Mira Nadon
Born2001 or 2002 (age 21–22)
Boston, Massachusetts, U.S.
EducationSchool of American Ballet
Occupationballet dancer
Years active2017–present
Career
Current groupNew York City Ballet

Mira Nadon (born 2001 or 2002)[1] is an American ballet dancer. She joined the New York City Ballet in 2018, and in 2023, she was promoted to principal dancer, as the first Asian American woman to hold this position.

Early life and education

Nadon was born in Boston. Her mother, originally from India, was a lawyer, and her father is a professor of government. She has a twin brother. When she was five, her father took a position at Claremont McKenna College, and her family moved to California.[2]

Nadon began her training at Inland Pacific Ballet Academy in Montclair, California. At age 12, while participating in the academy's summer intensive, she learned excepts of several works by George Balanchine, which led to her fascination with him and the New York City Ballet (NYCB).[2] The next two years, she attended the summer program at the School of American Ballet (SAB), NYCB's school. Then, the 14-year-old Nadon began attending the school full-time.[2] At the end of her second year, she danced a lead role in Balanchine's Scotch Symphony at SAB's annual workshop performance.[2]

Nadon completed high school through Professional Children's School, concurrently with her time at SAB and NYCB. After she graduated, she began studying at Fordham University.[2]

Career

Nadon became an apprentice with NYCB in November 2017, at just 16, and joined the company as a member of the corps de ballet in 2018.[2] In 2019, at 18, she danced her first major role, as the tall girl in Balanchine's "Rubies" from Jewels.[2] Her performance was singled out by New York Times critic Gia Kourlas, who called it the "crowning jewel" of the season and "a promise to the future."[3] The newspaper listed her performance among "Best Dance of 2019", and named her one of "The Biggest Breakout Stars of 2019".[4][5]

As a corps dancer, Nadon also danced featured roles in Balanchine's Raymonda Variations, The Nutcracker (as Dewdrop), Monumentum pro Gesualdo and Movements for Piano and Orchestra, Robbins' Glass Pieces, in Martins' The Sleeping Beauty (as Fairy of Courage), Peck's Bright and Tanowitz's Bartók Ballet.[2][6][7][8] During the COVID-19 pandemic, she appeared in pixilation in a wave (Within Wires), a film made for NYCB's digital season, with choreography by Sidra Bell.[2] She also originated a role in Bell's Suspended Animation (2021).[9]

In January 2022, Nadon was promoted to soloist.[6] She originated roles in Justin Peck's Partita (2022) and Copland Dance Episodes (2023), and in Keerati Jinakunwiphat's Fortuitous Ash (2023).[10][11] She also danced in NYCB's first performance of Robbins' Rondo since 1980.[12] As a soloist, she also danced featured roles in ballets such as Balanchine's The Four Temperaments,[13] Vienna Waltzes,[14] The Nutcracker (as Sugar Plum Fairy),[15] Stravinsky Violin Concerto and Episodes,[1] as well as in Martins' The Sleeping Beauty (as Lilac Fairy and Diamond),[1] and Wheeldon's DGV: Danse à Grande Vitesse.[16]

In February 2023, the 21-year-old Nadon was named principal dancer, becoming the first Asian American woman to hold this position at NYCB.[1]

Awards and honors

In 2022, Nadon received the Princess Grace Award and the Clive Barnes Award for excellence in dance.[11]

References

  1. 1 2 3 4 Kourlas, Gia (February 26, 2023). "Four Dancers Promoted to Principal at New York City Ballet". New York Times.
  2. 1 2 3 4 5 6 7 8 9 Lansky, Chava Pearl (July 6, 2021). "New York City Ballet's Mira Nadon: An Artist Beyond Her Years". Pointe.
  3. ↑ Kourlas, Gia (October 14, 2019). "At New York City Ballet, the Good, the Bad and the Ruby". New York Times.
  4. ↑ Kourlas, Gia; Burke, Siobhan; Seibert, Brian (December 6, 2019). "Best Dance of 2019". New York Times.
  5. ↑ Salam, Maya (December 19, 2019). "The Biggest Breakout Stars of 2019". New York Times.
  6. 1 2 Kourlas, Gia (January 24, 2022). "City Ballet Promotes Seven Dancers as Performances Resume". New York Times.
  7. ↑ "Introducing Our 2020 "25 to Watch"". Dance Magazine. March 29, 2021.
  8. ↑ Greskovic, Tobert (October 5, 2021). "Dipping a Toe Back Into Live Performance". Wall Street Journal.
  9. ↑ Kourlas, Gia (October 1, 2021). "Review: The Costume Dramas of New York City Ballet". New York Times.
  10. ↑ Kourlas, Gia (January 28, 2022). "Review: At City Ballet, Giving Voice to the Body, With Sneakers". New York Times.
  11. 1 2 Wild, Stephi (February 27, 2023). "New York City Ballet Announces Principal Dancer Promotions". BroadwayWorld.
  12. ↑ Kourlas, Gia (January 29, 2023). "Easy Does It: Bringing Old-School Wisdom to City Ballet". New York Times.
  13. ↑ Kourlas, Gia (March 2, 2022). "Winter Season at City Ballet: 'Now Is the Time for a New Generation'". New York Times.
  14. ↑ Kourlas, Gia (October 21, 2022). "The Brilliance and the Blahs of City Ballet. (And Then There's Solange.)". New York Times.
  15. ↑ Kourlas, Gia (December 21, 2022). "What Does an Angel See in Her Future? Maybe a Sugarplum Fairy". New York Times.
  16. ↑ Harss, Marina (January 29, 2022). "New York City Ballet – Partita (Peck premiere), Summerspace, DGV: Danse à Grande Vitesse – New York". DanceTabs.
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