Gene Siskel
Siskel at the 61st Academy Awards in 1989
Born
Eugene Kal Siskel

(1946-01-26)January 26, 1946
Chicago, Illinois, U.S.
DiedFebruary 20, 1999(1999-02-20) (aged 53)
Evanston, Illinois, U.S.
Resting placeWestlawn Cemetery
Alma materYale University
Occupations
  • Television journalist
  • film critic
Years active1969–1999
Notable credit(s)Opening Soon at a Theater Near You (1975–1977)
Sneak Previews (1977–1982)
At the Movies (1982–1986)
Siskel & Ebert (1986–1999)
CBS This Morning (1990–1996)
Good Morning America (1996–1999)
Spouse
Marlene Iglitzen
​
(m. 1980)​
Children3

Eugene Kal Siskel (January 26, 1946 – February 20, 1999) was an American film critic and journalist for the Chicago Tribune. He is best known for co-hosting various movie review television series with colleague Roger Ebert.[1]

Siskel started writing for the Chicago Tribune in 1969, becoming its film critic soon after. In 1975, he was paired with Roger Ebert to co-host a monthly show called Opening Soon at a Theater Near You airing locally on PBS member station WTTW.[2] In 1978, the show, renamed Sneak Previews, was expanded to weekly episodes and aired on PBS affiliates all around the United States.[2] In 1982, Siskel and Ebert both left Sneak Previews to create the syndicated show At the Movies.[2] Following a contract dispute with Tribune Entertainment in 1986, Siskel and Ebert signed with Buena Vista Television, creating Siskel & Ebert & the Movies (renamed Siskel & Ebert in 1987, and renamed again several times after Siskel's death).[2]

Known for their biting wit, intense professional rivalry, heated arguments, and their trademark "Thumbs Up or Thumbs Down" movie ratings system, Siskel and Ebert became celebrated in American pop culture.[3][4] Siskel remained in the public eye as Ebert's professional partner until Siskel's death on February 20, 1999, at age 53, from complications following his May 1998 brain surgery.[1]

Early life

Siskel was born in Chicago to Ida (née Kalis) and Nathan William Siskel,[5] Russian Jewish immigrants. Siskel was orphaned as a child and raised by his aunt and uncle, moving with them when he was nine years old.[6] He attended Culver Academies, where he experienced anti-Semitism firsthand when a schoolmate gave him a piece of toast on which jam was spread in the shape of a swastika.[7]

Siskel graduated from Yale University with a degree in philosophy in 1967. While at Yale, Siskel was classmates with poet Paul Monette and future New York Governor George Pataki.[8] Siskel studied writing under Pulitzer Prize-winning author John Hersey, whose reference would later help Siskel get a job at the Chicago Tribune in 1969.[9]

Career

Writing

Siskel's first print review, written one month before he became the Tribune's film critic, was for the film Rascal.[10][11] His review of the film was not favorable ("Because of the excessive gimmickry, most kids will miss the tenderness," he wrote).[10][11] Prior to this, he served in the U.S. Army Reserve; he was a military journalist and public affairs officer for the Defense Information School.[12] For a time afterwards, he was acquainted with Playboy magazine publisher Hugh Hefner.[13]

In 1986, the Chicago Tribune announced that Siskel was no longer the paper's film critic, and that his position with the paper had been shifted from that of a full-time film critic to that of a freelance contract writer who was to write about the film industry for the Sunday paper and also provide capsule film reviews for the paper's entertainment sections.[14] The demotion occurred after Siskel and Ebert decided to shift production of their weekly movie-review show, then known as At the Movies (later known as Siskel & Ebert), from Tribune Entertainment to The Walt Disney Company's Buena Vista Television unit. Editor James Squires stated on the move, "He's done a great job for us. It's a question of how much a person can do physically. We think you need to be a newspaper person first, and Gene Siskel always tried to do that. But there comes a point when a career is so big that you can't do that." Siskel declined to comment on the new arrangement, but Ebert publicly criticized Siskel's Tribune bosses for punishing Siskel for taking their television program to a company other than Tribune Entertainment.[15] Siskel remained in that freelance position until his death in 1999. He was replaced as film critic by Dave Kehr.[16]

The last review published by Siskel for the Chicago Tribune was for the film She's All That, published on January 29, 1999, in which he gave a favorable review, giving it three stars out of four and wrote that "Rachael Leigh Cook as Laney, the plain Jane object of the makeover, is forced to demonstrate the biggest emotional range as a character, and she is equal to the assignment. I look forward to seeing her in her next movie."[10][17]

