Susanna Phillips (Huntington) is an American singer who has sung leading lyric soprano roles at leading American and international opera houses.

Early life and education

Phillips was born in Birmingham, Alabama and grew up in Huntsville where she attended Randolph School. She received Bachelor of Music and Master of Music degrees from the Juilliard School where she was a student of Cynthia Hoffmann.[1] In 2002 and 2003 she attended the Music Academy of the West summer conservatory.[2] After completing her master's degree in 2004, she became a member of Santa Fe Opera's Apprentice Program for Singers.

In March 2005, she joined Lyric Opera Center for American Artists at Lyric Opera of Chicago, now the Ryan Opera Center. During her tenure with the program in Chicago she sang Diana in a new Robert Carsen production of Iphigénie en Tauride opposite Susan Graham, and performed Juliette in Roméo et Juliette and Rosalinde in Die Fledermaus.

Career

While at the Lyric Opera of Chicago's LOCAA program, she participated in Santa Fe Opera's 50th Anniversary Arias Gala Concert on August 12, 2006, and sang the role of Pamina in the final two performances of the 2006 season production of The Magic Flute. Following in the 2007 season she sang the role of Fiordiligi in Così fan tutte.

She made her Metropolitan Opera debut on 15 March 2008 singing Musetta in La bohème and has returned to The Met during numerous seasons to sing this role, as well as Pamina (2009, 2010), Donna Anna in Don Giovanni (2012), Fiordiligi in Così fan tutte (2013, 2014), Antonia in Les contes d'Hoffmann (2015), and Rosalinde in Die Fledermaus (2014, 2015, 2016). In 2010 she won the Met's Beverly Sills Award.[3][4]

She has held leading operatic roles at numerous companies such as Lyric Opera of Chicago, Oper Frankfurt, Santa Fe Opera, Boston Lyric Opera, Minnesota Opera, Opera Birmingham, Fort Worth Opera, Boston Baroque, Ravinia Festival, Aspen Music Festival, Verbier Festival, Gran Teatre del Liceu Barcelona, Gulbenkian Orchestra in Lisbon, and Hyogo Performing Arts Center in Japan. Highly in demand by the world's most prestigious orchestras, Phillips has appeared with the Royal Stockholm Philharmonic Orchestra under Alan Gilbert, Chicago Symphony Orchestra, San Francisco Symphony Orchestra, Sydney Symphony Orchestra, National Symphony Orchestra (Mexico), Philadelphia Orchestra, Oratorio Society of New York, Santa Fe Symphony Orchestra and Chorus, Santa Barbara Symphony Orchestra, St. Louis Symphony, Music of the Baroque, Chicago, Dallas Symphony Orchestra, Louisiana Philharmonic Orchestra, Milwaukee Symphony Orchestra, Jacksonville Symphony Orchestra, Orchestra of St. Luke's, and Santa Fe Concert Association.

Phillips works in collaboration with other artists in recital and chamber music performances. Such performances have included those with Paul Neubauer and Anne-Marie Montgomery, at the Parlance Chamber Music Series with Warren Jones, the 2014 Chicago Collaborative Works Festival,[5] the Emerson String Quartet in Thomasville, Georgia with Warren Jones and colleagues from the Metropolitan Opera, and at Twickenham Fest.[6]

Repertoire

Opera

  • Carmen – Micaëla (Bizet)
  • Les Pecheurs de Perles – Leila (Bizet)
  • Midsummer Night's Dream – Helena (Britten)
  • Peter Grimes – Ellen Orford (Britten)
  • Turn of the Screw – Governess (Britten)
  • L'Elisir d'Amore – Adina (Donizetti)
  • Orfeo ed Euridice – Euridice (Gluck)
  • Roméo et Juliette – Juliette (Gounod)
  • Alcina – Alcina (Handel)
  • Agrippina – Agrippina (Handel)
  • Giulio Cesare – Cleopatra (Handel)
  • Rodelinda – Rodelinda (Handel)
  • Die lustige Witwe – Hanna (Lehar)
  • Manon – Manon (Massenet)
  • Thaïs – Thaïs (Massenet)
  • Così fan tutte – Fiordiligi (Mozart)
  • Don Giovanni – Donna Anna (Mozart)
  • Don Giovanni – Donna Elvira (Mozart)
  • Idomeneo – Ilia (Mozart)
  • La finta giardiniera – Sandrina (Mozart)
  • Le Nozze di Figaro – Countess (Mozart)
  • Die Zauberflöte – Pamina (Mozart)
  • Les contes d'Hoffmann – Antonia (Offenbach)
  • Les contes d'Hoffmann – Stella (Offenbach)
  • Dialogues des carmélites – Blanche (Poulenc)
  • A Streetcar Named Desire – Stella (Previn)
  • La bohème – Musetta (Puccini)
  • L'amour de loin – Clémence (Saariaho)
  • Die Fledermaus – Rosalinde (Strauss)
  • La traviata – Violetta (Verdi)

