Not Love, Just Frenzy
Directed byAlfonso Albacete, Miguel Bardem and David Menkes
Written byAlfonso Albacete
Miguel Bardem
David Menkes
Produced byFernando Colomo
Beatriz de la Gándara
Starring
CinematographyNéstor Calvo
Edited byMiguel Ángel Santamaría
Music byJuan Bardem
Distributed byAlta Films
Release date
  • 1996 (1996)[1]
Running time
125 minutes
CountrySpain
LanguageSpanish

Not Love Just Frenzy (or Más que amor, frenesí in Spanish) is a 1996 adventure and drama film, directed by a triumvirate of Alfonso Albacete, Miguel Bardem and David Menkes. They have a collective name of Peliculas Freneticas (Frenetic Films).[2] It is Miguel Bardem's first feature film with Alfonso Albacete,[3] using Carlos Bardem, the cousin of Miguel, in his acting debut. The style of the film is reminiscent of works by Pedro Almodóvar,[4] according to a New York Times review.[5] Más que amor, frenesí brought Bardem, Albacete and Menkes a Goya Award nomination for Best Newcomer Director.[6]

The cast also includes many of Spain's top young actors, including early appearances by Penélope Cruz (Vanilla Sky),[7] Javier Bardem (Before Night Falls) and Bibi Andersen (Kika) as a high-class lesbian pimp. It is set in Madrid.[8][9] The film is similar in plot to Perdona bonita, pero Lucas me quería a mí released in 1997, with both films having gay characters chasing straight men and murdered flatmates.[8] The film is known due a gay sex scene, early in the plot.[10]

Plot outline

Gigolo Max (Nancho Novo) returns to town followed by a cop (Javier Manrique) and is suspected of having murdered one of his clients. He seeks help from a madam with a taste for young fresh girls (Bibi Andersen). Max tries to get himself back into the life of his former lover Yeye (Ingrid Rubio), who still has some feelings for him. Yeye shares an apartment with 2 flatmates, Monica (Cayetana Guillen Cuervo) who is a waitress in a gay club, called Frenzy and lovelorn Maria (Beatriz Santiago). Maria is in love with nerdy neighbor Carlos (Juan Diego Botto). Another friend is gay art student Alberto (Gustavo Salmeron), who in the opening section of the film has some steamy gay sex under the shower with Alex (Javier Albala). But he soon sadly finds out his Mr. Right is a husband and father, which quenches his desire, leaving him to get his kicks from some chaste flirtation with straight art-school model David (Liberto Rabal). The group of hot and horny twenty-something friends head out one night to a disco and crowded dance clubs to find love and adventure. They meet flashy drag queens, (who rule the dance club scene), self-absorbed gigolos and a whole host of other characters, including an overtly masculine lesbian lover, whilst having wild sex, drugs and gunfights. As they friends try to avoid psycho cop from infiltrate the group to get at Max.

Cast

Reception

Más que amor, frenesí was seen by 251,865 people by end of 1996 and around 50,000 in 1997, according to Spanish Ministry of Culture. It was in the top fifty of box office takings in 1996.[9]

Critical reception

David Rooney of Variety said in 1996, "Blithely derivative but bubbling nonetheless with energy, freshness, style and exuberant humor" and a "flashy, rather modish debut".[2]

Robert Strohmeyer of Contactmusic said of the film, "a frantic, Chasing Amy-esque tale of seven young hipsters rampaging through Madrid on a coke-charged humping spree" and "these characters are about as predictable as they are emotionally crude".[11]

A. O. Scott of The New York Times review in 2000 stated "the a plot that scrambles together elements of farce, melodrama and film noir" and "the best parts of "Not Love, Just Frenzy" present the casual outrageousness of the characters and their milieu with humor, tenderness and tact. The rest is just frenzy".[12]

Home video

Not Love, Just Frenzy was released on Region 1 DVD (US and Canada) on Jan. 1 2016,[13]

References

  1. Ronald Schwartz Great Spanish Films Since 1950, p. xli, at Google Books
  2. 1 2 Rooney, David (14 October 1996). "Not Love, Just Frenzy". Variety. Retrieved 3 January 2019.
  3. Bernard P. E. Bentley A Companion to Spanish Cinema at Google Books
  4. R. Hernandez-Rodriguez Splendors of Latin Cinema, p. 12, at Google Books
  5. Scott, A. O. (28 January 2000). "Movie Review - Not Love, Just Frenzy". The New York Times. Retrieved 2010-10-08. If Not Love, Just Frenzy were a Renaissance painting, it might be attributed to the school of Almodovar.
  6. "Miro's 'Manger' tops Spain's Goya noms". Variety. 3 January 1997. Retrieved 1 December 2018.
  7. Frank Javier Garcia Berume Latino Image Makers in Hollywood: Performers, Filmmakers and Films Since the 1960s, p. 301, at Google Books
  8. 1 2 Santiago Fouz-Hernández and Alfredo Martinez-Expósito Live Flesh: The Male Body in Contemporary Spanish Cinema, p. 120, at Google Books
  9. 1 2 David Alderson and Linda R. Anderson (Editors) Territories of Desire in Queer Culture: Refiguring Contemporary Boundaries, p. 96, at Google Books
  10. Chris Perriam Spanish Queer Cinema, p. 46, at Google Books
  11. Strohmeyer, Robert (1 November 2005). "Not Love Just Frenzy Review". Contactmusic.com. Retrieved 30 November 2018.
  12. Scott, A.O. (28 January 2000). "'Not Love, Just Frenzy': A Dark Farce From Spain, but Not From Almodovar". The New York Times. Retrieved 30 November 2018.
  13. "Not Love Just Frenzy (Widescreen)". www.amazon.co.uk. January 2016. Retrieved 2 January 2019.
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