Siskel & Ebert

In 1975, Siskel teamed up with Ebert, film reviewer for the Chicago Sun-Times, to host a show on local Chicago PBS station WTTW which eventually became Sneak Previews.[2] Their "thumbs-up, thumbs-down" system soon became an easily recognizable trademark,[2][3][4] popular enough to be parodied on comedy shows such as Second City Television, In Living Color, Bizarre, and in movies such as Hollywood Shuffle and Godzilla.[18] Sneak Previews gained a nationwide audience in 1977 when WTTW offered it as a series to the PBS program system.[2]

Siskel and Ebert left WTTW and PBS in 1982 for syndication.[2] Their new show, At the Movies, was produced and distributed by Tribune Broadcasting, the parent company of the Chicago Tribune and WGN-TV.[2] Sneak Previews continued on PBS for 14 more years with other hosts until its cancellation in 1996.[2] In 1986, Siskel and Ebert left Tribune Broadcasting to have their show produced by the syndication arm of The Walt Disney Company.[2] The new incarnation of the show was originally titled Siskel & Ebert & the Movies, but later shortened to Siskel & Ebert.[2] At the Movies also continued for a few more years with other hosts until its cancellation in 1990.[2]

The last five movies Siskel reviewed with Ebert on the show before his death aired during the weekend of January 23–24, 1999. On the show, they reviewed At First Sight, Another Day in Paradise, The Hi-Lo Country, Playing by Heart, and The Theory of Flight.[19] Siskel gave thumbs up to all of them, except for Playing by Heart.[19]

Following Siskel's death, Ebert continued the series with rotating guest hosts, which included Martin Scorsese,[20] Janet Maslin, Peter Bogdanovich, Todd McCarthy, Lisa Schwarzbaum, Kenneth Turan. Elvis Mitchell, and the eventual replacement for Siskel, Richard Roeper.[21][22]

Film and TV appearances

Siskel and Ebert were known for their many appearances on late-night talk shows, including appearances on The Late Show with David Letterman sixteen times and The Tonight Show Starring Johnny Carson fifteen times. They also appeared together on The Oprah Winfrey Show, The Arsenio Hall Show, Howard Stern, The Tonight Show with Jay Leno, and Late Night with Conan O'Brien.

In 1982, 1983, and 1985, Siskel, along with Ebert, appeared as themselves on Saturday Night Live.[23][24] For their first two appearances, they reviewed sketches from that night's telecast and reviewed sketches from the "SNL Film Festival" for their last appearance.[25]

In 1991, Siskel, along with Ebert, appeared in a segment on the children's television series Sesame Street entitled "Sneak Peak Previews" (a parody of Sneak Previews).[26] In the segment, the critics instruct the hosts Oscar the Grouch and Telly Monster on how their thumbs up/thumbs down rating system works.[26] Oscar asks if there could be a thumbs sideways ratings, and goads the two men into an argument about whether or not that would be acceptable, as Ebert likes the idea, but Siskel does not.[26] The two were also seen that same year in the show's celebrity version of "Monster in the Mirror".[27]

In 1993, Siskel appeared as himself in an episode of The Larry Sanders Show entitled "Off Camera".[28] Entertainment Weekly chose his performance as one of the great scenes in that year's television.[29]

In 1995, Siskel and Ebert guest-starred on an episode of the animated TV series The Critic entitled "Siskel & Ebert & Jay & Alice".[30] In the episode, Siskel and Ebert split and each wants protagonist Jay Sherman, a fellow movie critic, as his new partner.[30] The episode is a parody of the film Sleepless in Seattle.[30]

An early appearance of Siskel, taken from Opening Soon at a Theater Near You, the predecessor to Sneak Previews, is included in the 2009 documentary film, For the Love of Movies: The Story of American Film Criticism.[31] In the film, he is seen debating with Ebert over the merits of the film version of One Flew Over the Cuckoo's Nest.[31]

Critical style

Gene Siskel had an abrasive review style, and claimed his film criticism was an individual exercise that should not be swayed by public taste. In an interview for The Academy of Television and Radio, his TV co-host said of him, "I think Gene felt that he had to like the whole picture to give it a thumbs up."[32]

In particular, he often gave negative reviews to films that became box office champs and went on to be considered mainstream classics: Poltergeist,[33] Scarface,[34] Beverly Hills Cop,[35] The Terminator, Aliens, Predator, Indiana Jones and the Last Crusade, Thelma & Louise, and Independence Day. This even extended to several films that went on to win the Oscar for Best Picture: The Silence of the Lambs[10][36] and Unforgiven.

