Tarzan and the Slave Girl
Film poster
Directed byLee Sholem
Written byArnold Belgard
Hans Jacoby[1]
Based onCharacters created
by Edgar Rice Burroughs
Produced bySol Lesser
StarringLex Barker
Vanessa Brown
Robert Alda
CinematographyRussell Harlan
Edited byChristian Nyby
Music byPaul Sawtell
Distributed byRKO Pictures
Release date
  • March 15, 1950 (1950-03-15)[1]
Running time
74 minutes
CountryUnited States
LanguageEnglish

Tarzan and the Slave Girl is a 1950 American adventure film directed by Lee Sholem and starring Lex Barker as Tarzan, Vanessa Brown as Jane, and Robert Alda as big game hunter Neil. The fourteenth film of the Tarzan film series that began with 1932's Tarzan the Ape Man, the plot involves a lost civilization in Africa, a strange illness, and an evil counselor manipulating a prince into kidnapping large numbers of local women.

The film was Barker's second portrayal of Tarzan, and Vanessa Brown's only outing as Jane. it was followed by Tarzan's Peril in 1951.

Plot

Tarzan and Jane are spending some time by a river when they hear a scream. A local tribal girl has gone missing, and the tribes people believe this is due to some evil spirit. Tarzan and Jane quickly realize the girl has been kidnapped. The kidnappers are Lionians, a "lost" culture of Caucasians who have a culture similar to ancient Egypt and who worship lions. The Lionians are kidnapping girls throughout the region to bring back to their city deep in the jungle. But they have brought a terrible disease with them which can kill within hours. Tarzan seeks the help of Dr. Campbell, who has a serum that can both cure the disease as well as vaccinate against it. After saving the local tribe, Dr. Campbell and Tarzan (with the help of Neil, a drunken big game hunter) head for the Lionian city. Meanwhile, Dr. Campbell's native assistant, the buxom and blonde Lola, has fallen for Tarzan. Jane and Lola have a catfight, after which both women are captured by a Lionian raiding party.

Tarzan and the others are repeatedly attacked by other tribes and the Lionians as they search for Lionia. Neil suffers an injured leg, and is left behind. Dr. Campbell unknowingly drops his bottle of serum, although Neil discovers it later as he follows Tarzan and Campbell.

Meanwhile, Jane and Lola are taken to the Lionian capital. The Lionian king has recently died of the horrible disease, leaving the Prince in charge. He is easily swayed by the evil counselor, Sengo, who has persuaded the Prince to indulge every lust for food, drink, and women to assuage his grief. Furthermore, the illness has killed many Lionian women, leading the menfolk to capture local beauties as concubines. When the Lionian High Priest challenges Sengo, Sengo convinces the Prince that the priest is a rebel and should be fed to the lions. Sengo takes on the duties of the High Priest. The Prince admires Lola but leaves to see his sick son. Lola taunts Sengo that he will suffer when she is Queen. He has her whipped and, in a scuffle, Jane stabs him in the arm with his own knife and the two girls flee into the dead Queen's tomb (which is in the dead king's stone mausoleum) where Sengo discovers them and entombs them alive.

Tarzan arrives at Lionia with Campbell. The Prince's son has fallen ill with the disease, and Sengo blames Tarzan and Neil. Their deaths are ordered, but Tarzan escapes and leads the Lionians on a merry chase through their own city. Tarzan hides inside the dead king's sarcophagus, but becomes entombed in the stone mausoleum as well. Luckily, Tarzan discovers where Jane and Lola have been sealed up as well, and frees them. Neil arrives with the serum (which Cheetah finds along the way) and they begin to treat the Prince's son. Whilst Sengo prepares to throw the old High Priest to the lions, Tarzan calls for help, and an elephant breaks down the tomb's door to free Tarzan, Jane, and Lola. Tarzan holds off the Lionians, and manages to throw Sengo into the pit with the lions. Meanwhile, the Prince's son is cured. The Prince, realizing how wrong he has been, orders the High Priest, Tarzan, all of Tarzan's friends, and all the slave girls freed.

Cast

Production

Production of the film was announced on June 23, 1949, after producer Sol Lesser signed a new distribution agreement for his "Tarzan" pictures with RKO Pictures.[2] The working title of the film had been Tarzan and the Golden Lion (the same as the 1927 silent picture).[3] But the June 23 announcement changed it to Tarzan and the Slave Girl as well as naming Lex Barker as the star.[2] On July 16, French actress Denise Darcel (who had recently appeared in William Wellman's World War II picture Battleground, was cast as the slave girl.[4] Vanessa Brown was signed to play Jane two weeks later.[5]

Hans Jacoby, who had scripted the highly popular Tarzan and the Amazons, turned in the screenplay for the film.[6] He would also script the Lex Barker feature Tarzan's Savage Fury.[6]

Some location shooting was done in Baldwin Park, California,[7] the Los Angeles County Arboretum and Botanic Garden, and the Iverson Movie Ranch.[8] But most of the filming was done on the RKO Forty Acres backlot.[8] (On January 7, 1950, Lesser announced that the next Tarzan film would be made entirely in South Africa.)[9]

