Ragnar Sørensen
Director Kåre Bergstrøm and cameraman Ragnar Sørensen during the filming of Andrine og Kjell (1952)
Born(1915-02-16)February 16, 1915
Oslo, Norway
DiedFebruary 3, 1998(1998-02-03) (aged 82)
Bærum, Norway
NationalityNorwegian
OccupationCinematographer
AwardsFilmkritikerprisen (1958)

Ragnar Sørensen (February 16, 1915 – February 3, 1998) was a Norwegian cinematographer.[1][2]

Sørensen made his debut as a camera assistant for the Norwegian film comedy Den forsvundne pølsemaker (1941) and as a focus puller for the comedy En herre med bart (1942). He made his debut as chief photographer with Nils R. Müller's Så møtes vi imorgen (1946). He soon became one of Norway's leading photographers with major assignments for directors such as Arne Skouen, Kåre Bergstrøm, Rasmus Breistein, and Tancred Ibsen. He particularly excelled in the black-and-white medium, and his most famous assignments were Arne Skouen's debut film Gategutter (1949),[3] Tancred Ibsen's Storfolk og småfolk (1951), Kåre Bergstrøm and Radoš Novaković's Blodveien (1955), and Bergstrøm's De dødes tjern[4] (1958, which was also the first Norwegian film created with CinemaScope).[5] In the 1960s, he was the cinematographer for Tancred Ibsen's Venner (1960), Nils Reinhardt Christensen's Line (1961), and Arne Skouen's Om Tilla (1963). In 1969 he was the cinematographer for Himmel og helvete,[6] which was also his last feature film.

Sørensen was the cinematographer for 26 feature films, and he also directed some of the short documentary films about Oslo (collectively known as the Oslo films): Klipp fra Oslo kinematografers arkiv (1955),[7] Nye forstadsbaner i Oslo (1958),[8] and Oslo havn (1957).[9]

In 1961 he received the Aamot Award (Norwegian: Aamotstatuetten) for his work.[10]

Filmography

References

  1. ↑ Skopal, Pavel; vande Winkel, Roel (2021). Film Professionals in Nazi-Occupied Europe : Mediation Between the National-Socialist Cultural "New Order" and Local Structures. Cham, Switzerland: Palgrave Macmillan. p. 50.
  2. ↑ Making Pictures: A Century of European Cinematography. New York: Abrams. 2003. p. 55.
  3. ↑ Cowie, Peter; Buquet, Françoise; Pitkänen, Risto; Talboom, Godfried (1992). Scandinavian Cinema: A Survey of the Films and Film-Makers of Denmark, Finland, Iceland, Norway, and Sweden. London: Tantivy Press. p. 204.
  4. ↑ Grant, John (2013). A Comprehensive Encyclopedia of Film Noir: The Essential Reference Guide. New York: Routledge.
  5. ↑ Svendsen, Trond Olav (2023). "De dødes tjern". Store norske leksikon (in Norwegian). Retrieved March 1, 2023.
  6. ↑ Stevenson, Jack (2000). Addicted: The Myth and Menace of Drugs in Film. London: Creation. p. 136.
  7. ↑ "Klipp fra Oslo kinematografers arkiv". Filmarkivet. Norgesfilm AS. Retrieved March 2, 2023.
  8. ↑ "Nye forstadsbaner i Oslo". Filmarkivet. Norgesfilm AS. Retrieved March 2, 2023.
  9. ↑ "Oslo havn, byens hjerte". Filmarkivet. Norgesfilm AS. Retrieved March 2, 2023.
  10. ↑ Svendsen, Trond Olav; Emilsen, Ann-Sofi S. (2023). "Aamotstatuetten". Store norske leksikon (in Norwegian). Retrieved March 2, 2023.
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