Yet, Ebert also noted in a memoriam episode of Siskel and Ebert that when Siskel found a movie that he truly treasured, he embraced it as something special. Directly addressing his late colleague, Ebert said: "I know for sure that seeing a truly great movie made you so happy that you'd tell me a week later your spirits were still high."[37] Some of Siskel's most treasured movies included My Dinner with Andre (1981),[38] Shoah (1985), Fargo (1996), and the documentary Hoop Dreams (1994).[39]

Preferences

Favorites

One of Siskel's favorite films was Saturday Night Fever;[40] he even bought the famous white disco suit that John Travolta wore in the film from a charity auction.[41] Another all-time favorite was Dr. Strangelove.[42][43] A favorite from childhood was Dumbo,[44] which he often mentioned as the first film that had an influence on him.[37][45][46]

Best films of the year

Siskel compiled "best of the year" film lists from 1969 to 1998, which helped to provide an overview of his critical preferences.[47][48] His top choices were:

From 1969 until his death in February 1999, he and Ebert were in agreement on nine annual top selections: Z, The Godfather, Nashville, The Right Stuff, Do the Right Thing, Goodfellas, Schindler's List, Hoop Dreams, and Fargo. There would have been a tenth, but Ebert declined to rank the 9+1⁄2-hour documentary Shoah as 1985's best film because he felt it was inappropriate to compare it to the rest of the year's candidates.[63] Six times, Siskel's number one choice did not appear on Ebert's top ten list at all: Straight Time, Ragtime, Once Upon a Time in America, The Last Temptation of Christ, Hearts of Darkness, and The Ice Storm. Six times, Ebert's top selection did not appear on Siskel's; these films were 3 Women, An Unmarried Woman, Apocalypse Now, Sophie's Choice, Mississippi Burning, and Dark City.[47]

Personal life

In 1980, Siskel married Marlene Iglitzen, who was then a producer for CBS in New York. They had two daughters, Kate and Callie, and a son, Will. Their daughters graduated from Siskel's alma mater, Yale University.[64]

Brain surgery and death

Siskel was diagnosed with a malignant brain tumor on May 8, 1998.[65] He underwent brain surgery three days later.[66][67] For a few weeks after the surgery he did the Siskel & Ebert show on the telephone (from his hospital bed) while Ebert was in the studio.[68][69][70] Siskel eventually returned to the studio after his recovery, but was noted to appear more lethargic and mellow than usual.[71] On February 3, 1999, he announced that he was taking a leave of absence from the show, but that he expected to be back by the fall, stating, "I'm in a hurry to get well because I don't want Roger to get more screen time than I."[9] Siskel died on February 20, 1999, from complications of his brain surgery,[9] and his funeral was held two days later at the North Suburban Synagogue Beth El.[6][43] He is interred at Westlawn Cemetery in Norridge, Illinois.[72][73]

Legacy

Siskel was a Chicago sports fan, especially of his hometown basketball team, the Chicago Bulls, and would cover locker-room celebrations for WBBM-TV news broadcasts following Bulls championships in the 1990s.[37]

Image of a building on a Chicago street. Text on a sign reads "Gene Siskel Film Center".
The Gene Siskel Film Center at the School of the Art Institute of Chicago in Chicago, Illinois

Siskel was also a member of the advisory committee of the Film Center at the School of the Art Institute of Chicago, and a strong supporter of the Film Center mission.[74] He wrote hundreds of articles applauding the Film Center's distinctive programming and lent the power of his position as a well-known film critic to urge public funding and audience support.[74] In 2000, the Film Center was renamed The Gene Siskel Film Center in his honor.[74]

Only once during his long association with Ebert did Siskel ever change his vote on a movie during the review. He initially gave the film Broken Arrow a "thumbs up", but after hearing Ebert's criticism, Siskel changed his mind to "thumbs down".[75][76] However, he had changed his opinions on films years after his initial reviews, as with Tremors, which he gave a negative review to in 1990[77] but later gave a glowing positive review in 1994, stating, "I wasn't sure what I missed the first time around, but it just didn't click."[78]

