Front cover of the only issue of The Klaxon (Winter 1923/1924)

The Klaxon: An Irish International Quarterly was an avant-garde literary magazine of literature, art, and criticism published in Dublin.[1] The magazine ran for a single issue between 1923-1924.[2] It was created and edited by A.J. "Con" Leventhal. Leventhal decided to start the magazine after his review of Ulysses was rejected by Seumas O'Sullivan's The Dublin Magazine on account of the printers' refusal to publish a positive review of James Joyce. Among its contributors were Thomas MacGreevy, Francis Stuart, F.R. Higgins, and Cecil Ffrench Salkeld.[3]

The Klaxon is noteworthy for being the first magazine to publish a critically appreciative review of Ulysses in the Irish Free State.[4] It also included an installment of Arland Ussher's English translation of Brian Merriman's The Midnight Court, the first translation of the poem to be published in the 20th century.[5] The original poetry and criticism published in The Klaxon show an engagement with European modernist movements like imagism, cubism, Dadaism, and surrealism, as well as an interest in Japanese and African art. After failing to secure funding for a second issue, Leventhal and other Klaxon contributors went on to start another avant-garde periodical called To-Morrow, which was published for two issues (August 1924 and September 1924).[6]

Reception

At the time of its publication, The Klaxon was described as "an excellent ambition" by the pro-treaty Freeman's Journal[7] and "unconventional" by the Irish Independent, which compared the magazine to Ford Madox Ford's transatlantic review.[8] George Russell, writing for the Irish Statesman, described the venture as "Irish youth [...] trying desperately to be wild and wicked without the capacity to be anything else but young".[1]

Contemporary scholars have described The Klaxon as "Ireland's first [...] fiercely Modernist magazine."[9] Its design and content are consistent with other periodicals published during the interwar high modernist period, especially little magazines like The Little Review, BLAST, and 391. Like many modernist magazines, The Klaxon featured a manifesto, written by Leventhal, which was aimed at provoking the public: "We railed against the psychopedantic parlours of our elders and their maidenly consorts, hoping the while with an excess of Picabia and banter, a whiff of Dadaist Europe to kick Ireland into artistic wakefulness."[10]

Content

The only issue of The Klaxon, published in Winter 1923/4, included:

References

  1. 1 2 O'Malley, William T. (2003). Modernism's Irish Klaxon. pp. 1–5.
  2. ↑ Shovlin, Frank (2003). The Irish Literary Periodical. Clarendon Press. p. 49. ISBN 9780199267392.
  3. ↑ Griffith, Angela (2017). "Visualizing To-Morrow: An Irish Modernist Periodical". BLAST at 100: A Modernist Magazine Reconsidered. Brill. ISBN 9789004347540.
  4. ↑ Dobbins, Gregory (2010). Lazy Idle Schemers: Irish Modernism and the Cultural Politics of Idleness. Field Day Publications. pp. 122–123. ISBN 978-0-946755-50-9.
  5. ↑ Schirmer, Gregory A. (2015). The Midnight Court: Eleven Versions of Merriman. Lilliput Press. ISBN 978-1-84351-639-2.
  6. ↑ Anthony Olden, "A Storm in a Chalice," Library Review 25, no. 7, (Autumn 1976), 265-269.
  7. ↑ Freeman's Journal, "Dublin's Young Men", January 19, 1924, 9.
  8. ↑ Irish Independent, January 14, 1924, 6.
  9. ↑ Clyde, Tom (1999). Irish Literary Magazines: An Outline History and Descriptive Bibliography. Irish Academic Press.
  10. ↑ ""The Klaxon," Index of Modernist Magazines". 9 June 2016.
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