The film marked actress Vanessa Brown's only outing as Jane. According to director Lee Sholem, producer Sol Lesser was looking to cast a new "Jane" to replace actress Brenda Joyce, who had portrayed Jane in the five previous films.[10] Sholem brought Marilyn Monroe out to see Lesser,[10] but Lesser didn't think she'd be right for the part as she was too much of a bombshell.[11] Sholem brought Monroe to see Lesser eight times in all, but in the end Lesser settled on Vanessa Brown.[10] Brown had been a popular performer on the Quiz Kids radio show, and at age 21 already had a six-year acting career which included a number of prominent roles in important films.[12] Signed by 20th Century Fox, she'd been loaned out to RKO several times.[12] But Fox had cancelled her contract in early 1950.[12] She took the role in RKO's Tarzan and the Slave Girl because she needed the money. She later recalled, "My intellectual friends said, 'My God, what you won't do for money.' I needed a job, I had to pay the rent."[12] (Later that year, she'd become a Broadway star after Katharine Hepburn picked her to play Celia in As You Like It.)[12] Lesser picked Brown because of her Quiz Kid background.[10] Director Sholem found her pompous:

There was a situation one day where she had about three words to say, and she asked, "What is the underlying meaning of this?" In a Tarzan picture [laughs]! "What is my feeling here? What is my attitude?" Oh, you never heard such shit![13]

The slave girl in the title is Lola, played by Denise Darcel. Although previous films had made it clear that Tarzan and Jane were husband and wife, this film depicted Jane as Tarzan's girlfriend[3]—which allowed Lola to compete for Tarzan's affections without implying that she was an adulterer.

Mary Ellen Kay has an uncredited role as the slave girl who is engaged to the Prince.[14] Eva Gabor has a nonspeaking background role as one of the slave girls as well.[15]

Suffering from Parkinson's disease and having already had several heart attacks, Tarzan creator Edgar Rice Burroughs visited the set during production.[16] It was one of his last public appearances, according to Burrough's daughter, Joan.[16] Burroughs died on March 19, 1950, just four days after the film's release on March 15.[1]

Critical reception

Generally speaking, the film received only mediocre reviews from film critics, who felt the plot was silly and that Brown was a poor substitute for Joyce as "Jane."[17] The New York Times called the film "painful" to watch, and said, "About the only novelty the picture offers is Cheeta's encounter with a bottle of whisky, and even that isn't very funny."[18]

References

  1. 1 2 3 Essoe, p. 131.
  2. 1 2 Brady, Thomas F. "Del Ruth to Direct Milton Berle Film." New York Times. June 24, 1949.
  3. 1 2 "Tarzan and the Slave Girl: Notes." Turner Classic Movies. TCM.com. No date. Accessed 2011-07-08
  4. ↑ Weiler, A.H. "By Way of Report." New York Times. July 17, 1949.
  5. ↑ Brady, Thomas F. "'Rebellion' Ends for Judy Garland." New York Times. August 1, 1949.
  6. 1 2 Reid, p. 233.
  7. ↑ American Film Institute, p. 1063.
  8. 1 2 Schneider, p. 4.
  9. ↑ Weiler, A.H. "Random Notes About People and Pictures." New York Times. January 8, 1950.
  10. 1 2 3 4 Weaver, p. 291.
  11. ↑ Vernon, p. 81.
  12. 1 2 3 4 5 Vallance, Tom. "Obituary: Vanessa Brown.", The Independent. May 29, 1999. Accessed 2011-07-08.
  13. ↑ Quoted in Weaver, p. 291. Emphasis in original.
  14. ↑ Fitzgerald and Magers, p. 116-117.
  15. ↑ Belanger, p. 273.
  16. 1 2 Etter, p. 233.
  17. ↑ "Barker, Lex", in Dictionary of American Biography, 1971–1975, p. 65.
  18. ↑ "At the Criterion." New York Times. June 24, 1950. Spellings in original.

Bibliography

  • American Film Institute. The American Film Institute Catalog of Motion Pictures Produced in the United States. Vol. F4. Berkeley, Calif.: University of California Press, 1999.
  • "Barker, Lex." Dictionary of American Biography, 1971–1975. New York: Scribner, 1994.
  • Belanger, Camyl Sosa. Eva Gabor, an Amazing Woman. New York: iUniverse, 2005.
  • Essoe, Gabe. Tarzan of the Movies: A Pictorial History of More Than Fifty Years of Edgar Rice Burroughs' Legendary Hero. New York: Citadel Press, 1968.
  • Etter, Jonathan. Quinn Martin, Producer: A Behind-the-Scenes History of QM Productions and Its Founder. Jefferson, N.C.: McFarland & Co., 2003.
  • Fitzgerald, Michael G. and Magers, Boyd. Ladies of the Western: Interviews With 25 Actresses From the Silent Era to the Television Westerns of the 1950s and 1960s. Jefferson, N.C.: McFarland, 2008.
  • Reid, John Howard. Success in the Cinema: Money-Making Movies and Critics' Choices. Morrisville, N.C.: John Howard Reid, 2006.
  • Schneider, Jerry L. Edgar Rice Burroughs and the Silver Screen. Vol. IV: The Locations. Miami: ERBville Press, 2008.
  • Vernon, Alex. On Tarzan. Athens, Ga.: University of Georgia Press, 2008.
  • Weaver, Tom. Return of the B Science Fiction and Horror Heroes: The Mutant Melding of Two Volumes of Classic Interviews. Jefferson, N.C.: McFarland, 2000.
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