Siskel said that he walked out on three films during his professional career: the 1971 comedy The Million Dollar Duck starring Dean Jones, the 1980 horror film Maniac, and the 1996 Penelope Spheeris film Black Sheep.[42][79] When he mentioned walking out on Black Sheep in 1996, he said it was the first time he walked out on a movie he was reviewing since Million Dollar Duck in 1971; he later explained that he did not include Maniac because he did not review Maniac as an assignment for his newspaper or part of his and Ebert's weekly TV reviews but only as a "Dog of the Week", a feature of the TV show in which each critic would single out the very worst movie they had seen that week.[75]

Both critics had specific sensitivities and feelings that would often vary in extremes to certain kinds of bad films.[2][80][81] Ebert was very sensitive to films about race and ethnicity; Siskel was sensitive to films about families and family relationships, and had a special hatred for films like House Arrest (1996) and Like Father Like Son (1987), both of which were about parents and their children.[82][83][84]

Following Siskel's death in 1999, Ebert wrote:

Gene was a lifelong friend, and our professional competition only strengthened that bond. I can't even imagine what will it be like without him. ...As a critic, Siskel was passionate and exacting. I think it was important to Gene that this was the only serious film criticism on television. That made him proud. We had a lot of big fights. We were people who came together one day a week and, the other six days, we were competitors on two daily newspapers and two different television stations. So there was a lot of competition and a lot of disagreement.[85]

Ebert once said of his relationship with Siskel:

Gene Siskel and I were like tuning forks. Strike one, and the other would pick up the same frequency. When we were in a group together, we were always intensely aware of one another. Sometimes this took the form of camaraderie, sometimes shared opinions, sometimes hostility.[86][87]

When both men appeared together on The Late Show Starring Joan Rivers, Joan Rivers conducted a "together and separately" interview with them, which at one point had each of them wear Walkman-style headphones, playing loud music, while the other commented on his partner.[88] When asked what he thought was the biggest difference between himself and Ebert, Siskel unhesitatingly replied: "I'm a better reviewer than he is", but a few moments later, he said that anyone who read an Ebert review would read "an extremely well-written review".[88]

At the 1999 Academy Awards ceremony, after its in memoriam montage of deceased stars and film contributors (which did not include Siskel), host Whoopi Goldberg gave a brief impromptu tribute to Siskel:

I want to take a moment to acknowledge someone we lost too recently to include in our film tribute. He wasn't a filmmaker, but he definitely was a member of our film community. Now he clobbered some of us with a great big stick and sometimes he touched us with a velvet glove. I'm talking about Gene Siskel. He was a critic but more importantly, he really loved movies, so, Gene, wherever you are, honey, here's to you.[89]

She included the iconic "thumbs-up" gesture; it received a great round of audience applause.[89]

Filmography

Year Title Role Notes
1975-1982Sneak PreviewsHost148 episodes
1982-1985Saturday Night LiveHimself3 episodes
1982-1986At the MoviesHost156 episodes
1982-1993Late Night with David LettermanGuest15 episodes
1983-1995ABC News NightlineHimself3 episodes
1985-1992The Tonight Show Starring Johnny CarsonGuest15 episodes
1986The Late ShowHimself1 episode
NightlifeHimself1 episode
Hour MagazineHimself1 episode
1986-1999At the MoviesHost597 episodes
1987Rated K: For Kids by KidsGuestEpisode: "Gene Siskel and Roger Ebert"
1987-1993Siskel & Ebert Holiday Gift GuideHost7 episodes
198848 HoursFilm CriticEpisode: "In Hollywood"
1988-1996The Oprah Winfrey ShowMovie Critic3 episodes
1989The Siskel & Ebert 500th Anniversary SpecialHost
1989-1993The Arsenio Hall ShowHimself3 episodes
1990Siskel & Ebert: The Future of the Movies Host
Moving PicturesHimself1 episode
1991Big Bird's Birthday or Let Me Eat CakeHimself
Sesame Street: Monster in the MirrorHimself
The Howard Stern ShowHimselfEpisode: "Siskel & Ebert"
The Best of Disney: 50 Years of MagicHimself
Siskel & Ebert: Actors on ActingHimself
A Comedy Salute to Michael JordanHimself
1992Sesame StreetHimselfEpisode: "An African Lullaby by Lillian"
Diamonds on the Silver ScreenHimself
Hoffa: Siskel and EbertHimself
1992-1998The Tonight Show with Jay LenoGuest11 episodes
1993Bob Hope: The First 90 YearsHimself
Sesame Street Jam: A Musical CelebrationHimself
The Larry Sanders ShowHimselfEpisode: "Off Camera"
1994Bill Nye the Science GuyHimselfEpisode: "Eyeballs"
Investigative ReportsMedia CriticEpisode: "Prime Time Violence"
The 31st Annual Publicist Guild of America AwardsHimself
The 10th TV Academy Hall of FameHimself
1995The CriticHimselfEpisode: "Siskel & Ebert & Jay & Alice"
1995-1997Howard SternHimself3 episodes
1996BiographyHimselfEpisode: "Arnold Schwarzenegger: Flex Appeal"
60 MinutesMovie CriticEpisode: "Easy Money in Hard Times/The Mormons/Spike Lee"
The Siskel & Ebert InterviewsInterviewee
1997Late Night with Conan O'BrienGuestEpisode: "Gene Siskel & Roger Ebert/Jeffrey Ross"
1998The Sport JerksHimself
AFI's 100 Years...100 Movies: America's Greatest MoviesHimself
Chicago Filmmakers on the Chicago RiverHimself
Chicago TonightGuestEpisode: "Gene Siskel and Roger Ebert"
1999Television: The First Fifty YearsInterviewee