Oratorio/symphonic

Bach
          Cantatas (Various)
          Christmas Oratorio (Weihnachts-Oratorium), BWV 248
          Easter Oratorio (Oster-Oratorium), BWV 249
          Magnificat, BWV 243
          Masses (Various)
          St. John Passion (Johannes-Passion), BWV 245
          St. Matthew Passion (Matthäus-Passion), BWV 244

Barber
          Knoxville: Summer of 1915, Op. 24

Beethoven
          Egmont, Op. 84
          Mass in C, Op. 86
          Missa Solemnis, Op. 123
          Symphony No. 9, Op. 125

Britten
          Les Illuminations, Op. 18
          Spring Symphony, Op. 44
          War Requiem, Op. 66

Brahms
          Ein deutsches Requiem, Op. 45

Bruckner
          Psalm 150, WAB 38
          Te Deum in C major, WAB 45

Copland
          Eight Songs of Emily Dickinson

Canteloube
          Chants d'Auvergne (Songs of the Auvergne)

Dvorák
          Requiem in B-flat minor, Op. 89, B. 165
          Stabat Mater, Op. 58
          Te Deum, Op. 103

Gounod
          Christmas Oratorio
          St. Cecilia Mass, CG 56

Grieg
          Peer Gynt, Op. 2

Handel
          Dixit Dominus HWV 232
          Messiah, HWV 56

Haydn
          Mass No. 10 in C, "Paukenmesse"
          Mass No. 11 in d, "Nelsonmesse"
          Mass No. 12 in B flat, "Theresienmesse"
          Mass No. 14 in B flat, "Harmoniemesse"
          The Creation
          The Seasons

Mahler
          Das Klagende Lied
          Symphony No. 2
          Symphony No. 4
          Symphony No. 8

Mendelssohn
          Elijah, Op. 70
          Symphony No. 2 "Lobgesang," Op. 52

Messiaen
          Poèmes pour Mi

Mozart
          Concert Arias (Various)
          Exsultate, jubilate, K. 165
          Mass in C, K. 257, "Credo"
          Mass in C, K. 317, "Coronation"
          Mass in c, K. 427, "The Great Mass"
          Requiem, K. 626

Orff
          Carmina Burana

Pergolesi
          Stabat Mater, P. 77

Poulenc
          Gloria, FP 177
          Stabat Mater, FP 148

Rachmaninoff
          The Bells, Op. 35

Schumann
          Scenes from Goethe's Faust (Paradies und die Peri)

Strauss, R.
          Orchestral Songs
          Four Last Songs, TrV 296

Szymanowski
          Stabat Mater, Op. 53

Vivaldi
          Gloria, RV 589
          In furore justissime ire, RV626
          Laudate Pueri, RV 601

Recital/chamber music

Phillips collaborates with pianists and other instrumentalists for art song recitals and chamber music concerts with a variety of thematic and musical interests.

Discography

  • Wasting the Night, Naxos, 2010, CD
  • Paysages, Bridge, 2011, CD
  • Poul Ruders, Vol. 8, Bridge, 2012, CD
  • The Opera America Songbook, Opera America, 2012, CD
  • Colors of Feelings, Delos, 2012, CD
  • Brass Rail Blues: Music by Patricia Morehead, Navona Records, 2014, CD
  • An AIDS Quilt Songbook: Sing for Hope, GPR Records, 2014, CD
  • Dear Theo: 3 Song Cycles by Ben Moore, Delos, 2014, CD

Awards and recognition

References

  1. ↑ Louise T. Guinther (December 2015). "Practical Perspective: Soprano Susanna Phillips, who sings Rosalinde in Die Fledermaus at the Met this month, has a very well-ordered outlook on life". Opera News.
  2. ↑ "Alumni Roster". musicacademy.org. Archived from the original on 5 June 2012. Retrieved 19 January 2020.
  3. 1 2 3 Metropolitan Opera Archives. Phillips, Susanna (Soprano)
  4. 1 2 Itzkoff, Dave (21 April 2010). "Alabama Soprano Wins Sills Award". New York Times.
  5. ↑ Mandel, Elliott (16 September 2014). "Collaborative Works Festival 2014, part 1". Elliott Mandel Photography Blog.
  6. ↑ Huebner, Michael (2 July 2013). "Alabama-born soprano Susanna Phillips making music in the mountains before return to Huntsville". Alabama Media Group.
  7. ↑ OperaliaCompetition.org. 2005 Winners.
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