Riobamba
AddressEast 57th Street
New York City
United States
OwnerLouis "Lepke" Buchalter
TypeNightclub
Capacity400
Opened1942
Closed1944

Riobamba was a New York City nightclub. Operating from 1942 to 1944, it was closely associated with singer Frank Sinatra, who made his solo nightclub debut there in 1943.

Location

The club was located on East 57th Street near Third Avenue in Manhattan.[1]

History

The Riobamba was owned by American Mafia boss Louis "Lepke" Buchalter.[2] While Buchalter was awaiting execution on death row, his wife ran the club.[3] From 1942 to 1944 the club was managed by Linton D. Weil and Arthur Jawitz.[4] There was a claim that the Duke of York owned the real estate where the club was located.[5]

Patterned after the larger Copacabana, the Riobamba was a "glitzy jewel box of a joint" with a small dance floor on which stood a baby grand piano.[2] There was no stage; the performers stood near the tables at which patrons sat.[2] The room seated 400.[6]

Shows typically featured a stand-up comedian, a dance troupe, and an orchestra[7] in addition to the main act. At the beginning of the set, a line of chorus girls came out singing a song called "Riobamba", which had been written by Leonard Bernstein and which the club had purchased for $50; Bernstein recycled the musical trope in his 1944 ballet "Fancy Free".[7] Floor shows were held at 8:30 pm, 12 am, and 2 am, while dance troupes and relief bands performed at other times.[8]

Acts

Among the acts that performed at the Riobamba were singer Jane Froman,[9] vaudeville performer Grace Hayes,[10] singer-actress Hannah Williams,[8] and the Chandra-Kaly Dancers.[11] Dean Martin appeared as a last-minute substitute for Frank Sinatra in September 1943.[12][13]

Frank Sinatra debut

Frank Sinatra Riobamba postcard, 1943

Three times an evening, Sinatra ... steps into the baby spotlight that splashes on to the dance floor. In a come-hither, breathless voice, he then sings such songs as 'You'd Be So Nice to Come Home To', 'That Old Black Magic', 'She's Funny That Way', and 'Embraceable You'. As he whispers the lyrics, he fondles his wedding ring and his eyes grow misty. A hush hangs over the tables, and in the eyes of the women present there is soft contentment. The lights go up and Sinatra bows, slouches across the floor and is swallowed up by the shadows.

–George Frazier, Life magazine, May 3, 1943[14]

In 1943 Frank Sinatra's managers tried, unsuccessfully, to book him into the Copacabana, which was then "the hottest of the hot" of Manhattan's nightclubs.[2] They settled for a three-week engagement at the Riobamba, which was experiencing serious financial trouble.[15] Sinatra was offered $750 a week.[2][16] The singer did not receive top billing; he was advertised as an "extra added attraction" under monologist Walter O'Keefe, singer-comedian Sheila Barrett, a dance troupe, and a choir.[17][18] Though Sinatra was unnerved by the small size of the performance area and was gripped with stage fright, he leaned against the piano and began singing.[2] According to columnist Earl Wilson, who was present, "Frank was in a dinner jacket and he was wearing a wedding band. He had a small curl that fell almost over his right eye. With trembling lips – I don't know how he made them tremble, but I saw it – he sang 'She's Funny That Way' and 'Night and Day' and succeeded in bringing down the house".[2]

Before the week was out, Sinatra was attracting standing-room-only audiences even for his 2:30 am show, and Barrett had been demoted to second-billing under Sinatra and had quit.[2] When O'Keefe announced that he was quitting, too, he told his last audience, "When I came to this place, I was the star and a kid named Sinatra, one of the acts. Then suddenly a steamroller came along and knocked me flat. Ladies and gentlemen, I give you the rightful star – Frank Sinatra".[2][18] The club increased Sinatra's pay to $1,000 and then $1,500, and he performed for a total of ten weeks,[19][20] becoming "one of the biggest draws in any New York club".[14] The gig served to prove Sinatra's appeal to more mature audiences than his "bobby soxer" fan base,[21] while autograph seekers thronged outside on the sidewalk.[22]

In the wake of Sinatra's success, other clubs rushed to hire "crooners". La Martinique hired Argentine vocalist Dick Haymes, jumpstarting his career.[23] In August 1943 the Riobamba ranked in the top three clubs in New York in Billboard's fifth annual poll; the others were the Stork Club and the Latin Quarter.[24]

