Pistaku, Peruvian Retablo, Ayacucho.

A pishtaco is a mythological boogeyman figure in the Andes region of South America, particularly in Peru and Bolivia. Some parts of the Andes refer to the pishtaco as kharisiri, or ñakaq, or lik'ichiri in the Aymara language.^[1]

Legend and its effects

According to folklore, a pishtaco is an evil humanoid creature—often a foreigner and often a white man—who seeks out unsuspecting natives to kill them and abuse them in many ways. This character is also often shown as extremely pale, hyper-masculine, and sometimes brandishing extremely flashy cars or modern technology of the time.^[2] The legend dates back to the Spanish conquest of South America . Primarily, his method of killing is stealing his victims' body fat for various cannibalistic purposes, or cutting them up and selling their flesh as fried chicharrones. Pishtaco derives from the local Quechua-language word "pishtay" which means to "behead, cut the throat, or cut into slices".^[3]

The preoccupation with body fat has a long tradition in the Andes region. Pre-Hispanic natives prized fat so much that a deity, Viracocha (meaning sea of fat), existed for it. It is also natural for the peasant rural poor to view fleshiness and excess body fat as the very sign of life, good health, strength and beauty. Many illnesses are thought to have their roots in the loss of body fats, and skeletal thinness is abhorred.^[4] With this, the conquistadores' practice of treating their wounds with their enemies' corpse fats horrified the natives.^[5][6] Spaniards are also said to have killed natives and boiled their corpses to produce fat to grease their metal muskets and cannons, which rusted quickly in the humid Amazon.^[7] The retablo by displayed above portrays the evolution of the legend over time,

Andean Aboriginals feared Spanish missionaries as pishtacos, believing the missionaries were killing people for fat, thereafter oiling church bells to make them especially sonorous.^[8] In modern times, similar beliefs held that sugar mill machinery needed human fat as grease,^[9][10] or that jet aircraft engines could not start without a bit of human fat.^[11] The famous retablo "Retablo Ayucuchano of El Pistakuby" by Nicario Jiménez above shows the evolution of the pishtaco legend over time, with the topmost layer representing the greasing of bells, the middle layer representing the greasing of modern technology (including airplanes, computers, and factory machinery), and the bottom layer showing the most recent manifestation of the fear: the fat being sold off to fund the international purchase of weapons and repayment of overseas debts.^[12]

Pishtaco beliefs have affected international assistance programs, e.g. leading to rejection of the US Food for Peace program by several communities, out of fears that the real purpose was to fatten children and later exploit them for their fat.^[11] Natives have attacked survey geologists working on the Peruvian and Bolivian altiplano, because they believed that the geologists were pishtacos.^[13] The work of anthropologists has been stymied because measurements of fat folds were rumoured to be part of a plot to select the fattest individuals later to be targeted by pishtacos.^[10] In 2009, the pishtaco legend was cited as a possible contributory factor in the apparent fabrication of a story by Peruvian police of a gang murdering up to 60 people to harvest their fat.^[14]

Though the legend of the predatory white man in the middle of the night is non-factual, the legend has roots in many real and reported events throughout Peruvian history. It has also manifested through the fear of powerful, especially foreign corporations or organizations when they start to influence areas populated mainly by Indigenous peoples. In Huacsho in around the years 1983, the pishtaco imagery was predominantly associated with the Villasol building company, and there were rumous that circulated about murdered Indigenous people's bodies being used to uphold the bridges and maintain the landscape around it; these rumous were most likely allegorical for the overworking and unworkable conditions of the company.^[15] There have been other sorts of reports that supported the idea of the dangerous and powerful white man (organization), such as reports in Honduras of children being kidnapped by the CIA for testing and experimentation purposes,^[16] or lost bodies of soldiers reportedly being "compensated" to families for with as few as three thousand euros s a form of reparation in post-war Peru.^[17]

The pishtaco, both historically and in modern times has stood as a symbol for the fear of commodification of Indigenous bodies by white and foreign powers, and for the faulty implementation of capitalism across Latin America and specifically in Peru that puts predominantly Indigenous, Black, and Mestizo people at a disadvantage.^[18]

In popular culture

The pishtaco is prominently referenced in the novel Death in the Andes by Mario Vargas Llosa. In the book, two members of the Peruvian Civil Guard investigate the disappearance of three men, trying to determine if they were killed by the Shining Path guerilla group or by mythical monsters.^[19]

