Sam Feder is a transgender American filmmaker whose work is focused on the exploration of visibility regarding race, class, and gender.[1] He is concerned with bringing visibility to trans peoples experiences. Feder is best known for the 2020 Documentary Disclosure.[1] His films have been nominated for and received multiple awards, including the James Aronson Award for Social Justice Journalism, the GLADD outstanding Documentary Award, and the Peabody awards.

Early life and education

Feder was born and raised in Brooklyn, New York.[2][3] At fifteen years old, Feder bought a Pentax K1000 camera, which he used to make photo essays on neglected children and racism in Brooklyn. In high school, he became an HIV activist.[4] During his adolescence, Feder struggled with his identity, specifically with the images he saw of trans people in media. In an interview with Suyin Haynes of Time Magazine, he said "It wasn't really until I met trans people in real life did I understand; these images informed what I thought trans people were,"[2] In 2004, he received an MA degree in media studies from the New School, New York.[5] In 2013, he received an MFA degree from the Integrated Media Arts graduate program at Hunter College, New York.[6]

Career and films

Feder's career has had a focus on the trans community and trans justice.[7] He stated in an interview with Megan McFarland of Salon, "I think I began to make films in my early twenties because I felt so alienated,".[8] Feder has said in interviews that the images he saw in films and shows influenced his idea of trans people.[2] He has spent his career since then making films about, and with, trans people. Specifically, when working on Disclosure, Feder prioritized hiring trans people.[9] Whenever that was not possible, the cisgendered person would be asked to mentor a fellow trans crewmember.[9]

Feder's short films include the 2009 film No More Lies, the 2010 film Billy: A portrait of a Dancer, the 2010 film This All Happened Already, and the 2019 film When The Dust Settles.[1]

Feder's films include the 2006 feature Boy I Am, exploring tensions in lesbian communities around trans men coming out,[10] and the 2013 film Kate Bornstein is a Queer & Pleasant Danger, profiling the groundbreaking trans activist, and the documentary film Disclosure: Trans Lives on Screen, exploring Hollywood's depiction of transgender people, and what impact those depictions have had on both the transgender community itself and American culture as a whole.[11][12][13]

Feder was given a James Aronson Award for Social Justice Journalism in 2015 for the film Kate Bornstein is a Queer & Pleasant Danger.[14] The Advocate also named Kate Bornstein is a Queer and Pleasant Danger one of the best documentaries in 2014[15]

Feder's film Disclosure: Trans Lives on Screen premiered at the 2020 Sundance film festival[16] and was released on Netflix the same year.[9][17] The film explores the representation of trans people in contemporary film.[18][19] The New York Times reviewed the film positively,[20] calling it "a sweeping examination of how transgender people have been depicted in film and TV, from the silent era to The Arsenio Hall Show to Pose.[21] The film later won the outstanding Documentary award at the 32nd GLADD Media awards in 2021, which he and executive producer Laverne Cox accepted.[22] Disclosure also received a nomination for the Peabody awards.[23]

Feder's films have been supported by many organizations, including the Jerome foundation, Perspective Fund, Threshold, IFP Film Week, MacDowell Colony, and the Yaddo artist residency.[15]

See also

References

  1. 1 2 3 "Sam Feder | Director, Producer, Editor". IMDb. Retrieved November 3, 2023.
  2. 1 2 3 "9 Moments That Show the Pain and Progress of Transgender Representation Onscreen". Time.
  3. ↑ "Sam Feder | DCTV". www.dctvny.org.
  4. ↑ Horak, Laura. ""Can We Be Visible in This Culture without Becoming a Commodity?": An Interview with Disclosure Director Sam Feder". read.dukeupress.edu. Retrieved November 3, 2023.
  5. ↑ "Sam Feder". School of Media Studies.
  6. ↑ "Sam Feder". Department of Film & Media Studies, Hunter College. September 11, 2013.
  7. ↑ "The Future Is Ours: Filmmakers Sam Feder and Yance Ford on Bringing Visibility to the Multitude of Trans Experiences - sundance.org". November 20, 2020. Retrieved November 3, 2023.
  8. ↑ McFarland, Melanie (December 30, 2020). ""Disclosure" director Sam Feder on the trans TV experience: "People don't know what they don't know"". Salon. Retrieved November 3, 2023.
  9. 1 2 3 "How 'Disclosure' Director Sam Feder Brought His Trans Visibility Documentary to Life". Decider. June 18, 2020.
  10. ↑ "Boy I Am: Gloriously Messy Look at FTM Experience Now on DVD | Lavender Magazine". lavendermagazine.com. September 11, 2008.
  11. ↑ Farley, Rebecca. "Filmmaker Sam Feder On Why Representation Of Transgender Lives In Film Matters". www.refinery29.com.
  12. ↑ "Sam Feder". BFI. Archived from the original on August 7, 2020.
  13. ↑ "Kate Bornstein is a Queer & Pleasant Danger". 2014.
  14. ↑ "Winners of the James Aronson Awards for Social Justice Journalism – Integrated Media Arts – MFA". ima-mfa.hunter.cuny.edu/.
  15. 1 2 "Sam Feder". School of Media Studies. Retrieved November 3, 2023.
  16. ↑ Friday, Moi Santos. "The Future Is Ours: Filmmakers Sam Feder and Yance Ford on Bringing Visibility to the Multitude of Trans Experiences". www.sundance.org.
  17. ↑ ""Disclosure" director Sam Feder on the trans TV experience: "People don't know what they don't know"". Salon. December 30, 2020.
  18. ↑ Milovina, Tal (July 7, 2020). "The Limits of Trans Representation as We Know It".
  19. ↑ Wissot, Lauren (June 19, 2020). ""We Prioritized Hiring Trans Crew, and When We Couldn't do That We Mentored Trans People on Set": Sam Feder on Disclosure | Filmmaker Magazine". Filmmaker Magazine | Publication with a focus on independent film, offering articles, links, and resources.
  20. ↑ Bugbee, Teo (June 19, 2020). "'Disclosure' Review: A Transgender Lens on Film and TV History". The New York Times.
  21. ↑ Piepenburg, Erik (June 19, 2020). "Transgender Lives Onscreen: Seen, but Not Always Believable". The New York Times.
  22. ↑ "32ND ANNUAL GLAAD MEDIA AWARDS RECIPIENTS INCLUDE: DISCLOSURE, SCHITT'S CREEK, SAM SMITH, CHIKA, HAPPIEST SEASON, I MAY DESTROY YOU, STAR TREK: DISCOVERY, THE BOYS IN THE BAND, VENENO, WE'RE HERE, AND THE NOT-TOO-LATE SHOW WITH ELMO | GLAAD". glaad.org. April 9, 2021. Retrieved November 3, 2023.
  23. ↑ "Disclosure". The Peabody Awards. Retrieved November 3, 2023.
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