Closure

In spring 1944 the Riobamba was shut down by the Federal government for nonpayment of taxes, including the amusement tax, alcohol tax, withholding tax, and Social Security tax, amounting to a back claim of $24,000.[4] The club was also reportedly delinquent in paying musicians and performers, as well as on its mortgage.[4]

In September 1944 it was announced that the club would reopen under the lease of Harold Jacobs and Julius Yablok;[4] in December 1944, Café Society nightclub owner Barney Josephson was said to be interested in assuming the lease.[6] In March 1945, theatrical producer George H. Kondolf and a group of other interested parties purchased the Riobamba, but the club was not immediately opened due to a curfew issue.[25] By 1946, the Riobamba had been replaced by the Embassy Club.[26][27]

The year after Louis Buchalter was executed, his widow Betty married the former manager of the club, Arthur Jarwood, also known as Arthur Jawitz.[28]

References

Notes

  1. ↑ Bratkovich 2014, p. 130.
  2. 1 2 3 4 5 6 7 8 9 Kaplan 2010, pp. 88–89.
  3. ↑ MacLaine 2011, p. 72.
  4. 1 2 3 4 "Two New to Biz Take Over the Riobamba; Jawitz Out; U.S., Wage Tabs Unsettled". The Billboard. 56 (38): 24. 16 September 1944.
  5. ↑ Billboard 1944, p. 24.
  6. 1 2 "Josephson Says He'll Take Over Riobamba Site". The Billboard: 23. 9 December 1944.
  7. 1 2 "On E. 57th Street". Salt Lake City, Utah: The Salt Lake Tribune. 29 August 1949. p. 19. Retrieved 9 November 2015 – via Newspapers.com. Open access icon
  8. 1 2 "Night Club Reviews: Riobamba, New York". The Billboard. 55 (44): 18. 30 October 1943.
  9. ↑ "Night Clubs". janefroman.com. Retrieved 10 November 2015.
  10. ↑ Lait, Jack (20 August 1943). "Walter Winchell". St. Petersburg Times. p. 14.
  11. ↑ "Night Clubs – Vaudeville". The Billboard. 55 (2): 22. 9 January 1943.
  12. ↑ Carnes 2005, p. 363.
  13. ↑ "Dean Martin". Pittsburgh Music History. Retrieved 10 November 2015.
  14. 1 2 Frazier 1943, p. 56.
  15. ↑ Goldstein 1982, p. 17.
  16. ↑ Leigh 2015, p. 81.
  17. ↑ Friedwald 1995, p. 130.
  18. 1 2 "Sinatra a Boost". San Antonio, Texas: San Antonio Express. 10 November 1968. p. 148. Retrieved 9 November 2015 – via Newspapers.com. Open access icon
  19. ↑ Howlett 1980, p. 27.
  20. ↑ Leigh 2015, pp. 81–82.
  21. ↑ Cullen 2005, p. 128.
  22. ↑ Wilson, Earl (14 June 1976). "Rise from singer to national hysteria". Long Beach, California: Independent. p. 18. Retrieved 9 November 2015 – via Newspapers.com. Open access icon
  23. ↑ "Haymes Can Thank Sinatra for Start". Winona, Minnesota: The Winona Republican-Herald. 12 August 1953. p. 4. Retrieved 9 November 2015 – via Newspapers.com. Open access icon
  24. ↑ "Dawn Patrol Rates Clubs: Stork Club, Latin Quarter and Riobamba Get Nod As Top 3 in Billboard Fifth Annual Poll". The Billboard. 55 (35): 22. 28 August 1943.
  25. ↑ "Riobamba Bought – Opening Delayed". The Billboard. 57 (9): 18. 3 March 1945.
  26. ↑ O'Brien, Jack (28 May 1946). "Broadway". Sarasota Herald-Tribune. p. 3.
  27. ↑ Gaver, Jack (16 October 1945). "Broadway". Dunkirk, New York: Dunkirk Evening Observer. p. 12. Retrieved 9 November 2015 – via Newspaperarchive.com. Open access icon
  28. ↑ "Lepke's Widow Branded Love Thief in Woman's Action for Separation". The Brooklyn Daily Eagle. 23 August 1945. p. 3.

Sources

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