Painting depicting Guru Ram Das and the story of Dukh Bhanjani - the leper husband of Bibi Rajani was cured by taking a dip in the pond. Attributed to Gian Singh Naqqash. Opaque watercolour on paper, Amritsar, early 20th century

Sakhi (Gurmukhi: ਸਾਖੀ; sākhī) literally means 'historical account', 'anecdote', or 'story'. It is derived from the Sanskrit word sākṣī (साक्षी) which literally means 'witness'.[1][2]

The term refers to the accounts of the historical events in Sikhism. It is a tale usually from the era during the times of the Sikh Gurus and their devoted followers and associates.[3] However, many Sakhis do exist from the period before and after the times of the Ten Gurus. Most Sakhis have a moral lesson and highlight important Sikh principles.

Compilation

A collection of over five-hundred anecdotes from Sikh history was said to have been compiled in a work known as the Panj Sau Sakhi, which is now lost.[4][5][6] An extant work titled Sau Sakhi contains a hundred anecdotes.

List of Sakhis

Below is a list of important Sakhis with a message for Sikhs.

  • Bhai Makhan Shah
  • Village of Children
  • Establishment of Kartarpur
  • Darshan
  • 3 Days in the River
  • Bhai Lalo's Honesty
  • Bhai Manjh Singh
  • Bhai Taloka's ardas
  • Dukh Sukh
  • Durga Worshipper from Amritsar
  • Guru Ji's Sickness
  • Guru Nanak and Duni Chand
  • Guru Nanak and Moola
  • Guru Nanak and the Sacred Thread
  • Guru Nanak at School
  • Platforms of Jetha
  • Respect through Service]]
  • Sakhi Kaligidhar Chamatkar
  • Sakhi of Bhagat Dhanna
  • Sakhis of Guru Nanak
  • Sundri
  • The Birth of the Guru
  • There is no Hindu and no Musalman
  • Watering the Crops
  • 2 Pots
  • Attaining Guruship
  • Beheaded
  • Bring me Arms and Horses
  • Charity to Sadhus
  • Chhajju
  • Creation of Anand Sahib
  • Creation of Shabad Hazarai
  • Guru Gobind Singh and Ghanaya
  • Guru Gobind Singh and The Donkey
  • Guru Nanak and two students]]
  • Holy Cakes
  • Iron Clad Soldiers
  • Is there one God for the Rich, and one for the Poor? (Are there TWO Gods)
  • Mardana Gives Clothes and Food
  • Mardana and the ants
  • Mardana and the stone
  • Sajan the Robber
  • The Desecration of Harimandir Sahib
  • Guru Nanak and Hot Spring

See also

References

  1. ↑ "ਸਾਖੀ - ਪੰਜਾਬੀ ਪੀਡੀਆ". punjabipedia.org (in Punjabi). Retrieved 2022-08-19.
  2. ↑ McLeod, William Hewat, ed. Textual sources for the study of Sikhism. University of Chicago Press, 1990.
  3. ↑ Ayyappappanikkar, K. Ayyappa Paniker (1997). Medieval Indian Literature: Surveys and selections. Volume 1 of Medieval Indian Literature: An Anthology, Sahitya Akademi. Vol. 1. Ayyappappanikkar, Sahitya Akademi. New Delhi: Sahitya Akademi. p. 451. ISBN 81-260-0365-0. OCLC 40418059. Parchai, another form of life-stories, was also popular in India. A flourishing tradition of parchai about the lives of such bhaktas as Trilochan, Dhanna, Raidas, Kabir, Namdeva and Pipa came into being in the Braj-Sadhukari linguistic style. It seems that the vartakars move their vartas around saguna bhaktas, while the parchais did so around the nirguna sants. In the Punjab many a writer adopted the parchai style and wrote what are called parchis in Punjabi. These parchis, in Punjabi, were written in the Braj-Sadhukari language in the verse form (Suhajram: Parchian Sewaram) as well as in Punjabi prose (Sewadas Udasi: Parchian Guru Gobind Singh). Just as sakhis relate to the lives of gurus and their Sikhs, so the parchis pertain to the lives of Sewapanthi mahatmas. Sewapanth is a branch of the Sikh Panth itself. Sewapanthis were Sahajdhari Sikhs, i.e. those who believe in the tenets of the gurus, but do not keep the external form, especially the unshorn hair. On account of the fact that they could not be easily distinguished from the non-Sikhs in their external form, they came to be spared of the tyrannies of the Mughal rulers which the Sikhs with their easily identifiable external form had to undergo. The use of parchi nomenclature in contradistinction to sakhi and janamsakhi seems to be linked to the relatively distinctive identity of the Sewapanthis. In spite of the fact that they also have a narrative form, and a spiritual context, like the other genera, yet they reflect the distinctive Sewapanthi of Addanshahi tradition. In medieval times, the preservation of a distinctive identity was, perhaps, a compulsion for the various traditions. Was it, in some way, linked with the instinct for social survival? The parchis were also, perhaps, their more pervasive strategies aimed at survival through critical times.
  4. ↑ Bedi, Tarlochan Singh (1972). Punjabi Varkak da Alochanatmak Adhyyan (in Punjabi). Delhi.{{cite book}}: CS1 maint: location missing publisher (link)
  5. ↑ Singh, Gurmukh (1986). Sevapanthian di Punjabi Sahit nun Den (in Punjabi). Patiala.{{cite book}}: CS1 maint: location missing publisher (link)
  6. ↑ Kohli, S.S. (1973). Puratan Punjabi Vartak (in Punjabi). Chandigarh.{{cite book}}: CS1 maint: location missing publisher (link)

Further reading

  • Singh, Gurbakhsh (2020). Sikh Sakhis. Virsa Publications. ISBN 9788186612101.

Modern Stories

This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.