Simon Crane (born 1960) is a British stuntman, stunt coordinator, second unit director and film director.

Biography

Born in Twickenham, Middlesex, England. Crane was originally a law student, but not liking it, he dropped out after one year and worked as an acrobat in a circus for three years. To fulfill English requirements for stuntmen to achieve instructor level in six sports, Crane became an instructor in gymnastics, parachuting, scuba diving, high diving, karate, and fencing. When he could not obtain a union card as a stuntman fast enough, he became an instructor in three more sports, including hang gliding.[1] His father, Dr. John Crane, was the doctor for Arsenal F.C and the England national football team.

Career

Crane's first major work came in the 1985 Bond film A View to a Kill. In 1987 he became Timothy Dalton's stunt double in The Living Daylights. He also played the character of Che Che in a reenactment of the "gatecrasher" fight scene from On Her Majesty's Secret Service traditionally used to test the fighting skills of actors up for the part of James Bond. Vic Armstrong coordinated the fight. Actors believed to have tested opposite Crane in the screen tests include Mark Greenstreet, Sam Neill and Pierce Brosnan.

After spending five years as the apprentice to an experienced stunt coordinator, Crane was allowed to act as second unit stunt coordinator on Licence to Kill. In 1993, Crane performed the dangerous-looking aerial transfer for the film Cliffhanger, for which he earned an entry in the Guinness Book of World Records for being part of the most expensive stunt ever performed. It cost $1 million to have Simon Crane descending on a rope between two planes at an altitude of 4,572 m (15,000 ft).

In 1995 he became the overall stunt coordinator for GoldenEye – the opening bungee jump was voted the greatest film stunt ever in a poll for Sky Movies. After a four-year break from the Bond franchise, during which he coordinated stunts for the Academy Award-winning films Titanic (in which he happened to play fourth officer Joseph Boxhall, and had two lines) and Saving Private Ryan, Crane returned to handle the stunts for The World Is Not Enough, with Vic Armstrong as second unit director.

Crane also took the role of stunt coordinator in Will Smith's Hancock (2008). He was to make his directorial début directing a film adaptation of the popular video game, Kane & Lynch: Dead Men but departed from the project.[2] Crane directed the 3-D supernatural thriller The Peak,[3] which was based on a screenplay from Neal Marshall Stevens[4] and Crane worked with Will Smith again as second unit director and stunt coordinator on Men in Black 3.

Filmography

Year Title Stunts Second unit director
1990 Robin Hood: Prince of Thieves Yes No
1994 Frankenstein Yes Yes
1995 Braveheart Yes No
GoldenEye Yes No
1996 101 Dalmatians Yes No
1997 Titanic Yes No
1998 Saving Private Ryan Yes No
1999 The Mummy Yes No
The World Is Not Enough Yes No
2000 Vertical Limit Yes Yes
2001 Lara Croft: Tomb Raider Yes Yes
2002 Enough Yes Yes
2003 Terminator 3: Rise of the Machines Yes Yes
Lara Croft: Tomb Raider - The Cradle of Life Yes Yes
Beyond Borders Yes Yes
2004 Troy Yes Yes
2005 Mr. & Mrs. Smith Yes Yes
2006 X-Men: Days of Future Past Yes Yes
2007 Stardust Yes Yes
2008 Quantum of Solace No Yes
Jumper Yes Yes
Bedtime Stories No Yes
Hancock Yes Yes
2009 Surrogates No Yes
2011 Your Highness Yes Yes
2012 Men in Black 3 Yes Yes
2013 World War Z Yes Yes
2014 Maleficent Yes Yes
Edge of Tomorrow Yes Yes
2016 Jason Bourne No Yes
The Huntsman: Winter's War No Yes
Rogue One: A Star Wars Story Yes Yes
2018 Robin Hood Yes No
2019 Fast and Furious Presents: Hobbs and Shaw Yes Yes
Maleficent: Mistress of Evil Yes Yes
2020 Dolittle Yes Yes
2021 Chaos Walking Yes Yes
Infinite Yes Yes

Actor:

References

  1. Spence D. (June 6, 2001). "Interview with Tomb Raider Stunt Coordinator Simon Crane". IGN. Retrieved February 29, 2020.
  2. "Report: Kane & Lynch Movie Loses Director".
  3. "Horror Vet Takes Us to 'The Peak' of Terror in 3D".
  4. "Horror at Its Peak in 3D".
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