Pishtacos were primary plot source drivers and antagonists in the ninth season episode "The Purge" of the TV series Supernatural. This version of the Pishtaco have a lamprey-like appendage emitted from their mouth which feeds off fat. A human male marries a pishtaco female and the two start a weight-loss retreat so the female could sustain herself while helping those who wished to lose weight only for her brother to decide that he preferred killing those he fed from. A minor running gag was the near homophony of the word "pishtaco" with the phrase "fish taco". The male pishtaco is killed by Sam and Dean Winchester and the female pishtaco is given a one-way ticket back to Peru.

Pishtacos are also featured in the Gail Carriger novel Competence, the third book in her Custard Protocol series. The crew of the Spotted Custard travel to the Peruvian Andes in search of a supposed newly discovered breed of vampire that is on the verge of extinction. The pishtacos in this story are described as being very tall, incredibly thin, shock-white haired, and red eyed with a single columnar tooth for fat-sucking instead of the traditional elongated canine teeth of vampires for blood-sucking. This appearance is a result of the transformation from human to pishtaco.^[20] The pishtacos in this story also feed on fat.^[20]

Pishtaco play a prominent role in the 2018 edition of the Call of Cthulhu adventure module, Masks of Nyarlathotep, where their mythology is linked to the Lovecraftian entity, Nyarlathotep.^[21]

Pishtacos also appear as minor supporting characters in the first novel of Josh Erikson's Ethereal Earth series, Hero Forged.^[22]

In the 2018 video game Shadow of the Tomb Raider, pishtaco appear as mythical creatures who hunt the organization of Trinity, the game’s main antagonist. This is in accordance with the myth, as Trinity seek to acquire relics from the local natives and do so through destructive means.

See also

• Lik'ichiri
• Blood libel

Notes

Sources

• Benson, Elizabeth P.; Cook, Anita Gwynn (2001). Ritual sacrifice in ancient Peru. University of Texas Press. ISBN 9780292708945.
• Canessa, Andrew (2000). "Fear and loathing on the kharisiri trail: Alterity and identity in the Andes". Journal of the Royal Anthropological Institute. 6 (4): 705–720. doi:10.1111/1467-9655.00041.
• Carrigerr, Gail (2019). Competence. ORBIT US. ISBN 9780316433853.
• Franco, Jean; Pratt, Mary Louise; Newman, Kathleen Elizabeth (1999). Critical passions: selected essays. Post-contemporary interventions. Duke University Press. ISBN 0-8223-2248-X. Retrieved 22 November 2009.
• Gow, Peter (2001). An Amazonian myth and its history. Oxford University Press. ISBN 0-19-924196-1.
• Kristal, Efraín (1999). Temptation of the Word: The Novels of Mario Vargas Llosa. Vanderbilt University Press. ISBN 9780826513441. Retrieved 23 November 2009.
• Marrin, Albert (1986). Aztecs and Spaniards: Cortés and the conquest of Mexico. Atheneum. p. 76. ISBN 0-689-31176-1. Retrieved 22 November 2009. Melted fat taken from the body of a dead Indian was then used to soothe the raw wound.
• McLagan, Jennifer; Beisch, Leigh (2008). Fat: An Appreciation of a Misunderstood Ingredient, with Recipes. Ten Speed Press. pp. 216–217. ISBN 978-1-58008-935-7.
• Nordstrom, Carolyn; Robben, Antonius C. G. M. (1995). Fieldwork under fire: contemporary studies of violence and survival. University of California Press. ISBN 0-520-08994-4. Retrieved 23 November 2009.
• Scheper-Hughes, Nancy (1993). Death without weeping: the violence of everyday life in Brazil. University of California Press. ISBN 0-520-07537-4. Retrieved 23 November 2009.
• Vargas Llosa, Mario (1997). Death in the Andes. Penguin Books.
• Vasquez del Aguila, Ernesto (2018). Pishtacos: Human Fat Murderers, Structural Inequalities, and Resistances in Peru. America Critica. Archived from the original on September 22, 2008. Retrieved February 5, 2019.
• Weismantel, Mary J. (2001). Cholas and pishtacos: stories of race and sex in the Andes. University of Chicago Press. ISBN 0-226-89154-2.

External links