The Game
OriginMitcham, Southwest London
Genres
Years active
  • 1960s
  • 1990s
Labels
Past members
  • Terry Spencer
  • Allen Janaway
  • Tony Bird

The Game was a band from Mitcham, England. They attracted widespread controversy after a seven-minute discussion of their 1967 single, "The Addicted Man", was withdrawn from an episode of Juke Box Jury.

Career

Early releases

The Game formed in 1963[1] in Mitcham;[2] lead guitarist Terry Spencer and bassist Allen Janaway had previously played in Surrey-based band the Secrets, and the line-up also contained the then-14-year-old rhythm guitarist Tony Bird. Their first record, "Gotta Keep Movin' Baby", was a rock and roll song co-authored by Kenny Lynch, and was released in 1965 on Pye Records. After it flopped, the band changed to Decca Records, became a Mod band, and released "Gonna Get Me Someone", another flop. They then signed to Parlophone Records,[1] and tried to release an anti-drug single, "The Addicted Man",[1] which had lyrics written by Lesley Blake and music by Alan Gowing and Terry Brown.[2]

Juke Box Jury

In January 1967, the News of the World launched a four-week series on drugs and popular music, in which they criticised the BBC for using Juke Box Jury to play Mothers of Invention's "Can't Happen Here", which they alleged was made under the influence of LSD.[3] As a result, the BBC cut a seven-minute[4] discussion of "The Addicted Man" from the edition broadcast on 7 January,[3] in which the show's jury, Pete Murray, Simon Dee, Alan Freeman and Jimmy Savile, misinterpreted the song as being pro-drugs, and critically vilified it; as a result, the programme started late,[2] and with a cartoon in its place.[5] As a result of the media hostility,[3] Parlophone withdrew the song.[6] Not wanting to suffer a similar fate, a panicked EMI ordered the Smoke's "My Friend Jack" recut.[7] Maurice Kinn, the then-editor of NME, was not amused, using a 14 January 1967 edition to attack the BBC for "funk[ing] the chance" to "dismiss th[e] trend" of drugs "playing an increasingly prominent part in pop lyrics […] as distasteful rubbish", further adding that, in all caps for emphasis, "IF THE BBC IS GOING TO TURN A COLD SHOULDER TO ALL DRUG-TAKING IMPLICATIONS IN POP MUSIC, IT MIGHT AS WELL SCRUB JBJ IMMEDIATELY".[8] Rob Chapman used his 2015 book, Psychedelia and Other Colours, to note that:

Despite the controversy - the title phrase appears nowhere in the song itself - and the fact that the opening words are 'Take it, boy' and the chorus goes 'Reach there, man / and get there fast', there is little in the song to distinguish it from any of the other Who-influenced R&B that was released during the period. The subject matter might have been abundantly clear to anyone in the know, but had the song just been called 'Reach There, Man', it's quite possible that the Juke Box Jury panellists would have remained oblivious to what the Game were really singing about. The lyrics, delivered in an insolent slur through a wall of feedback and fuzz, would have been as unintelligible to the unconverted as many rap lyrics are now.

— Rob Chapman, Psychedelia and Other Colours[9]

In 2019, demo copies of "The Addicted Man" were selling for £700, and stock copies for £1,000.[10] "The Addicted Man"'s replacement was the psychedelic "It's Shocking What They Call Me", backed with "Help Me Mummy's Gone". The band then split up, with Bird joining Kind Hearts & English and Spencer forming Lavender Grove with Stan Decker,[1] and both later forming a band called Grail, who released an album produced by Rod Stewart.[11] They reunited in 1995,[2] and would later release an album It's Shocking What They Call Us.[12]

References

  1. 1 2 3 4 "The Game Biography, Songs, & Albums". AllMusic. Archived from the original on 4 June 2023. Retrieved 4 June 2023.
  2. 1 2 3 4 "The Game". Mitcham History Notes. 13 February 2017. Archived from the original on 4 June 2023. Retrieved 4 June 2023.
  3. 1 2 3 Jones, Steve (8 June 2002). Pop Music and the Press. Temple University Press. ISBN 9781566399661 – via Google Books.
  4. ↑ Chapman, Rob (6 May 2010). Syd Barrett: A Very Irregular Head. Faber & Faber. ISBN 9780571258406 – via Google Books.
  5. ↑ "That drug disc is withdrawn" (PDF). Disc & Music Echo. 14 January 1967. Archived (PDF) from the original on 11 April 2023. Retrieved 13 June 2023.
  6. ↑ "From The Music Capitals of the World". Billboard. 28 January 1967.
  7. ↑ "The Smoke - High in a Room: The Smoke Anthology Album Reviews, Songs & More | AllMusic". Archived from the original on 4 June 2023. Retrieved 4 June 2023 – via www.allmusic.com.
  8. ↑ Glen, Patrick (11 December 2018). Youth and Permissive Social Change in British Music Papers, 1967–1983. Springer. ISBN 978-3-319-91674-3.
  9. ↑ Chapman, Rob (1 September 2015). Psychedelia and Other Colours. Faber & Faber. ISBN 9780571282753 – via Google Books.
  10. ↑ "40 at 40 - Record Collector Magazine". Record Collector Mag. 10 June 2019. Archived from the original on 4 June 2023. Retrieved 4 June 2023.
  11. ↑ "The Game | Psychedelicized".
  12. ↑ "The Game - It's Shocking What They Call Us [Plus Single] Album Reviews, Songs & More | AllMusic". Archived from the original on 4 June 2023. Retrieved 4 June 2023 – via www.allmusic.com.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.