Steven Shearer
Born1968 (1968)
New Westminster, British Columbia
EducationEmily Carr University of Art and Design
Known formultimedia artist

Steven Shearer (born 1968) is a contemporary artist based in Vancouver, British Columbia, part of the photoconceptualism scene of the Vancouver School.

Work

Shearer attended Emily Carr University in Vancouver, and then painted work which combined text and geometry.[1] After 1996, he returned to figurative art in his paintings and other work, focusing on youth, alienation, aggression, melancholy, and heavy metal.[1][2] Critics speak of his sources in his painting and drawings being artists such as Henri de Toulouse-Lautrec or Edvard Munch.[3] His drawings in particular examine what has been called a sub-culture and some themes of victimization.[4] In Artforum in 2005, Matthew Higgs affectionately called Shearer the "bastard offspring of the Photo-conceptualists."[5] As one critic wrote:

Shearer's subject matter centres on youth, alienation and barely repressed violence. It is a world inhabited by death-metal rockers, 1970s prefab boy bands and teen stars, glam-rockers and guitar-wielding teenaged suburban dreamers who−we know from their bad hair and bad skin and shabby domestic surroundings−will never make it, no matter how often they practise "Stairway to Heaven."[5]

Steven Shearer’s breakthrough year was 2007, when Birmingham’s Ikon Gallery gave him his first major European-institution exhibition, curated by Nigel Prince and Helena Reckitt, produced in collaboration with Toronto’s The Power Plant, which showed the exhibition as well.[6] This major survey included recent works and key pieces from the past decade.[7] In the catalogue,[8] Helena Reckitt wrote:

Drawn to scrappily resistant forms of expression, Shearer celebrates the anger, aggression and creativity that bubble beneath the surface of polite society. Like other Vancouver artists before him, he revels in the detritus of everyday life, associating discarded objects and degraded media with social outsiders. His mural, billboard, and poster poems inspired by scatological and blasphemous Heavy Metal lyrics and song titles present visions of the nihilistic sublime that would be disturbing if they weren't so entertainingly hyperbolic.[7]

In 2021, a series of Shearer`s photographic works referring to historical paintings was removed from a popular walking and cycling route along Vancouver's West Side due to complaints from the public. The reclining and sleeping figures were part of a 2021 Capture Photography Festival public art exhibition.[9] Capture convened an international group of arts professionals to discuss the controversy with attendance by Zoom.[10]

Selected public exhibitions

Shearer's work has been exhibited internationally, including at the Tate Modern in London (2005), the Renaissance Society in Chicago (2005), The New Museum in New York (2008), Galerie Eva Presenhuber in Zurich (2005-2021), and the Barbara Gladstone Gallery in New York (2020).[11] In 2011, he represented Canada at the 54th International Venice Biennale in a show titled Exhume to Consume.[3] Nationally, his work has been shown at the Art Gallery of Ontario in Toronto (1996) and the Contemporary Art Gallery in Vancouver (2004-2005)[12] as well as included in Shore, Forest and Beyond: Art from the Audain Collection at the Vancouver Art Gallery (2011) 1+1=1’; When Collections Collide at the Montreal Museum of Fine Arts (2014); and in the Canadian Biennial at the National Gallery of Canada, Ottawa (2017).[13] In 2022, his work was exhibited in a solo show at The Polygon Gallery, North Vancouver.[14]He has been represented by Galerie Eva Presenhuber in Zurich since 2005. In addition, his work has been on You Tube.[15]

Awards

In 2005 he was presented with a Viva Award and in 2006 he was shortlisted for the Sobey Art Award.[13]

References

  1. 1 2 Arden, Roy (2001). "Steven Shearer: Swinging Lumpen/ Recent work by Steven Shearer rocks the conventions of high art". Canadian Art: 44–48. Retrieved 2021-07-23.
  2. ↑ Chan, Zoë (2011). "Young Folk: Steven Shearer's Heavy Metal Youth and Culture". ETC (92): 23–28. Retrieved 2021-07-25.
  3. 1 2 "NGC: Steven Shearer, 1900 and the 2011 Venice Biennale". www.youtube.com. National Gallery of Canada. Archived from the original on 2021-12-20. Retrieved 2021-07-24.
  4. ↑ Feuerhelm, Brad. "Steven Shearer: Ornament is Not a Crime. It is a Crypt". americansuburbx.com. ASX. Retrieved 2021-07-24.
  5. 1 2 Campbell, Deborah (Fall 2005). "Steven Shearer: Bastard Offspring of the Photoconceptualists". Canadian Art: 94–97. Retrieved 2021-07-24.
  6. ↑ "Steven Shearer". www.ikon-gallery.org. Ikon Gallery. Retrieved 2021-07-24.
  7. 1 2 "Steven Shearer". www.thepowerplant.org. The Power Plant. Retrieved 2021-07-24.
  8. ↑ Steven Shearer. Power Plant, Toronto. 2007. Retrieved 2021-07-26.
  9. ↑ Smith, Charlie. "Vancouver artist Steven Shearer's images removed from Arbutus Greenway after public complaints". www.straight.com. Straight, 2021. Retrieved 2021-05-13.
  10. ↑ "Capture Convenes Panel on Steven Shearer Arbutus Greenway Controversy". www.ecuad.ca. Emily Carr University, Vancouver. Retrieved 2021-07-26.
  11. ↑ Steven Shearer at the Renaissance Society Archived 2011-07-20 at the Wayback Machine
  12. ↑ "Steven Shearer". www.contemporaryartgallery.ca. Contemporary Art Gallery, Vancouver. Retrieved 2021-07-24.
  13. 1 2 "Steven Shearer". capturephotofest.com. Capture. Retrieved 2021-07-24.
  14. ↑ "Exhibitions". thepolygon.ca. The Polygon. Retrieved 21 October 2023.
  15. ↑ "Steven Shearer kijken". www.youtube.com. You Tube, 2018. Archived from the original on 2021-12-20. Retrieved 2021-07-24.
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