Bibliography

  • The Future of the Movies (1991), with Roger Ebert - collected interviews with Martin Scorsese, Steven Spielberg, and George Lucas about the future of motion pictures and film preservation. It is the only book co-authored by Siskel and Ebert. (ISBN 978-0-8362-6216-2)

See also

References

  1. 1 2 Johnson, Steve (February 22, 1999). "'..?..& Ebert': The show must go on". Chicago Tribune. Retrieved June 28, 2022 – via Newspapers.com.
  2. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 Steinberg, Joel. "Siskel and Ebert". Museum of Broadcast Communications. Archived from the original on December 4, 2010. Retrieved May 2, 2022.
  3. 1 2 Gliatto, Tom (November 1, 1999). "Despite the Loss of Film-Critic Buddy Gene Siskel, Roger Ebert Gives Life a Thumbs Up". People. Archived from the original on February 5, 2009. Retrieved May 2, 2022.
  4. 1 2 Bloom, Julie (July 22, 2008). "Ebert and Roeper No Longer At the Movies". The New York Times. Retrieved July 8, 2022.
  5. ↑ Kogan, Rick (February 21, 1999). "He Changed the Way We Look at Movies". Chicago Tribune. Retrieved June 19, 2020.
  6. 1 2 Kogan, Rick (February 23, 1999). "Farewell to Siskel honors private side of public man". Chicago Tribune.
  7. ↑ https://www.youtube.com/watch?v=EwHys7HDsz4
  8. ↑ https://yale67.org/mission/
  9. 1 2 3 McG Thomas, Robert Jr. (February 21, 1999). "Gene Siskel, Half of a Famed Movie-Review Team, Dies at 53". The New York Times. Retrieved May 19, 2019.
  10. 1 2 3 4 Siskel, Gene (October 15, 1999). "The Movie Reviews". Chicago Tribune. Archived from the original on September 16, 2018. Retrieved June 19, 2020.
  11. 1 2 Siskel, Gene (August 5, 1969). "The Disney Version of Rascal". Chicago Tribune. p. 5 – via Newspapers.com.
  12. ↑ Sawyers, June Skinner (2012). Chicago Portraits (updated ed.). Northwestern University Press. p. 282.
  13. ↑ Manning, Sean (June 30, 2014). "Siskel & Ebert: Secret Ladies Man". Esquire. Retrieved May 2, 2022.
  14. ↑ Siskel, Gene (July 2, 1986). "Complex 'Mona Lisa' spellbinding". Chicago Tribune. Retrieved July 1, 2022 – via Newspapers.com.
  15. ↑ "Film critic comes to defense of rival Siskel". The Bulletin. April 22, 1986. Retrieved July 1, 2022.
  16. ↑ Michael Miner (May 21, 1993). "Reader Archive-Extract: 1993/930521/HOTTYPE". Securesite.chireader.com. Retrieved July 1, 2022.
  17. ↑ Siskel, Gene (January 29, 1999). "'She's All That' a refreshing 'My Fair Lady'". Chicago Tribune. Retrieved July 1, 2022.
  18. ↑ Ebert, Roger (May 26, 1998). "Godzilla (1998) Movie Review & Film Summary". Retrieved May 2, 2022.
  19. 1 2 "At First Sight, Another Day in Paradise, The Hi-Lo Country, Playing by Heart, The Theory of Flight, 1999". Siskel And Ebert Movie Reviews. Retrieved July 1, 2022.
  20. ↑ Ebert & Roeper (February 27, 2000). "Best Films of the 90s".
  21. ↑ "Columnist to become foil to Roger Ebert". Tampa Bay Times. July 14, 2000. Retrieved July 1, 2022 – via Newspapers.com.
  22. ↑ "AWARD-WINNING CHICAGO SUN-TIMES COLUMNIST RICHARD ROEPER STEPS INTO CRITIC'S CHAIR OPPOSITE ROGER EBERT". Archived from the original on August 17, 2000. Retrieved July 1, 2022.
  23. ↑ "Chevy Chase". Saturday Night Live. Season 8. Episode 1. September 25, 1982.
