Peter Matthews | |
|---|---|
 | |
| Born | 29 July 1942 |
| Nationality | British |
| Alma mater | Ealing School of Art |
Peter Jeffrey Matthews (born 29 July 1942) is a British printmaker, former teacher at Royal College of Art (RCA) and senior lecturer at Wimbledon School of Art. Educated at Ealing School of Art, Matthews went on to assist at Editions Alecto and editioned most of David Hockney's early etchings.[1] Matthews has also exhibited his own work extensively including at the Royal Academy of Arts (RA), Royal Watercolour Society (RWS) Gallery, and with the Royal Society of Painter-Printmakers, being elected a Fellow and later Council Member 1984–98. His work is held in a number of public collections in the UK and overseas, including the Victoria & Albert Museum (V&A);[2] British Council;[3]the Ashmolean Museum;[4] Albertina Museum, Vienna; Royal Library of Belgium and the Free Library, Philadelphia.
Artistic career
Employment
After graduating from Ealing School of Art, Matthews was appointed craftsman/demonstrator in the Printmaking Department at the RCA in London. He worked with many artists of that time and assisted David Hockney in editioning his early etchings 1962-1964.[5] This included: Myself and My Heroes,[6] Gretchen and the Snurl[7] My Bonnie Lies over the Ocean[8] and Kaisarion and all his Beauty.[9] Matthews reflects on printing Hockney's Kaisarion (while he was still at Ealing) in an interview in 2011.[10] His name is often incorrectly spelled as Peter Mathews when being credited as the printer of Hockney's etchings. In 1966, he became a Senior Lecturer in the Printmaking Department of the Wimbledon School of Art where he taught BA and MA courses in Printmaking until 1998.
Body of work
Landscape has always dominated his work. Early inspiration came from the quarries of Wales and the idea of figures in an empty pared-down landscape. In 1971, he established a studio on the north coast of Scotland. There were no more figures, only the rocks, heather, rivers, cliffs and sea of Caithness and Sutherland. He used several plates for each etching and a wide colour palette[11][12] a
In 1991, he moved his studio to South-West France, where the landscape is in direct contrast to Scotland. The French etchings are mainly in black and white and demonstrate his fascination with time of day and shadows. Matthews ceased etching in 1998 and has returned to painting in oils informed by the landscape of the Charente.
During his 37-year career Matthews has had his work exhibited extensively in the UK and overseas both in solo and group exhibitions and his work is held in many public collections around the world. His biography has been listed in Debrett's People of Today 1994–1998[13] and Who's Who of Art.[14]
Personal life
Matthews now, after living in the Charente region of France for 11 years, resides in Woodbridge, Suffolk.
Exhibitions
Solo exhibitions
- 1977 Amalgam Gallery, London
- 1978 Galleri Unicorn, Copenhagen
- 1996 Foreign Press Association, London
Group exhibitions
- 1961 RWS Gallery, London
- 1964 Tib Lane Gallery
- 1966 “British Printmakers in the 60s”, travelling through USA with London Arts gallery
- 1970 AIA Gallery/Royal Institute, Glasgow
- 1972-7 Royal Academy Summer Exhibition
- 1975 Galerie Arnaud, Paris
- 1978 “British Contemporary Etchers”, Associated American Arts Gallery, New York
- 1979 “50 Years of Printmaking at the Royal College of Art”
- 1980-2 Scottish Print Open, Edinburgh, Dundee, Glasgow
- 1983 Scottish Print Open, Sweden. Norway, Finland
- 1983 Exhibition with La Jeune Gravure Contemporaine, Bankside Gallery, London
- 1985 16th Ljubljana Print Biennale, Yugoslavia (British Council invited artist)
- 1985 Contemporary Prints, Barbican Centre, London
- 1986 Grafiska Sallskapets Galleri, Stockholm, Sweden
- 1988 British Contemporary Art Fair
- 1989 Exhibition of British Prints, State Publishing Organisation, Moscow, Russia
