Renee Prahar working, from a 1917 publication.

Renée Prahar (c. 1879 — August 17, 1962) also known as Irene Prahar, was an American sculptor and actress based in New York City and later in Connecticut.

Early life

Irene Prahar was born in New York, of Bohemian ancestry.[1] She studied sculpture in Paris at the École nationale supérieure des Beaux-Arts, working with Auguste Rodin and Antoine Bourdelle. While in Paris, she showed work at the Salon of the Société National des Beaux-Arts in 1911[2] and again in 1914.[3]

Career

A Study of Alla Nazimova by Renee Prahar, from a 1922 publication.

Prahar began working as a stage actress, in the company of actor Richard Mansfield.[4] She appeared with Mansfield in Old Heidelberg (1903-1904),[5] The Death of Ivan the Terrible (1905),[6] The Merchant of Venice (1906),[7] The Scarlet Letter (1906),[8] and Peer Gynt (1906).[9]

As a sculptor, Prahar created portrait busts[10] and human or animal figures, usually angular and stylized, in a method she called "Triangularism".[11] In 1922, she was hired to create monkey sculptures and architectural features to adorn the terrace of Mrs. W. K. Vanderbilt.[12] Her "Fox Gate Posts" were featured in the 1931 opening of the American Women's Association's permanent gallery in 1931.[13] She also designed a medal for the American Women's Association, given as an award to distinguished women of the New York area.[14] The medal's first recipient in 1931 was Margaret Sanger.[15]

Critic Henry McBride called Prahar "a pioneer in the fantastic and the grotesque."[16] In the same year, the New York Times critic commented on Prahar's "remarkably cool intellectuality".[17]

In 1930 she wrote in protest of fellow sculptor George Grey Barnard's eviction from his studio space.[18] Later in her career, she designed and decorated homes in Connecticut, with George's daughter, Colette Barnard.[19]

Personal life

Renee Prahar died in 1962, aged 83 years, in New London, Connecticut.[19]

A small collection of Prahar's papers are in the Smithsonian's Archives of American Art.[20]

References

  1. ↑ Marian Hale, "Need Sculpture in Your Home" The Richmond Item (October 29, 1922): 7. via Newspapers.comOpen access icon
  2. ↑ "Few Novel Exhibits in Junior Salon" New York Times (April 15, 1911): 3.
  3. ↑ "Many American Works at Salon" New York Times (April 12, 1914): C2.
  4. ↑ "Actress Will Get Her Jewels" The Sun (March 27, 1906): 12. via Newspapers.comOpen access icon
  5. ↑ "Show Waits on Mansfield" New York Times (March 15, 1904): 9.
  6. ↑ "Mr. Mansfield as Ivan" New York Times (March 23, 1905): 9.
  7. ↑ "Mr. Mansfield as Shylock" Baltimore Sun (January 11, 1906): 12. via Newspapers.comOpen access icon
  8. ↑ Burns Mantle, "The Scarlet Letter" Inter Ocean (May 9, 1906): 6. via Newspapers.comOpen access icon
  9. ↑ "Peer Gynt in English Put on by Mansfield" New York Times (October 30, 1906): 9.
  10. ↑ "Actress Sculptor's Success" The Times-Democrat (July 2, 1911): 35. via Newspapers.comOpen access icon
  11. ↑ "Suffragist Sculptress Strikes a New Note" The Woman Citizen (October 13, 1917): 376.
  12. ↑ "Monkeys Adorn Terrace" New York Times (February 9, 1922): 15.
  13. ↑ Edward Alden Jewell, "Woman's Gallery Opens Today" New York Times (July 1, 1931): 30.
  14. ↑ "Most Distinguished Woman of City Area to Get Medal" New York Times (November 8, 1931): N1.
  15. ↑ "Mrs. Sanger Named for Women's Prize" New York Times (November 10, 1931): 24.
  16. ↑ "Sculptural Fantasies to Lift After-War Gloom" Literary Digest (February 18, 1922): 28.
  17. ↑ "Sculptures by Renee Prahar" New York Times (February 5, 1922): 48.
  18. ↑ "Protests Grow Over Barnard Studio Eviction" Brooklyn Daily Eagle (November 19, 1930): 19. via Newspapers.comOpen access icon
  19. 1 2 "Renee Prahar, 83, Sculptor, is Dead" New York Times (August 19, 1962): 88.
  20. ↑ Renee Prahar Papers, 1912-1938, Archives of American Art, Smithsonian Institution.
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