  24. ↑ "Brandon Tartikoff". Saturday Night Live. Season 9. Episode 1. October 8, 1983.
  25. ↑ Blevins, Joe (November 18, 2015). "The Night Siskel and Ebert Took Over 'SNL'". Vulture. Retrieved July 1, 2022.
  26. 1 2 3 Sesame Street – "Sneak Peak Previews" with SISKEL & EBERT
  27. ↑ Sesame Street – Monster in the Mirror (celebrity version)
  28. ↑ "Off Camera". The Larry Sanders Show. Season 2. Episode 16. September 15, 1993.
  29. ↑ Siskel & Ebert Collection on Letterman, Part 4 of 6: 1994, archived from the original on November 16, 2021, retrieved September 5, 2021{{citation}}: CS1 maint: bot: original URL status unknown (link)
  30. 1 2 3 "The Critic (cartoon) with the Voices of Gene and Roger, 1995". Siskel And Ebert Movie Reviews. Retrieved April 28, 2022.
  31. 1 2 "For the Love of Movies: The Story of American Film Criticism (2009) – Overview – TCM.com". Turner Classic Movies.
  32. ↑ Rutkowski, Gary (November 2, 2005). "Roger Ebert: Television Academy Interviews". The Academy of Television and Radio. Retrieved April 28, 2022.
  33. ↑ Siskel, Gene (June 4, 1982). "As a screamer, 'Poltergeist' is mute". Chicago Tribune. Retrieved July 1, 2022 – via Newspapers.com.
  34. ↑ Siskel, Gene (December 9, 1983). "Pacino's 'Scarface' does have a redeeming feature: It ends". Chicago Tribune. Retrieved November 3, 2022.
  35. ↑ Siskel, Gene (December 5, 1984). "Eddie Murphy's 'Cop' bad mix of comedy, violence". Chicago Tribune. Retrieved May 18, 2022 – via Newspapers.com.
  36. ↑ Siskel, Gene (February 15, 1991). "Jodie Foster Appealing, But Not 'Silence of the Lambs'". Chicago Tribune. Chicago, Illinois. Archived from the original on July 22, 2014. Retrieved May 2, 2022.
  37. 1 2 3 ""Gene Siskel Tribute January 26, 1946 – February 20, 1999". Siskel And Ebert Movie Reviews. Retrieved April 28, 2022.
  38. ↑ Siskel, Gene (December 11, 1981). "'Dinner With Andre' an appetizing break from holiday hoopla". Chicago Tribune. Retrieved August 11, 2023 – via Newspapers.com.
  39. ↑ "Hoop Dreams – Reviewed Over the Years, 1994". Siskel And Ebert Movie Reviews. Retrieved May 2, 2022.
  40. ↑ Siskel, Gene (December 16, 1977). "Energy, reality make 'Fever' dance". Chicago Tribune. Retrieved May 20, 2022.
  41. ↑ Ebert, Roger (March 7, 1999). "Saturday Night Fever". RogerEbert.com. Retrieved July 15, 2015.
  42. 1 2 Watson, Bret (May 17, 1996). "Siskel and Ebert answer 10 Stupid Questions". Entertainment Weekly. Retrieved May 2, 2022.
  43. 1 2 Davis, Patty (February 22, 1999). "Funeral plans announced for film critic Gene Siskel". CNN. Retrieved July 4, 2019.
  44. ↑ Siskel, Gene (April 16, 1976). "'Dumbo' heads holiday offerings". Chicago Tribune. Retrieved May 20, 2022.
  45. ↑ Grobel, Lawrence (January 1991). "Playboy Interview: Gene Siskel & Roger Ebert". Playboy. Archived from the original on December 12, 2017. Retrieved July 4, 2019.
  46. ↑ "Siskel & Ebert's 500th Anniversary Special, 1989". Siskel And Ebert Movie Reviews. Retrieved April 29, 2022.
  47. 1 2 "Siskel and Ebert Top Ten Lists (1969–1998)". Innermind.com. May 3, 2012. Retrieved July 15, 2015.
  48. ↑ "Gene Siskel's Top Ten Lists, 1969–1998". California Institute of Technology. Eric C. Johnson's archive. Archived from the original on August 19, 1999.
