diaspora", WESA, November 2, 2019.
  6. ↑ "Queer continent: Mikael Owunna's Limitless Africans – in pictures" Archived August 21, 2020, at the Wayback Machine, The Guardian, November 12, 2019.
  7. ↑ "Greater Pittsburgh Arts Council Announces Lift Grant Awardees" Archived July 12, 2020, at the Wayback Machine, Greater Pittsburgh Arts Council, February 13, 2019.
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