Paa Joe
Born
Joseph Tetteh-Ashong

1947 (age 76–77)
Akwapim, Ghana
Occupation(s)Sculptor, carpenter

Paa Joe (né Joseph Tetteh-Ashong; born 1947) is a Ghanaian sculptor, and figurative palanquin and fantasy coffin carpenter. Joe is considered one of the most important Ghanaian coffin or abebuu adekai (“proverb boxes”) artists of his generation.[1][2][3] He has been involved in the international art world since 1989, and has been included in major exhibitions in Europe, Japan, and the USA. His fantasy coffins are in the collections and on permanent display in many art museums worldwide, including the British Museum in London, the Brooklyn Museum in New York, the Royal Ontario Museum in Canada, the Museum of Fine Arts, Boston, the National Museum of Ethnology in Osaka and many others as well as the private collections of foreign dignitaries.[4][5][6][7] Joe is building an art academy and gallery to support the community and art students across the globe.

Biography

Paa Joe with a sandal coffin in collaboration with Regula Tschumi for the Kunstmuseum Berne 2006

Paa Joe was born in 1947 at Akwapim in the Eastern Region of Ghana. Joe began his career with a twelve-year apprenticeship as a coffin artist in the workshop of Kane Kwei (1924–1992) in Teshie.[8] In 1976, Joe started his own business in Nungua. He trained many young artists like Daniel Mensah, Eric Kpakpo, or Kudjoe Affutu who have also become very successful fantasy coffin artists. In 2008, Joe moved his workshop from Nungua to kPobiman (Greater Accra) where he works with his son Jacob and several other collaborators. In 2013, Joe was invited for a six-week residency to Nottingham, Great Britain and he has taken part in many art residences.

Artwork

A coffin by Paa Joe exhibited at the National Museum of Ethnology in Osaka, Japan.

Fantasy coffins

While the pieces crafted by Joe are real coffins that the deceased are buried in, the process to obtain a figurative coffin is very different from the normal process one might go about to obtain a coffin for themselves or a loved one.[7][1] Joe does not have a catalog of work from which a figurative coffin can be chosen, as might be done with a regular coffin. Each piece is a custom commission that has relevance to the deceased's life. Thus, Joe is not a craftsman of utilitarian products, rather he is an artist of custom, expressive pieces. Not all of Joe's coffins are used for burial or intended to express the quality of an individual life.[3]

Figurative coffins have great cultural significance in Ghana.[9][10] While the practice of making Figurative coffins was debatably started by Joe's instructor, Kane Kwei, the concept has deep roots in Ga tradition.[11] Figurative coffins have been around since the 1950s.[9] However, figurative palanquins have a much deeper history in Ghana.[10]

Joe has crafted custom coffins for important Ghanaian cultural figures, such as the late Chief Nii Amartey Kwei II.[10]

Workshop and process

Joe crafts his coffins in his workshop In the Accra area in Ghana.[12][2] His workshop comprises a few main areas including an office, a showroom, a preparation room for painting and shipping, and a tool storage area.[2] However, much of the actual Coffin Construction is performed behind the workshop under the shade of trees.[2] Here, clients can come and view coffins and decide on a design either for themselves for future use, or for a loved one.[2] Joe's process is to explore the interests of the person in need of a coffin to determine what style of figurate coffin could best represent their life.[12][1] Past examples have been as simple as a coke bottle or a bible to that of a professor who requested a bird with a pen in its mouth.[12]

Other work

While Joe is best known for his figurative coffins, he has also created conceptual works that focus on West Africa and transatlantic slave trade, such as his large-scale sculptural work "Gates of No Return".[3]

Joe is the subject of a documentary about fantasy coffins by British filmmaker Ben Wigley and producer Anna Griffin.[13]

Exhibitions

In 2020, the High Museum of Art in Atlanta, Georgia exhibited new work by Joe of Gold Coast fortresses.[3] The exhibit featured seven buildings that served as the way stations for Africans who were sold into slavery, put on ships, and sent to the Americas and the Caribbean in the sixteenth through nineteenth centuries. The works are large, painted wood architectural sculptures and include the Cape Coast Castle, Fort Orange, Christiansborg Castle, Fort Patience, and Fort St. Sebastian. The process of making the works included visits to the sites, taking pictures, and drawing sketches.

Solo and group exhibitions

  • 2020 "Paa Joe: Gates of No Return", High Museum of Art, Atlanta[3]
  • 2017 Gallery 1957 "One does not take it anywhere."[7]
  • 2017 Jack Shainman Gallery "The Coffins of Paa Joe and the Pursuit of Happiness."[14]
  • 2017 Fondation Cartier Paris[15]
  • 2012 Brooklyn Museum[4]
  • 2012 Southbank, UK[16]
  • 2011 Salon 94 New York[17]
  • 2011 Jack Bell Gallery, UK[18]
  • 2011 V&A museum UK
  • 2010–11 "Living and Dying Gallery" British Museum London
  • 2007–2008 Six Feet Under, Deutsches Hygiene-Museum, Dresden
  • 2006 Melbourne Festival[19]
  • 2006 Six Feet Under, Kunstmuseum Bern[20]
  • 2005 Jack Shainman Gallery, New York City[21]
  • 2003 Schokolade, die süsse Verführung, Museum für Völkerkunde Basel
  • 2002 Autolust, Stapferhaus Lenzburg, Switzerland
  • 1989 Les Magiciens de la terre, Centre Pompidou, Paris[7]