  49. ↑ Siskel, Gene (January 2, 1970). "1969's ten best movies--from 'Z' to 'B & C & T & A'". Chicago Tribune. p. A1. Retrieved June 25, 2022 – via Newspapers.com.
  50. ↑ Siskel, Gene (January 3, 1971). "Critic's Choice: 10 Best Movies of 1970". Chicago Tribune. Retrieved July 4, 2021 – via Newspapers.com.
  51. ↑ Siskel, Gene (December 29, 1974). "On the Big 10 scoreboard: Europe 6 U.S. 4". Chicago Tribune. Section 6, p. 2
  52. ↑ Siskel, Gene (January 1, 1978). "'Annie Hall' gives a laughing lift to year of space races". Chicago Tribune. Section 6, p. 3
  53. ↑ Siskel, Gene (January 9, 1979). "Movies '78: Films Clips and the year's Top 10 in review". Chicago Tribune. Section 6, p. 3
  54. ↑ Siskel, Gene (January 2, 1983). "Better films, more theaters: A winning year". Chicago Tribune. Retrieved May 21, 2022 – via Newspapers.com.
  55. ↑ Siskel, Gene (December 25, 1983). "Movie year 1983: Box office was better than the films". Chicago Tribune. Retrieved May 20, 2022 – via Newspapers.com.
  56. ↑ Siskel, Gene (December 23, 1984). "Movie year 1984: Money talks and big egos walk". Chicago Tribune. Retrieved June 12, 2022 – via Newspapers.com.
  57. ↑ Siskel, Gene (January 3, 1988). "Amidst teen flicks and sequels, some good news and good movies". Chicago Tribune. Retrieved June 1, 2022 – via Newspapers.com.
  58. ↑ Siskel, Gene (December 25, 1988). "An out-of-focus year missed its chance to make anything clear". Chicago Tribune. Retrieved June 1, 2022 – via Newspapers.com.
  59. ↑ Siskel, Gene (December 31, 1992). "The class of '92: The best films of the year dared to challenge their audiences". Chicago Tribune. Retrieved May 18, 2022 – via Newspapers.com.
  60. ↑ "'SCHINDLER'S LIST' TOPS SISKEL'S AND EBERT'S EAGERLY AWAITED '10 BEST FILMS OF 1993' – Free Online Library". Thefreelibrary.com. December 27, 1993. Archived from the original on December 9, 2017. Retrieved May 3, 2022.
  61. ↑ Siskel, Gene (December 25, 1994). "The Year's Best Movies". Chicago Tribune. Retrieved July 8, 2022.
  62. ↑ Snow, Shauna (January 1, 1999). "Arts and Entertainment Reports From The Times, News Services And The Nation's Press". Los Angeles Times. Archived from the original on August 24, 2015. Retrieved May 3, 2022. Siskel chose the box-office flop "Babe: Pig in the City" as the year's best film, followed by "The Thin Red Line," "Pleasantville," "Saving Private Ryan," "Shakespeare in Love," "The Truman Show," "Antz," "Simon Birch," "There's Something About Mary" and "Waking Ned Devine."
  63. ↑ "Best of 1985". Siskel And Ebert Movie Reviews. Retrieved May 20, 2022.
  64. ↑ Ebert, Roger (2011). Life Itself: A Memoir. New York City: Grand Central Publishing. pp. 312–323. ISBN 978-0-446-58496-8.
  65. ↑ Life Itself. Dir. Steve James. Part. Roger Ebert and Chaz Ebert. Magnolia, 2014.
  66. ↑ "Doctors give Siskel two thumbs up after brain surgery". CNN. May 13, 1998. Retrieved May 3, 2022.
  67. ↑ "In Tribute: Legendary film reviewer leaves thumbprint on a nation of moviegoers". The Star Press. March 27, 1999. p. 29. Retrieved August 27, 2020 – via Newspapers.com Open access icon.
