N. N. Rimzon
Born
Nedumgottil Narayanan Rimzon

1957
Kakkoor, Kerala
SpouseDaisy Mathew
ChildrenRitu Rimzon

N. N. Rimzon (born 1957) is an Indian artist known primarily for his symbolic and enigmatic sculptures.[1] His metal, fiberglass and stone sculptures have won him international acclaim, though in recent years his drawings have gained recognition.[2]

Career

Rimzon studied sculpture at the College of Fine Arts, Thiruvananthapuram. He studied at Maharaja Sayajirao University of Baroda, where he was considered among the best of the upcoming generation of artists that stemmed from MSU alumni including Jyoti Bhatt and Bhupen Khakhar.[3] In 1989 he earned his MA with distinction from the Royal College of Art, London.

N. N. Rimzon's work has been featured in solo and group exhibitions worldwide and can be found in the collections of The National Gallery of Modern Art in New Delhi and Mumbai, the Talwar Gallery in New York City and New Delhi, The Foundation for Indian Artists in Amsterdam, and the Art Gallery of New South Wales, Sydney.[4]

Works

Born in the Indian state of Kerala, Rimzon's artistic vocabulary finds root in symbols derived from the rural landscape of southern India: the village compound, the palm tree, the temple, the forest pathway and the handmade canoe. In Rimzon's drawings he develops the themes that are found in his sculpture. Charcoal and dry pastel is used with a simple grace of line to create an often eerie and evocative stillness. This pristine tranquility seems to be intruded upon by symbols such as the sword and the felled tree. A sense of tragedy or alienation underlies depictions of what might otherwise be thought to be rural idylls.[2] Rimzon's later works seem as much concerned with ecological threats as with communal aggression.[5]

As a young man Rimzon experienced the political upheaval that accompanied Indira Gandhi’s Emergency during the mid-1970s. This was one factor that moved him away from narrative painting to experimentation with conceptually motivated sculpture. Rimzon concentrated on themes that depicted humanity's entrapment and anguish in a hostile environment that was of man's own making. In The Inner Voice (1992), a sculpted nude figure, cast in fiberglass, is displayed with its back against the wall and surrounded by a semicircle of cast iron swords. In Speaking Stones (1998), a crouching nude figure uses its hands to both hold its head and shield its eyes. The figure is surrounded by naturally sharp stones, which rest on photographs depicting massacres, demolitions, and other acts of communal violence that have been part of India's more recent history.[1]

His most recent show at Talwar Gallery in New Delhi, The Round Ocean and the Living Death, is a continuation of his career's effort to unite the beautiful traditions of India to the complexities of its modern life through an artistic language. The sculpture the show is named after depicts mother-goddess figure seated at the center of a circle representing a quiet power. Rimzon's work requires no prerequisites for engagement, but rather speaks to an older and deeper level of humanity.[6]

Solo exhibitions[7]

2020
Talwar Gallery, The Round Ocean and the Living Death, New Delhi, India[8]
2016
Talwar Gallery, I thank you once again, New York, NY, US[9]
2016
Talwar Gallery, Forest of the Living Divine, New Delhi, India[10]
2007
Bodhi Art, Liminal Embodiment, Seven Oceans and the Unnumbered Stars, New York, NY, US
2005
Kashi Art Gallery, N.N. Rimzon: Works on paper, Kochi, India[11]
1993
Gallery Foundation for Indian Artists, N.N. Rimzon, Amsterdam, Netherlands
1991
Art Heritage Gallery, Recent Sculpture and Drawings, New Delhi, India[12]

Selected group exhibitions[7]