References

  1. 1 2 3 Jennings, Lewis (2018-12-01). "Rest in peace and art: Ghanaians are putting the fun into funerals by getting buried in artsy coffins shaped like animals and even Coke bottles". Index on Censorship. 47 (4): 34–35. doi:10.1177/0306422018819317. ISSN 0306-4220. S2CID 149915921.
  2. 1 2 3 4 5 Otto, Kristin (2019-03-29). "Shapes of the Ancestors: Bodies, Animals, Art, and Ghanaian Fantasy Coffins". Museum Anthropology Review. 13 (1–2): 47–58. doi:10.14434/mar.v13i1.26580. ISSN 1938-5145. S2CID 194619425. Archived from the original on 2021-12-03. Retrieved 2023-03-09.
  3. 1 2 3 4 5 "Paa Joe: Gates of No Return". High Museum of Art. Archived from the original on 2021-12-03. Retrieved 2021-12-03.
  4. 1 2 "Coffin in the Form of a Nike Sneaker". Brooklyn Museum. Archived from the original on 2021-12-03. Retrieved 2021-12-03.
  5. ↑ "coffin". The British Museum. Archived from the original on 2021-12-03. Retrieved 2021-12-03.
  6. ↑ Jansen, Charlotte (2016-11-24). "How Ghana's top fantasy coffin artist has put the fun in funeral". the Guardian. Archived from the original on 2021-12-03. Retrieved 2021-12-03.
  7. 1 2 3 4 Carrigan, Margaret (21 November 2017). "Paa Joe's Fantasy Coffins Are Now Recognized as Contemporary Art in Ghana". The New York Observer.
  8. ↑ Jansen, Charlotte (24 November 2016). "How Ghana's top fantasy coffin artist has put the fun in funeral". The Guardian. Archived from the original on 25 November 2016. Retrieved 25 November 2016.
  9. 1 2 Curnow, Kathy (2018). Art and Death. Pressbooks@MSL: Michael Schwartz Library OER Program. pp. 262–312.
  10. 1 2 3 Bonetti, Roberta (2019), Selin, Helaine; Rakoff, Robert M. (eds.), "Living Coffins and Death Among the Ga of Ghana", Death Across Cultures: Death and Dying in Non-Western Cultures, Science Across Cultures: The History of Non-Western Science, Cham: Springer International Publishing, vol. 9, pp. 167–192, doi:10.1007/978-3-030-18826-9_11, ISBN 978-3-030-18826-9, S2CID 198819022, archived from the original on 2023-03-09, retrieved 2021-12-03
  11. ↑ Tschumi, Regula; Foster, Michael (2013). "The Figurative Palanquins of the Ga: History and Significance". African Arts. 46 (4): 60–73. doi:10.1162/AFAR_a_00108. ISSN 0001-9933. JSTOR 43306191. S2CID 57570945. Archived from the original on 2021-12-04. Retrieved 2023-03-09.
  12. 1 2 3 Symington, Martin (May 16, 1998). "Designer Coffins and Coconuts". The Times.
  13. ↑ "Paa Joe and The Lion". paajoeandthelion.co.uk. Archived from the original on 2021-12-02. Retrieved 2021-12-03.
  14. ↑ "The Coffins of Paa Joe and the Pursuit of Happiness « Exhibitions « Jack Shainman Gallery". jackshainman.com. Archived from the original on 2021-12-03. Retrieved 2021-12-03.
  15. ↑ "Malick Sidibé, Mali Twist". Fondation Cartier pour l'art contemporain. Archived from the original on 2021-12-03. Retrieved 2021-12-03.
  16. ↑ "Boxed: Fabulous Coffins from UK and Ghana | in London". Time Out London. Archived from the original on 2021-12-03. Retrieved 2021-12-03.
  17. ↑ "'Material' at Salon 94: An Exhibit of Fashion Designer Duro Olowu's Favorite Things". Arts Observer. 2012-02-21. Archived from the original on 2021-12-03. Retrieved 2021-12-03.
  18. ↑ "Paa Joe's Elaborate Hand-Carved Ghanaian Coffins". DangerousMinds. 2010-12-06. Archived from the original on 2021-12-03. Retrieved 2021-12-03.
  19. ↑ "Paa Joes Fantastic Coffins". www.weekendnotes.com. Archived from the original on 2021-12-03. Retrieved 2021-12-03.
  20. ↑ "Coffins for the Art Museum Berne". Regula Tschumi. 2017-06-08. Archived from the original on 2021-12-03. Retrieved 2021-12-03.
  21. ↑ "From The Cabinet « Exhibitions « Jack Shainman Gallery". jackshainman.com. Archived from the original on 2021-12-03. Retrieved 2021-12-03.

Further reading

  • 2014 Regula Tschumi: Concealed Art. The figurative palanquins and coffins of Ghana. Edition Till Schaap, Bern. ISBN 978-3-03828-099-6.
  • 2014 Regula Tschumi: The buried treasures of the Ga: Coffin art in Ghana. Edition Till Schaap, Bern. ISBN 978-3-03828-016-3. A revised and updated second edition of Benteli 2008.
  • 2013 Regula Tschumi: The Figurative Palanquins of the Ga. History and Significance, in: African Arts, vol. 46, 4, p. 60-73.
  • 2015 Paa Joe and the Lion, a film by Ben Wigley (director) and Anna Griffin (producer), Notthingham, GB.
  • 2006. Regula Tschumi: Last Respect, First Honoured. Ghanaian Burial Rituals and Figural Coffins". In: Kunstmuseum Bern (Hg.): Six Feet Under. Exhibition Catalogue. Kerber, Bielefeld & Leipzig, p. 114-125.
  • 2004. Regula Tschumi: A Report on Paa Joe and the Proverbial Coffins of Teshie and Nungua, Ghana. In: Africa e Mediterraneo, no 47-48, p. 44-47.
  • Thierry Secretan: Going into darkness, Hazan 1995.
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