- 1989 5th International Print Biennale, Bulgaria (by invitation)
- 1990 AD Fine Art, Barbican Centre, London
- 1994/5 National Print Exhibition, The Mall Galleries, London
- 1994 Grafica Pryzmat, Kraków, Poland
- 1994 Maastricht International Print Biennale, Holland
- 1995 Hochschule Fur Kunste, Bremen, Germany
- 1996 National College of Art and Design, Oslo, Norway
- 1996 Boxed Prints, Hardware Gallery, London
- 1996 New Academy Gallery, London
- 1996 National Gallery, Ulan Bator, Outer Mongolia
- 1997 Morandi Gallery, Bologna, Italy
- 1997 National Print Exhibition, The Mall Galleries
Public collections
- Victoria and Albert Museum[2]
- Ashmolean Museum[4]
- Bibliothèque Royale, Brussels, Belgium
- South London Art Gallery
- Greenwich Library, London
- Cheltenham Art Gallery, England
- Ferens Art Gallery, Hull, England
- Northampton Art Gallery, England
- Southampton Art Gallery, England
- Arts Council, Northern Ireland
- King's College, London
- Free Library, Philadelphia, USA
- Albertina Museum, Vienna, Austria
- British Council[3]
- Morandi Galleria, Bologna, Italy
Education
1957–1962 Ealing School of Art, London National Diploma in Art and Design (Painting and Printmaking)
Employment
- 1961 Editioning, St George’s Gallery, London
- 1962-4 Assisting David Hockney, Editions Alecto, London
- 1962-6 Royal College of Art, Craftsman- Demonstrator in Etching
- 1966–98 Senior Lecturer in Printmaking, Wimbledon School of Art, London
- 2007 Visiting Lecturer, Faculty of Fine Art, University of Yaoundé, Cameroon
Prizes
References
- ↑ "David Hockney, The Complete Early Etchings 1961–1964, Hazlitt Holland-Hibbert 2017 p.11" (PDF).
- 1 2 "Peter Matthews - V&A Museum Collection".
- 1 2 "Peter Matthews - British Council Art Collection".
- 1 2 "'Northern Stack', 1982" (PDF). p.83 Ashmolean Museum, Western Art Print Room Atlas 2. UWE.
- ↑ See David Hockney prints 1954–77 (The Midland Group and the Scottish Arts Council in association with Petersburg press, 1979 ISBN 0906519012), for full details of the production and publication of each print.
- ↑ "Myself and my Heroes, Print". Sothebys.
- ↑ "Gretchen and the Snurl, print". Sothebys.
- ↑ "My Bonnie Lies over the Ocean, Print". Christies.
- ↑ "Kaisarion and all his Beauty, Print". Christies.
- ↑ "Peter Matthews and Susanna Harris Hughes Discuss The Printing of David Hockney's Etching ' Kaisarion and all his Beauty' 1961". October 2011. Retrieved 28 July 2017.
- ↑ "Anthony Dawson Young Printmaker Award With Biography And Represented Artists". Ochre Print Studio. Retrieved 25 July 2017.
- ↑ "Pocket Guide to Art". Observer Magazine Ltd. 25 September 1966. p. 30.
- ↑ Debrett's People of Today 1998. Debrett's Ltd. ISBN 1870520394.
- ↑ Who's Who in Art: Biographies of Leading Men and Women in the World of Art Today-Artists, Designers, Craftsmen, Critics, Writers, Teachers and Curators p.477. Hilmarton Manor Press. 2004. ISBN 0904722392.
Further reading
- David Hockney, Prints. 1954–77. Midland Group/Scottish Arts Council. 1979. ISBN 0906519012.
- Hockney, David (1976). David Hockney by David Hockney. Thames & Hudson Ltd. ISBN 0500091080.
- David Hockney: The Complete Early Etchings 1961–1964. Hazlitt Holland-Hibbert and Lyndsey Ingram. ISBN 978 0-9569128-5-5.
- David Hockney: Etchings and Lithographs. Thames & Hudson Ltd. 1989. ISBN 0500275467
- Evening Standard David Hockney: The Complete Early Etchings, 1961–64, review: A homage to Hockney's heroes
- Candid Magazine David Hockney – The Complete Early Etchings 1961–1964
- Christopher Simon Sykes, Hockney: The Biography, Volume 1, Century, 2011, ISBN 1780890079
- Hartley, Craig (September 1988). "David Hockney Printmaking and Technique—I". Print Quarterly. Vol.No.5 (Issue No.3): p. 242–256. Retrieved 26 July 2017.
- "Anthony Dawson - Artists' Agent". (January 1971). Arts Review Vol.XXIX (Issue No.2): p. 56-57. Retrieved 26 July 2017