2023
Talwar Gallery, From Three, Two, New York, NY[13]
2021
Talwar Gallery, as the wind blows, New York, NY [14]
2016
Kiran Nadar Museum of Art, Pond Near the Field, Kochi, India [15]
2014
National Museum of Modern and Contemporary Art, Rewriting the Landscape: India and China, Seoul, South Korea[16]
2012
5th Beijing International Art Biennale, National Art Museum of China, Beijing, China[17]
2009
Talwar Gallery, Excerpts from Diary Pages, New York, NY, US[18]
2008
Museum of Contemporary Art, Santhal Family: Positions Around an Indian Sculpture, Antwerp, Belgium[19]
2007
National Gallery of Modern Art, Edge of Desire: Recent Art in India, Mumbai, India[20]
2006
Berkeley Art Museum & Pacific Film Archive, Edge of Desire: Recent Art in India, Berkeley, CA, US[21]
2005
House of World Cultures, The Artist Lives and Works in Baroda/Bombay/Calcutta/Mysore/Rotterdam/Trivandrum, Berlin, Germany[22]
2004
Art Gallery of Western Australia, Edge of Desire: Recent Art in India, Perth, Australia[23]
2003
House of World Cultures, subTerrain, Berlin Germany[24]
2002
Manchester Art Gallery, Art South Asia, Manchester, UK[25]
1998
The Japan Foundation Forum, Private Mythology, Tokyo, Japan[26]

References

  1. 1 2 Amrita Jhaveri (2005). A Guide to 101 Modern and Contemporary Indian Artists. India Book House. ISBN 81-7508-423-5.
  2. 1 2 Chandran T. Payyanur, N.N. Rimzon, Kashi Art Gallery, 2005
  3. ↑ Ashish Radadhyaksha, Contemporary Art In Baroda, Tulika Publishers, 1997, ISBN 81-85229-04-X
  4. ↑ Anoop Skaria and Dorrie Younger, N.N. Rimzon, Kashi Art Gallery, 2005
  5. ↑ Karen Miller-Lewis, Back to Nature, Art India, Quarter III, 2007
  6. ↑ "N.N. Rimzon – The Round Ocean and the Living Death – Press Release « TALWAR GALLERY". Retrieved 30 January 2020.
  7. ↑ "N.N. Rimzon – The Round Ocean and the Living Death – Press Release « TALWAR GALLERY". Retrieved 29 January 2020.
  8. ↑ "I thank you once again". Talwar Gallery. Retrieved 20 July 2023.
  9. ↑ "rimzon-livingdivine-pr « TALWAR GALLERY". Retrieved 29 January 2020.
  10. ↑ "Kashi Art Gallery | Cafe, Fort Kochi, Kerala, India". www.kashiartgallery.com. Retrieved 29 January 2020.
  11. ↑ "Past Exhibitions". Art Heritage | Art Gallery New Delhi. Retrieved 29 January 2020.
  12. ↑ "From Three, Two". Talwar Gallery. Retrieved 20 July 2023.
  13. ↑ "as the wind blows". Talwar Gallery. Retrieved 20 July 2023.
  14. ↑ "POND NEAR THE FIELD: Five Artists from Kerala". Kiran Nadar Museum of Art. Retrieved 20 July 2023.
  15. ↑ "Past Exhibition : Rewriting the Landscape". National Museum of Modern and Contemporary Art. 30 January 2020.
  16. ↑ "BIAB". www.bjbiennale.com.cn. Retrieved 29 January 2020.
  17. ↑ "Excerpts from Diary Pages-Press Release « TALWAR GALLERY". Retrieved 29 January 2020.
  18. ↑ "Santhal Family: Positions Around an Indian Sculpture". www.muhka.be. Retrieved 29 January 2020.
  19. ↑ "National Gallery of Modern Art, New Delhi". ngmaindia.gov.in. Retrieved 29 January 2020.
  20. ↑ "Edge of Desire: Recent Art in India | BAMPFA". bampfa.org. Retrieved 29 January 2020.
  21. ↑ Welt, Haus der Kulturen der (14 January 2011). "The artist lives and works". HKW. Retrieved 29 January 2020.
  22. ↑ "Art Gallery WA". Art Gallery WA. Retrieved 29 January 2020.
  23. ↑ Welt, Haus der Kulturen der (10 December 2013). "NN Rimzon". HKW. Retrieved 29 January 2020.
  24. ↑ "Art South Asia". Asia Art Archive. Retrieved 29 January 2020.
  25. ↑ "The Japan Foundation - Private Mythology : Contemporary Art from India". www.jpf.go.jp. Retrieved 29 January 2020.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.