  68. ↑ "Godzilla, Fear and Loathing in Las Vegas, Bulworth, The Horse Whisperer, 1998". Siskel And Ebert Movie Reviews. Retrieved July 1, 2022.
  69. ↑ "The Truman Show, The Last Days of Disco, A Perfect Murder, The Opposite of Sex, Hope Floats, 1998". Siskel And Ebert Movie Reviews. Retrieved July 1, 2022.
  70. ↑ "Six Days, Seven Nights, Can't Hardly Wait, Cousin Bette, Mr. Jealousy, High Art, 1998". Siskel And Ebert Movie Reviews. Retrieved July 1, 2022.
  71. ↑ "A Tribute to Siskel and Ebert". Nostalgia Critic. Season 3. Episode 87. November 10, 2009.
  72. ↑ Rumore, Kori (October 19, 2016). "Buried in Chicago: Where the famous rest in peace". Chicago Tribune. Archived from the original on October 21, 2016. Retrieved July 1, 2022.
  73. ↑ Wilson, Scott; Mank, Gregory W. (forward) (2016). Resting Places: The Burial Sites of More Than 14,000 Famous Persons (3rd ed.). McFarland & Co. #11741. ISBN 978-0-7864-7992-4. OCLC 948561021.
  74. 1 2 3 School of the Art Institute of Chicago: Gene Siskel Film Center
  75. 1 2 "Broken Arrow, Black Sheep, Beautiful Girls, A Midwinter's Tale, Antonia's Line, 1996". Siskel And Ebert Movie Reviews. Retrieved April 29, 2022.
  76. ↑ Berardinelli, James (February 22, 1999). "A Thumb Falls Silent: A Short Tribute to Gene Siskel". Reelviews.net. Retrieved December 16, 2009.
  77. ↑ "Tremors, Ski Patrol, Internal Affairs, The Plot Against Harry, 1990". Siskel And Ebert Movie Reviews. Retrieved May 3, 2022.
  78. ↑ Karney, Robyn (2001). Cinema: Year by Year 1894–2001. DK. ISBN 978-0-7894-8047-7.
  79. ↑ "At The Movies – Trivia". IMDb. February 10, 1996. Retrieved July 4, 2019.
  80. ↑ Bernstein, Fred (August 20, 1984). "Tough! Tender! Gritty! Evocative! Gene Siskel and Roger Ebert Live to Dissect Films-and Each Other". People. Archived from the original on January 10, 2011. Retrieved May 3, 2022.
  81. ↑ Zoglin, Richard (May 25, 1987). ""It Stinks!" "You're Crazy!"". Time. Archived from the original on September 19, 2012. Retrieved May 3, 2022.
  82. ↑ Siskel, Gene (August 16, 1996). "FRESH COMIC ROMANCE TAKES POLISHED 'TIN CUP' BEYOND WORLD OF PRO GOLF". Chicago Tribune. Archived from the original on December 19, 2013.
  83. ↑ "Chuck Berry Hail! Hail! Rock 'n' Roll, Like Father Like Son, Baby Boom, Big Shots, Matewan, 1987". Siskel And Ebert Movie Reviews. Retrieved May 3, 2022.
  84. ↑ "Tin Cup, House Arrest, Killer: A Journal of Murder, Alaska, Butterfly Kiss, 1996". Siskel And Ebert Movie Reviews. Retrieved May 3, 2022.
  85. ↑ Perrone, Pierre (February 23, 1999). "Obituary: Gene Siskel". The Independent. Retrieved March 7, 2022.
  86. ↑ Ebert, Roger (February 17, 2009). "Remembering Gene". RogerEbert.com. Archived from the original on February 7, 2013. Retrieved June 19, 2020.
  87. ↑ Wood, Jennifer M. (September 13, 2016). "13 Facts About Siskel and Ebert At the Movies". Mental Floss. Retrieved June 17, 2022.
  88. 1 2 Ebert, Roger (October 17, 1986). "Roger Ebert and Gene Siskel". The Late Show Starring Joan Rivers. Season 1. Episode 7. Fox Network. Fox Entertainment Group.
  89. 1 2 Warren, Ellen; Wiltz, Teresa (March 23, 1999). "Oscar Night Salute to Siskel Was All Whoopi". Chicago Tribune. Retrieved June 19, 2020.
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