The Quintet for Strings (1957–1958) is a composition for two violins, two viola, and one cello by George Perle, "in memory of Laura Slobe".

The piece is listed by Richard Swift as a tone-centered composition, rather than as a twelve-tone modal piece or 'freely' composed.[1]

Structure and analysis

Structure

The work is structured in four movements:

  1. Allegro
  2. Scherzo
  3. Adagio (Variations)
  4. Allegro; Molto Adagio
Analysis

The first movement is based primarily upon octatonic and secondarily upon whole tone material, and centered on A♭ (with G and B above).[2] The "sonata-like" first movement also presents material used throughout the work: "a descending scalar melodic line, sustained pedal tones, and melodic thirds."[3] Of the third movement, a theme and four variations,[4] Carl Sigmon writes that, "a declamatory cry dominates the movement – a cry so stark that it must be repeated; there is no answer but itself."[3] Its tone center is G♯, but with A and C♯ above (a whole tone above G and B): "In this fashion, the incipient whole-tone element of the Quintet is embedded in the global tone-center relations."[5] It contains a viola, cello, and violin cadenza in the second, third, and fourth variations, respectively.[6]

It has been recorded on George Perle: A Retrospective (2006) Bridge 9214A/B.

Sources

  1. ↑ Swift, Richard. "A Tonal Analog: The Tone-Centered Music of George Perle", pp .283 & 258–259. Perspectives of New Music, Vol. 21, No. 1/2, (Autumn 1982 – Summer 1983), pp. 257–284.
  2. ↑ Swift (1982–1983), pp. 267–269 & 276.
  3. 1 2 Starobin, David (2006). Liner notes, George Perle: A Retrospective. Bridge Records 9214A/B.
  4. ↑ Swift (1982–1983), p. 274.
  5. ↑ Swift (1982–1983), p. 276.
  6. ↑ Swift (1982–1983), p. 275.
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